Deutermann Allison (56 results)

Condition: New.

Paperback. Condition: New. Examines the impact of hearing on the formal and generic development of early modern theatreEarly modern drama was in fundamental ways an aural art form. How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama. Ultimately, they shaped the two of its most popular genres: revenge tragedy and city comedy. Simply put, theatregoers were taught to hear these plays differently. Revenge tragedies by Shakespeare and Kyd imagine sound stabbing, piercing, and slicing into listeners' bodies on and off the stage; while comedies by Jonson and Marston imagine it being sampled selectively, according to taste. Listening for Theatrical Form in Early Modern England traces the dialectical development of these two genres and auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays and to the non-dramatic literature that gives this interest in audition texture: anatomy texts, sermons, music treatises, and manuals on rhetoric and poetics.Key Features Invites new attention to the theatre as something heard, rather than as something seen, in performanceProvides a model for understanding aesthetic forms as developing in competitive response to one another in particular historical circumstancesEnriches our sense of early modern playgoers' auditory experience, and of dramatists' attempt to shape it.…

Condition: As New. Unread book in perfect condition.

paperback. Condition: Very Good. Listening for Theatrical Form in Early Modern England (Edinburgh Critical Studies in Renaissance Culture) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . …

paperback. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condition: New.

Paperback. Condition: Brand New. reprint edition. 208 pages. 9.09x6.10x0.43 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Fine. No Jacket. First Edition. Fine unread copy in glossy boards. 8vo. - over 7¾ in. - 9¾ in., 258pp.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Condition: New. Examines the impact of hearing on the formal and generic development of early modern theatre Early modern drama was in fundamental ways an aural art form. How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama. Ultimately, they shaped the two of its most popular genres: revenge tragedy and city comedy. Simply put, theatregoers were taught to hear these plays differently. Revenge tragedies by Shakespeare and Kyd imagine sound stabbing, piercing, and slicing into listeners' bodies on and off the stage; while comedies by Jonson and Marston imagine it being sampled selectively, according to taste. Listening for Theatrical Form in Early Modern England traces the dialectical development of these two genres and auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays and to the non-dramatic literature that gives this interest in audition texture: anatomy texts, sermons, music treatises, and manuals on rhetoric and poetics. Key Features Invites new attention to the theatre as something heard, rather than as something seen, in performanceProvides a model for understanding aesthetic forms as developing in competitive response to one another in particular historical circumstancesEnriches our sense of early modern playgoers' auditory experience, and of dramatists' attempt to shape it.…

Condition: Gebraucht / Used. Hardcover. Very good. Xi,258pp.

Paperback. Condition: New. Examines the impact of hearing on the formal and generic development of early modern theatreEarly modern drama was in fundamental ways an aural art form. How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama. Ultimately, they shaped the two of its most popular genres: revenge tragedy and city comedy. Simply put, theatregoers were taught to hear these plays differently. Revenge tragedies by Shakespeare and Kyd imagine sound stabbing, piercing, and slicing into listeners' bodies on and off the stage; while comedies by Jonson and Marston imagine it being sampled selectively, according to taste. Listening for Theatrical Form in Early Modern England traces the dialectical development of these two genres and auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays and to the non-dramatic literature that gives this interest in audition texture: anatomy texts, sermons, music treatises, and manuals on rhetoric and poetics.Key Features Invites new attention to the theatre as something heard, rather than as something seen, in performanceProvides a model for understanding aesthetic forms as developing in competitive response to one another in particular historical circumstancesEnriches our sense of early modern playgoers' auditory experience, and of dramatists' attempt to shape it.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. pp. 320 16 Illus.

Condition: New.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. In English.

Condition: New. The essays in this collection explore the intersection between literary and material forms of writing in sixteenth- and seventeenth-century England by linking formalist analysis with the insights of book history. Editor(s): Deutermann, Allison K.; Kisery, Andras. Num Pages: 272 pages, Illustrations, black & white. BIC Classification: 2AB; DSBD. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 238 x 179 x 26. Weight in Grams: 556. . 2013. 1st Edition. Hardcover. . . . .…

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 1st edition. 320 pages. 9.50x6.50x1.25 inches. In Stock.

Condition: New. The essays in this collection explore the intersection between literary and material forms of writing in sixteenth- and seventeenth-century England by linking formalist analysis with the insights of book history. Editor(s): Deutermann, Allison K.; Kisery, Andras. Num Pages: 272 pages, Illustrations, black & white. BIC Classification: 2AB; DSBD. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 238 x 179 x 26. Weight in Grams: 556. . 2013. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.…

Condition: New. 2022. Paperback. . . . . .

Condition: New.

Condition: Sehr gut. Zustand: Sehr gut | Seiten: 272 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.