Allison K Deutermann (60 results)
Language: English
Published by Edinburgh University Press, Edinburgh, 2017
Series: Edinburgh Critical Studies in Renaissance Culture, Book 17 of 28. Book 17 of 28 - Edinburgh Critical Studies in Renaissance Culture
- Softcover
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Paperback. Condition: new. Paperback. Examines the impact of hearing on the formal and generic development of early modern theatreEarly modern drama was in fundamental ways an aural art form. How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama. Ultimately, th…ey shaped the two of its most popular genres: revenge tragedy and city comedy. Simply put, theatregoers were taught to hear these plays differently. Revenge tragedies by Shakespeare and Kyd imagine sound stabbing, piercing, and slicing into listeners' bodies on and off the stage; while comedies by Jonson and Marston imagine it being sampled selectively, according to taste. Listening for Theatrical Form in Early Modern England traces the dialectical development of these two genres and auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays and to the non-dramatic literature that gives this interest in audition texture: anatomy texts, sermons, music treatises, and manuals on rhetoric and poetics.Key FeaturesInvites new attention to the theatre as something heard, rather than as something seen, in performanceProvides a model for understanding aesthetic forms as developing in competitive response to one another in particular historical circumstancesEnriches our sense of early modern playgoers' auditory experience, and of dramatists' attempt to shape it This book traces thedialectical development of auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by Edinburgh University Press, GB, 2017
Series: Edinburgh Critical Studies in Renaissance Culture, Book 17 of 28. Book 17 of 28 - Edinburgh Critical Studies in Renaissance Culture
- Softcover
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Paperback. Condition: New. Examines the impact of hearing on the formal and generic development of early modern theatreEarly modern drama was in fundamental ways an aural art form. How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama. Ultimately, they shaped t…he two of its most popular genres: revenge tragedy and city comedy. Simply put, theatregoers were taught to hear these plays differently. Revenge tragedies by Shakespeare and Kyd imagine sound stabbing, piercing, and slicing into listeners' bodies on and off the stage; while comedies by Jonson and Marston imagine it being sampled selectively, according to taste. Listening for Theatrical Form in Early Modern England traces the dialectical development of these two genres and auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays and to the non-dramatic literature that gives this interest in audition texture: anatomy texts, sermons, music treatises, and manuals on rhetoric and poetics.Key Features Invites new attention to the theatre as something heard, rather than as something seen, in performanceProvides a model for understanding aesthetic forms as developing in competitive response to one another in particular historical circumstancesEnriches our sense of early modern playgoers' auditory experience, and of dramatists' attempt to shape it.
Language: English
Published by Edinburgh University Press, 2017
Series: Edinburgh Critical Studies in Renaissance Culture, Book 17 of 28. Book 17 of 28 - Edinburgh Critical Studies in Renaissance Culture
- Softcover
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Language: English
Published by Edinburgh University Press, GB, 2017
Series: Edinburgh Critical Studies in Renaissance Culture, Book 17 of 28. Book 17 of 28 - Edinburgh Critical Studies in Renaissance Culture
- Softcover
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Paperback. Condition: New. Examines the impact of hearing on the formal and generic development of early modern theatreEarly modern drama was in fundamental ways an aural art form. How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama. Ultimately, they shaped t…he two of its most popular genres: revenge tragedy and city comedy. Simply put, theatregoers were taught to hear these plays differently. Revenge tragedies by Shakespeare and Kyd imagine sound stabbing, piercing, and slicing into listeners' bodies on and off the stage; while comedies by Jonson and Marston imagine it being sampled selectively, according to taste. Listening for Theatrical Form in Early Modern England traces the dialectical development of these two genres and auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays and to the non-dramatic literature that gives this interest in audition texture: anatomy texts, sermons, music treatises, and manuals on rhetoric and poetics.Key Features Invites new attention to the theatre as something heard, rather than as something seen, in performanceProvides a model for understanding aesthetic forms as developing in competitive response to one another in particular historical circumstancesEnriches our sense of early modern playgoers' auditory experience, and of dramatists' attempt to shape it.
Language: English
Published by Edinburgh University Press, 2017
Series: Edinburgh Critical Studies in Renaissance Culture, Book 17 of 28. Book 17 of 28 - Edinburgh Critical Studies in Renaissance Culture
- Softcover
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Language: English
Published by Edinburgh University Press, 2017
Series: Edinburgh Critical Studies in Renaissance Culture, Book 17 of 28. Book 17 of 28 - Edinburgh Critical Studies in Renaissance Culture
- Softcover
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Condition: New. 1st edition NO-PA16APR2015-KAP.
Language: English
Published by Edinburgh University Press -, 2017
Series: Edinburgh Critical Studies in Renaissance Culture, Book 17 of 28. Book 17 of 28 - Edinburgh Critical Studies in Renaissance Culture
- Softcover
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Paperback. Condition: New.
Language: English
Published by Edinburgh University Press, 2017
Series: Edinburgh Critical Studies in Renaissance Culture, Book 17 of 28. Book 17 of 28 - Edinburgh Critical Studies in Renaissance Culture
- Softcover
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Language: English
Published by Edinburgh University Press, Edinburgh, 2017
Series: Edinburgh Critical Studies in Renaissance Culture, Book 17 of 28. Book 17 of 28 - Edinburgh Critical Studies in Renaissance Culture
- Softcover
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Paperback. Condition: new. Paperback. Examines the impact of hearing on the formal and generic development of early modern theatreEarly modern drama was in fundamental ways an aural art form. How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama. Ultimately, th…ey shaped the two of its most popular genres: revenge tragedy and city comedy. Simply put, theatregoers were taught to hear these plays differently. Revenge tragedies by Shakespeare and Kyd imagine sound stabbing, piercing, and slicing into listeners' bodies on and off the stage; while comedies by Jonson and Marston imagine it being sampled selectively, according to taste. Listening for Theatrical Form in Early Modern England traces the dialectical development of these two genres and auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays and to the non-dramatic literature that gives this interest in audition texture: anatomy texts, sermons, music treatises, and manuals on rhetoric and poetics.Key FeaturesInvites new attention to the theatre as something heard, rather than as something seen, in performanceProvides a model for understanding aesthetic forms as developing in competitive response to one another in particular historical circumstancesEnriches our sense of early modern playgoers' auditory experience, and of dramatists' attempt to shape it This book traces thedialectical development of auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
- Hardcover
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Condition: Gebraucht / Used. Hardcover. Very good. Xi,258pp.
Language: English
Published by Edinburgh University Press, GB, 2017
Series: Edinburgh Critical Studies in Renaissance Culture, Book 17 of 28. Book 17 of 28 - Edinburgh Critical Studies in Renaissance Culture
- Softcover
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Paperback. Condition: New. Examines the impact of hearing on the formal and generic development of early modern theatreEarly modern drama was in fundamental ways an aural art form. How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama. Ultimately, they shaped t…he two of its most popular genres: revenge tragedy and city comedy. Simply put, theatregoers were taught to hear these plays differently. Revenge tragedies by Shakespeare and Kyd imagine sound stabbing, piercing, and slicing into listeners' bodies on and off the stage; while comedies by Jonson and Marston imagine it being sampled selectively, according to taste. Listening for Theatrical Form in Early Modern England traces the dialectical development of these two genres and auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays and to the non-dramatic literature that gives this interest in audition texture: anatomy texts, sermons, music treatises, and manuals on rhetoric and poetics.Key Features Invites new attention to the theatre as something heard, rather than as something seen, in performanceProvides a model for understanding aesthetic forms as developing in competitive response to one another in particular historical circumstancesEnriches our sense of early modern playgoers' auditory experience, and of dramatists' attempt to shape it.
Language: English
Published by Palgrave Macmillan, 2022
Series: Early Modern Cultural Studies 1500–1700, Book 20 of 21. Book 20 of 21 - Early Modern Cultural Studies 1500–1700
- Softcover
Seller: The Compleat Scholar, Rochester, NY, U.S.A.The Compleat Scholar
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paperback. Condition: Very Good. No marks or highlighting in the book. Our copy is paperback showing shelf-wear.
Language: English
Published by EDINBURGH UNIV PR, 2017
Series: Edinburgh Critical Studies in Renaissance Culture, Book 17 of 28. Book 17 of 28 - Edinburgh Critical Studies in Renaissance Culture
- Softcover
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Condition: New. This book traces the dialectical development of auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays .Über den AutorrnrnAllison Deuter.
- Hardcover
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- Hardcover
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Language: English
Published by Edinburgh University Press, GB, 2017
Series: Edinburgh Critical Studies in Renaissance Culture, Book 17 of 28. Book 17 of 28 - Edinburgh Critical Studies in Renaissance Culture
- Softcover
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Paperback. Condition: New. Examines the impact of hearing on the formal and generic development of early modern theatreEarly modern drama was in fundamental ways an aural art form. How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama. Ultimately, they shaped t…he two of its most popular genres: revenge tragedy and city comedy. Simply put, theatregoers were taught to hear these plays differently. Revenge tragedies by Shakespeare and Kyd imagine sound stabbing, piercing, and slicing into listeners' bodies on and off the stage; while comedies by Jonson and Marston imagine it being sampled selectively, according to taste. Listening for Theatrical Form in Early Modern England traces the dialectical development of these two genres and auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays and to the non-dramatic literature that gives this interest in audition texture: anatomy texts, sermons, music treatises, and manuals on rhetoric and poetics.Key Features Invites new attention to the theatre as something heard, rather than as something seen, in performanceProvides a model for understanding aesthetic forms as developing in competitive response to one another in particular historical circumstancesEnriches our sense of early modern playgoers' auditory experience, and of dramatists' attempt to shape it.
Language: English
Published by Edinburgh University Press, 2016
Series: Edinburgh Critical Studies in Renaissance Culture, Book 17 of 28. Book 17 of 28 - Edinburgh Critical Studies in Renaissance Culture
- Hardcover
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Language: English
Published by Edinburgh University Press, 2016
Series: Edinburgh Critical Studies in Renaissance Culture, Book 17 of 28. Book 17 of 28 - Edinburgh Critical Studies in Renaissance Culture
- Hardcover
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Language: English
Published by Manchester University Press 2013-11-30, 2013
- Hardcover
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Language: English
Published by Edinburgh University Press Aug 2017, 2017
Series: Edinburgh Critical Studies in Renaissance Culture, Book 17 of 28. Book 17 of 28 - Edinburgh Critical Studies in Renaissance Culture
- Softcover
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Language: English
Published by Edinburgh University Press, 2016
Series: Edinburgh Critical Studies in Renaissance Culture, Book 17 of 28. Book 17 of 28 - Edinburgh Critical Studies in Renaissance Culture
- Hardcover
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Language: English
Published by Edinburgh University Press, Edinburgh, 2016
Series: Edinburgh Critical Studies in Renaissance Culture, Book 17 of 28. Book 17 of 28 - Edinburgh Critical Studies in Renaissance Culture
- Hardcover
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Hardcover. Condition: new. Hardcover. Examines the impact of hearing on the formal and generic development of early modern theatreEarly modern drama was in fundamental ways an aural art form. How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama. Ultimately, th…ey shaped the two of its most popular genres: revenge tragedy and city comedy. Simply put, theatregoers were taught to hear these plays differently. Revenge tragedies by Shakespeare and Kyd imagine sound stabbing, piercing, and slicing into listeners' bodies on and off the stage; while comedies by Jonson and Marston imagine it being sampled selectively, according to taste. Listening for Theatrical Form in Early Modern England traces the dialectical development of these two genres and auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays and to the non-dramatic literature that gives this interest in audition texture: anatomy texts, sermons, music treatises, and manuals on rhetoric and poetics.Key FeaturesInvites new attention to the theatre as something heard, rather than as something seen, in performanceProvides a model for understanding aesthetic forms as developing in competitive response to one another in particular historical circumstancesEnriches our sense of early modern playgoers' auditory experience, and of dramatists' attempt to shape it This book traces thedialectical development of auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by Edinburgh University Press -, 2016
Series: Edinburgh Critical Studies in Renaissance Culture, Book 17 of 28. Book 17 of 28 - Edinburgh Critical Studies in Renaissance Culture
- Hardcover
Seller: Chiron Media, Wallingford, United KingdomChiron Media
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hardcover. Condition: New.
Language: English
Published by Edinburgh University Press, 2016
Series: Edinburgh Critical Studies in Renaissance Culture, Book 17 of 28. Book 17 of 28 - Edinburgh Critical Studies in Renaissance Culture
- Hardcover
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Language: English
Published by Edinburgh University Press, 2016
Series: Edinburgh Critical Studies in Renaissance Culture, Book 17 of 28. Book 17 of 28 - Edinburgh Critical Studies in Renaissance Culture
- Hardcover
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Language: English
Published by Edinburgh University Press, GB, 2016
Series: Edinburgh Critical Studies in Renaissance Culture, Book 17 of 28. Book 17 of 28 - Edinburgh Critical Studies in Renaissance Culture
- Hardcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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Hardback. Condition: New. Examines the impact of hearing on the formal and generic development of early modern theatreEarly modern drama was in fundamental ways an aural art form. How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama. Ultimately, they shaped th…e two of its most popular genres: revenge tragedy and city comedy. Simply put, theatregoers were taught to hear these plays differently. Revenge tragedies by Shakespeare and Kyd imagine sound stabbing, piercing, and slicing into listeners' bodies on and off the stage; while comedies by Jonson and Marston imagine it being sampled selectively, according to taste. Listening for Theatrical Form in Early Modern England traces the dialectical development of these two genres and auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays and to the non-dramatic literature that gives this interest in audition texture: anatomy texts, sermons, music treatises, and manuals on rhetoric and poetics.Key Features Invites new attention to the theatre as something heard, rather than as something seen, in performanceProvides a model for understanding aesthetic forms as developing in competitive response to one another in particular historical circumstancesEnriches our sense of early modern playgoers' auditory experience, and of dramatists' attempt to shape it.
Language: English
Published by Edinburgh University Press, 2016
Series: Edinburgh Critical Studies in Renaissance Culture, Book 17 of 28. Book 17 of 28 - Edinburgh Critical Studies in Renaissance Culture
- Hardcover
Seller: Biblios, frankfurt am main, HESSE, GermanyBiblios
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Condition: New. pp.
Language: English
Published by Palgrave Macmillan, 2022
Series: Early Modern Cultural Studies 1500–1700, Book 20 of 21. Book 20 of 21 - Early Modern Cultural Studies 1500–1700
- Softcover
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