Schwartz Joyce Pomeroy (33 results)
Published by Florida Committee of the Nationa, 2004
- Softcover
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
Contact seller5-star sellerCondition: Used - Very good
£ 5.88
£ 4.51 shippingShips within U.S.A.Quantity: 1 available
Add to basketPaperback. Condition: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Oversized.
- Hardcover
Seller: Magers and Quinn Booksellers, Minneapolis, MN, U.S.A.Magers and Quinn Booksellers
Contact seller5-star sellerCondition: Used - Fair
£ 18.39
£ 3.00 shippingShips within U.S.A.Quantity: 5 available
hardcover. Condition: Acceptable. May have underlining, highlighting, margin notes, remainder marks, inscriptions, book plates, tears, significant wear, and/or a missing dust jacket, box, or discs. Damaged item.
Published by Charlotte, NC: NationsBank Plaza, 1996
- Softcover
Seller: ANARTIST, New York, NY, U.S.A.ANARTIST
Contact seller5-star sellerSoftcover staple bound, 24 pages, very good condition, no internal marks, clean and crisp. Includes: Vito Acconci, Janet Biggs, Elba Damast, Claudia De Monte, Lauren Ewing, Adrienne Heinrich, Jane Kaufman, Fernand Leger, Walter Martin, Heather Nicol, Lucas Samaras, David Saunders, Robert Zakanitch.
Published by Deland Museum Florida, 2014
- Softcover
Seller: Tim's Used Books Provincetown Mass., Provincetown, MA, U.S.A.Tim's Used Books Provincetown Mass.
Contact seller5-star sellerCondition: Used - Very good
£ 14.70
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Add to basketSoft cover. Condition: Very Good. All images in vivid full color. No marks in text. Not a library book. Ships in a cardboard enclosure. Thank you from Tim's Used Books, open shop in Provincetown, Massachusetts, founded 1991. The home of good books at sane prices. 12 11 23.
- Hardcover
Seller: Lakeside Books, Benton Harbor, MI, U.S.A.Lakeside Books
Contact seller5-star sellerCondition: New
£ 26.83
£ 3.00 shippingShips within U.S.A.Quantity: 8 available
Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.
- Hardcover
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.BargainBookStores
Contact seller5-star sellerCondition: New
£ 31.93
Free ShippingShips within U.S.A.Quantity: 5 available
Hardback or Cased Book. Condition: New. The Private Eye in Public Art. Book.
- Hardcover
Seller: Strand Book Store, ABAA, New York, NY, U.S.A.Strand Book Store, ABAA
Contact seller4-star sellerCondition: Used - Good
£ 27.08
£ 6.75 shippingShips within U.S.A.Quantity: 1 available
Oversized Hardcover. Condition: Good.
Published by Florida Committee Of The National Museum Of Women In The Arts, Washington, D. C., 2004
- Softcover
- First Edition
Seller: KULTURAs books, Los Angeles, CA, U.S.A.KULTURAs books
Contact seller4-star sellerPaperback. Condition: Fine. First Edition. Softcover in illustrated wraps. First printing. Fine, As New condition. Catalogue published to accompany a traveling exhibit of women artists that launched at the National Museum of Women in the Arts in Washington, D. C. , in 2004. All plates in color. 4t0. 63 pp.
- Hardcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
Contact seller5-star sellerCondition: New
£ 34.80
£ 1.98 shippingShips within U.S.A.Quantity: 1 available
Condition: New.
- Hardcover
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
Contact seller5-star sellerCondition: New
£ 36.85
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Hardcover. Condition: new. Hardcover. Challenging the hegemony of museums and yearning to communicate with a larger diverse audience, trailblazing conceptual artists and land artists found support in newly developed and expanded programs of the NEA and the GSA.This book foregrounds critical questions about public art, the polici…es that govern it, and the processes that realise it. What makes art public? What makes good public art? Why is there so much bad public art? How can the overall standard of public art be improved? What professional practices sponsor the best art for architecture and the environment? How can the artist selection process ensure that only superior artists are commissioned? Aesthetic judgements are implicit in museums exhibitions and acquisitions. Why should art in public places be held to a lesser standard? How can myriad interests of the community and individuals be harnessed to the higher goal of choosing the best artists for a project.It is a central contention of the book that despite the numerous constraints encountered in any commission, the most excellent public art expresses and even accentuates the personal, innovative vision of the artist. Approaches that compromise that vision, especially those that try to be all things to all people, inevitably diminish the dynamism and uniqueness of the final work. In the best public art, imagination, originality, passion, and even impulsiveness characterise the work of those artists who, while reaching out to a broader public, paradoxically search for new ideas often antithetical to the rules, materialistic culture, and social practices of the community. Many projects have demonstrated that art that seems different, difficult, and provocative can, in time, become familiar and comprehensible in a public setting and resonate more effectively than conventional solutions. This book foregrounds critical questions about public art, the policies that govern it, and the processes that realise it. What makes art public? What makes good public art? Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Published by Cleveland Center for Contemporary Art, Cleveland, OH, 1985
- Softcover
- First Edition
Seller: Frey Fine Books, Rougemont, NC, U.S.A.Frey Fine Books
Contact seller5-star sellerCondition: Used - Very good
£ 19.34
£ 5.22 shippingShips within U.S.A.Quantity: 1 available
Add to basketPaperback. Condition: Very Good. First edition. oblong small quarto, stapled gray wraps, 41 pages. Exterior lightly soiled.
More imagesPublished by LaSalle Parters at NationsBank Plaza, Charlotte, NC, 1996
- Softcover
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA
Contact seller4-star sellerCondition: Used - Very good
£ 15.47
£ 9.76 shippingShips within U.S.A.Quantity: 1 available
Add to basketPaperback. Condition: VG. Color-illustrated wraps with white lettering. 24 pp. Color illustrations. Catalogue of an exhibition from Januaryn 27 to October 31, 1996.
Published by Florida Committee of the National Museum of Women in the Arts, Washington, DC, 2004
- Softcover
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA
Contact seller4-star sellerCondition: Used - Very good
£ 15.47
£ 9.76 shippingShips within U.S.A.Quantity: 2 available
Add to basketSoftcover. Condition: VG+. Dark wraps with color illus.; 63 pp.; profuse color illustration. Contains an essay, "Calm and Cacaphony," and features works by 19 artists.
Published by Cleveland Center for Contemporary Art, Cleveland OH, 1985
- Softcover
Seller: Exquisite Corpse Booksellers, Houston, TX, U.S.A.Exquisite Corpse Booksellers
Contact seller5-star sellerCondition: Used - Near fine
£ 19.34
£ 6.72 shippingShips within U.S.A.Quantity: 1 available
Add to basketWrappers. Condition: Near Fine. 42 pages. Oblong format softcover, staple bound with stiff printed paper covers. Texts in English. Numerous illustrations in black and white. Some wear to the edges of the covers, including some at the lower right corner of the front cover, with some tears on the back cover possibly consistent wit…h the removal of previous price stickers. Published in conjunction with the exhibition held from October 4-November 16, 1985.
- Hardcover
Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
Contact seller5-star sellerCondition: New
£ 31.11
£ 9.36 shippingShips from United Kingdom to U.S.A.Quantity: 15 available
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
- Hardcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
Contact seller5-star sellerCondition: Used - As new
£ 41.52
£ 1.98 shippingShips within U.S.A.Quantity: 1 available
Condition: As New. Unread book in perfect condition.
- Hardcover
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
Contact seller5-star sellerCondition: New
£ 44.66
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Hardback. Condition: New. Challenging the hegemony of museums and yearning to communicate with a larger diverse audience, trailblazing conceptual artists and land artists found support in newly developed and expanded programs of the NEA and the GSA. This book foregrounds critical questions about public art, the policies that gov…ern it, and the processes that realise it. What makes art public? What makes good public art? Why is there so much bad public art? How can the overall standard of public art be improved? What professional practices sponsor the best art for architecture and the environment? How can the artist selection process ensure that only superior artists are commissioned? Aesthetic judgments are implicit in museums exhibitions and acquisitions. Why should art in public places be held to a lesser standard? How can myriad interests of the community and individuals be harnessed to the higher goal of choosing the best artists for a project.It is a central contention of the book that despite the numerous constraints encountered in any commission, the most excellent public art expresses and even accentuates the personal, innovative vision of the artist. Approaches that compromise that vision, especially those that try to be all things to all people, inevitably diminish the dynamism and uniqueness of the final work. In the best public art, imagination, originality, passion, and even impulsiveness characterises the work of those artists who, while reaching out to a broader public, paradoxically search for new ideas often antithetical to the rules, materialistic culture, and social practices of the community. Many projects have demonstrated that art that seems different, difficult, and provocative can, in time, become familiar and comprehensible in a public setting and resonate more effectively than conventional solutions.
- Hardcover
Seller: THE SAINT BOOKSTORE, Southport, United KingdomTHE SAINT BOOKSTORE
Contact seller5-star sellerCondition: New
£ 31.09
£ 13.37 shippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
Hardback. Condition: New. New copy - Usually dispatched within 4 working days.
- Hardcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
Contact seller5-star sellerCondition: New
£ 31.08
£ 15.00 shippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
Condition: New.
- Hardcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
Contact seller5-star sellerCondition: New
£ 47.98
Free ShippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
Hardback. Condition: New. Challenging the hegemony of museums and yearning to communicate with a larger diverse audience, trailblazing conceptual artists and land artists found support in newly developed and expanded programs of the NEA and the GSA. This book foregrounds critical questions about public art, the policies that gov…ern it, and the processes that realise it. What makes art public? What makes good public art? Why is there so much bad public art? How can the overall standard of public art be improved? What professional practices sponsor the best art for architecture and the environment? How can the artist selection process ensure that only superior artists are commissioned? Aesthetic judgments are implicit in museums exhibitions and acquisitions. Why should art in public places be held to a lesser standard? How can myriad interests of the community and individuals be harnessed to the higher goal of choosing the best artists for a project.It is a central contention of the book that despite the numerous constraints encountered in any commission, the most excellent public art expresses and even accentuates the personal, innovative vision of the artist. Approaches that compromise that vision, especially those that try to be all things to all people, inevitably diminish the dynamism and uniqueness of the final work. In the best public art, imagination, originality, passion, and even impulsiveness characterises the work of those artists who, while reaching out to a broader public, paradoxically search for new ideas often antithetical to the rules, materialistic culture, and social practices of the community. Many projects have demonstrated that art that seems different, difficult, and provocative can, in time, become familiar and comprehensible in a public setting and resonate more effectively than conventional solutions.
Published by TrizecHahn Office Properties, Bank of America Plaza, Charlotte NC, 1999
- Softcover
Seller: Exquisite Corpse Booksellers, Houston, TX, U.S.A.Exquisite Corpse Booksellers
Contact seller5-star sellerStaple-bound Wrappers. Condition: Fine Condition. Slim volume, 22 pages 17 illustrations 12 in color. Illustrated wraps. Curated by Joyce Pomeroy Schwartz and Karla Bradley. Published on the occasion of the exhibition from the Eighth Annual Art Exhibition, TrizecHahn Office Properties, Bank of America Plaza, Charlotte NC 4 Febru…ary-4 November 1999.
- Hardcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
Contact seller5-star sellerCondition: New
£ 38.06
£ 11.98 shippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
Condition: New. In.
Published by Charlotte, NC: LaSalle Partners., 1996
- Softcover
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
Contact seller5-star sellerCondition: Good. 8vo. 24 pp. Stapled wraps. Near Fine. Color plates. Features works by Janet Biggs, Fernand Leger, Heather Nicol, et al.
- Hardcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
Contact seller5-star sellerCondition: Used - As new
£ 37.27
£ 15.00 shippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
Condition: As New. Unread book in perfect condition.
- Hardcover
Seller: Russell Books, Victoria, BC, CanadaRussell Books
Contact seller5-star sellerCondition: New
£ 38.68
£ 15.02 shippingShips from Canada to U.S.A.Quantity: 16 available
hardcover. Condition: New. Special order direct from the distributor.
- Hardcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
Contact seller5-star sellerCondition: New
£ 43.05
£ 20.00 shippingShips from United Kingdom to U.S.A.Quantity: 2 available
Hardcover. Condition: Brand New. 260 pages. 11.00x9.00x1.00 inches. In Stock.
- Hardcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
Contact seller5-star sellerCondition: New
£ 53.61
£ 20.00 shippingShips from United Kingdom to U.S.A.Quantity: 2 available
Hardcover. Condition: Brand New. 260 pages. 11.00x9.00x1.00 inches. In Stock.
- Hardcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
Contact seller5-star sellerCondition: New
£ 53.61
£ 20.00 shippingShips from United Kingdom to U.S.A.Quantity: 2 available
Hardcover. Condition: Brand New. 260 pages. 11.00x9.00x1.00 inches. In Stock.
- Hardcover
Seller: moluna, Greven, Germanymoluna
Contact seller5-star sellerCondition: New
£ 37.57
£ 41.87 shippingShips from Germany to U.S.A.Quantity: Over 20 available
Condition: New. Über den AutorJoyce Pomeroy Schwartz is a curator and public art consultant specializing in public art policy, contemporary art commissions for architecture and landscape projects, implementation of arts master plans, and integratio.
- Hardcover
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
Contact seller5-star sellerCondition: New
£ 44.42
£ 37.56 shippingShips within U.S.A.Quantity: 8 available
Hardback. Condition: New. Challenging the hegemony of museums and yearning to communicate with a larger diverse audience, trailblazing conceptual artists and land artists found support in newly developed and expanded programs of the NEA and the GSA. This book foregrounds critical questions about public art, the policies that gov…ern it, and the processes that realise it. What makes art public? What makes good public art? Why is there so much bad public art? How can the overall standard of public art be improved? What professional practices sponsor the best art for architecture and the environment? How can the artist selection process ensure that only superior artists are commissioned? Aesthetic judgments are implicit in museums exhibitions and acquisitions. Why should art in public places be held to a lesser standard? How can myriad interests of the community and individuals be harnessed to the higher goal of choosing the best artists for a project.It is a central contention of the book that despite the numerous constraints encountered in any commission, the most excellent public art expresses and even accentuates the personal, innovative vision of the artist. Approaches that compromise that vision, especially those that try to be all things to all people, inevitably diminish the dynamism and uniqueness of the final work. In the best public art, imagination, originality, passion, and even impulsiveness characterises the work of those artists who, while reaching out to a broader public, paradoxically search for new ideas often antithetical to the rules, materialistic culture, and social practices of the community. Many projects have demonstrated that art that seems different, difficult, and provocative can, in time, become familiar and comprehensible in a public setting and resonate more effectively than conventional solutions.
