9780719084973 - Making and Unmaking in Early Modern English Drama: Spectators, Aesthetics and Incompletion by Porter, Chloe (21 results)

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780719084973.

Hardcover. Condition: New. 28 plates (illustrator). 1st Edition. New. Presentation and date signed by the author on the half title. Pictorial covers no jacket as published. Signed By the Author.

Condition: As New. Unread book in perfect condition.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. In.

Hardback. Condition: New. Why are early modern English dramatists preoccupied with unfinished processes of 'making' and 'unmaking'? And what did the terms 'finished' or 'incomplete' mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to 'begin' or 'end' a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history.An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.

Condition: New.

Hardcover. Condition: new. Hardcover. Why are early modern English dramatists preoccupied with unfinished processes of 'making' and 'unmaking'? And what did the terms 'finished' or 'incomplete' mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to 'begin' or 'end' a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history. -- . Explores the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condition: New.

Hardcover. Condition: Brand New. 208 pages. 9.50x6.50x1.00 inches. In Stock.

Condition: Brand New. Explores the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly.

Gebunden. Condition: New. Explores the significance of visual things that are under construction in works by playwrights including Shakespeare, Robert Greene and John Lyly -- .&Uumlber den AutorrnrnChloe Porter is Lecturer in English Literature 1500-1700 at the Un.

Hardback. Condition: New. Why are early modern English dramatists preoccupied with unfinished processes of 'making' and 'unmaking'? And what did the terms 'finished' or 'incomplete' mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to 'begin' or 'end' a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history.An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.

Condition: New. Explores the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly Num Pages: 208 pages, 28 black & white illustrations. BIC Classification: 2AB; DSBD; DSG. Category: (P) Professional & Vocational. Dimension: 163 x 236 x 23. Weight in Grams: 512. . 2014. Hardcover. . . . . Books ship from the US and Ireland.

Buch. Condition: Neu. Neuware - Why are early modern English dramatists preoccupied with unfinished processes of 'making' and 'unmaking' And what did the terms 'finished' or 'incomplete' mean for dramatists and their audiences in this period Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility.Asking what it meant for Shakespeare and his contemporaries to 'begin' or 'end' a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history.

Hardcover. Condition: new. Hardcover. Why are early modern English dramatists preoccupied with unfinished processes of 'making' and 'unmaking'? And what did the terms 'finished' or 'incomplete' mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to 'begin' or 'end' a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history. -- . Explores the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: New. Explores the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly Num Pages: 208 pages, 28 black & white illustrations. BIC Classification: 2AB; DSBD; DSG. Category: (P) Professional & Vocational. Dimension: 163 x 236 x 23. Weight in Grams: 512. . 2014. Hardcover. . . . .