Treves Toby (83 results)

- Hardcover
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.ThriftBooks-Dallas
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Hardcover. Condition: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

- Softcover
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- Softcover
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Condition: New. 2025. paperback. Remains in plastic wrap. Not a first edition copy. . . . Books ship from the US and Ireland.

- Softcover
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
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Condition: New. 2025. paperback. Remains in plastic wrap. Not a first edition copy. . . .

Language: English
Published by Grovernor Vadehra Art Gallery, New Delhi 2007
- Hardcover
Seller: Don Kelly Books, London, , United KingdomDon Kelly Books
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Pub.pictorial Boards. Condition: As New. Dust Jacket Condition: No as Issued. First. Unpaginated Catalogue of an exhibition of fifty works.

- Softcover
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- Softcover
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- Softcover
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- Softcover
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- Softcover
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- Softcover
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Paperback. Condition: new. Paperback. This book comprises the selected writings of the eminent art historian, critic and museum director, Sir Alan Bowness (1928-2021). In the 1950s and early 1960s he was a regular and acute critic of contemporary art for Art News and Review, The Observer, The Spectator, Times Literary Review and… the New York-based magazine Arts, among others. His reviews were often among the first substantial articles on the post-war generation of British artists, many of whom became his friends, and the first significant writings published in Britain on leading contemporary European and American artists. Many of these important but long out of print articles and essays are re-published here, as are others on the subject Bowness taught at the Courtauld Institute of Art from 1957 to 1980: nineteenth century French painting. Bowness left the Courtauld in 1980 to take up the post of director of the Tate Gallery. Under his leadership, the museum expanded its collection, deepened its commitment to scholarship, established itself as a major patron of contemporary art, not least through the Turner Prize which he initiated, and embarked on an expansion programme that led to the opening of Tate Liverpool, Tate St Ives and a new wing of what is now Tate Britain. His writings on museums (he also set up the Barbara Hepworth Museum, St Ives, and was involved with The Hepworth, Wakefield) and his reflections on criticism and reputation, also published here, remain especially relevant for the present era of mega-museums and art hype. Selected criticism, essays and lectures by Sir Alan Bowness, critic, art historian and former director of the Tate Gallery. With a foreword by Dawn Ades. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

- Softcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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Paperback. Condition: New. Selected criticism, essays and lectures by Sir Alan Bowness, critic, art historian and former director of the Tate Gallery. With a foreword by Dawn Ades This book comprises the selected writings of the eminent art historian, critic and museum director, Sir Alan Bowness (1928-2021). In the 1950s and ear…ly 1960s he was a regular and acute critic of contemporary art for Art News and Review, The Observer, The Spectator, Times Literary Review and the New York-based magazine Arts, among others. His reviews were often among the first substantial articles on the post-war generation of British artists, many of whom became his friends, and the first significant writings published in Britain on leading contemporary European and American artists. Many of these important but long out of print articles and essays are re-published here, as are others on the subject Bowness taught at the Courtauld Institute of Art from 1957 to 1980: nineteenth century French painting. Bowness left the Courtauld in 1980 to take up the post of director of the Tate Gallery. Under his leadership, the museum expanded its collection, deepened its commitment to scholarship, established itself as a major patron of contemporary art, not least through the Turner Prize which he initiated, and embarked on an expansion programme that led to the opening of Tate Liverpool, Tate St Ives and a new wing of what is now Tate Britain. His writings on museums (he also set up the Barbara Hepworth Museum, St Ives, and was involved with The Hepworth, Wakefield) and his reflections on criticism and reputation, also published here, remain especially relevant for the present era of mega-museums and art hype.

- Softcover
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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Paperback. Condition: New. Selected criticism, essays and lectures by Sir Alan Bowness, critic, art historian and former director of the Tate Gallery. With a foreword by Dawn Ades This book comprises the selected writings of the eminent art historian, critic and museum director, Sir Alan Bowness (1928-2021). In the 1950s and ear…ly 1960s he was a regular and acute critic of contemporary art for Art News and Review, The Observer, The Spectator, Times Literary Review and the New York-based magazine Arts, among others. His reviews were often among the first substantial articles on the post-war generation of British artists, many of whom became his friends, and the first significant writings published in Britain on leading contemporary European and American artists. Many of these important but long out of print articles and essays are re-published here, as are others on the subject Bowness taught at the Courtauld Institute of Art from 1957 to 1980: nineteenth century French painting. Bowness left the Courtauld in 1980 to take up the post of director of the Tate Gallery. Under his leadership, the museum expanded its collection, deepened its commitment to scholarship, established itself as a major patron of contemporary art, not least through the Turner Prize which he initiated, and embarked on an expansion programme that led to the opening of Tate Liverpool, Tate St Ives and a new wing of what is now Tate Britain. His writings on museums (he also set up the Barbara Hepworth Museum, St Ives, and was involved with The Hepworth, Wakefield) and his reflections on criticism and reputation, also published here, remain especially relevant for the present era of mega-museums and art hype.

- Softcover
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- Softcover
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paperback. Condition: New.

- Softcover
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Alan Bowness Writings: Writings 1950-2016
Ades, Dawn (Author)/ Bowness, Sophie (Author)/ Treves, Toby (Author)
- Softcover
Seller: Revaluation Books, Exeter, , United KingdomRevaluation Books
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Paperback. Condition: Brand New. 544 pages. 9.26x6.21x8.90 inches. In Stock.

- Softcover
Seller: Chiron Media, Wallingford, , United KingdomChiron Media
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paperback. Condition: New.

- Softcover
Seller: THE SAINT BOOKSTORE, Southport, , United KingdomTHE SAINT BOOKSTORE
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Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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Condition: As New. Unread book in perfect condition.

- Softcover
Seller: Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, , GermanyRheinberg-Buch Andreas Meier eK
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Taschenbuch. Condition: Neu. Neuware -Selected criticism, essays and lectures by Sir Alan Bowness, critic, art historian and former director of the Tate Gallery. With a foreword by Dawn Ades This book comprises the selected writings of the eminent art historian, critic and museum director, Sir Alan Bowness (1928-2021). In the 19…50s and early 1960s he was a regular and acute critic of contemporary art forArt News and Review,The Observer,The Spectator,Times Literary Reviewand the New York-based magazineArts, among others. His reviews were often among the first substantial articles on the post-war generation of British artists, many of whom became his friends, and the first significant writings published in Britain on leading contemporary European and American artists. Many of these important but long out of print articles and essays are re-published here, as are others on the subject Bowness taught at the Courtauld Institute of Art from 1957 to 1980:nineteenth century French painting. Bowness left the Courtauld in 1980 to take up the post of director of the Tate Gallery. Under his leadership, the museum expanded its collection, deepened its commitment to scholarship, established itself as a major patron of contemporaryart,not least through the Turner Prize which he initiated, and embarked on an expansion programme that led to the opening of Tate Liverpool, Tate St Ives and a new wing of what is now Tate Britain. His writings on museums (he also set up the Barbara Hepworth Museum, St Ives, and was involved with The Hepworth, Wakefield) and his reflections on criticism and reputation, also published here, remain especially relevant for the present era of mega-museums and art hype. 608 pp. Englisch.

- Softcover
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, , GermanyBuchWeltWeit Ludwig Meier e.K.
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Taschenbuch. Condition: Neu. Neuware -Selected criticism, essays and lectures by Sir Alan Bowness, critic, art historian and former director of the Tate Gallery. With a foreword by Dawn Ades This book comprises the selected writings of the eminent art historian, critic and museum director, Sir Alan Bowness (1928-2021). In the 19…50s and early 1960s he was a regular and acute critic of contemporary art forArt News and Review,The Observer,The Spectator,Times Literary Reviewand the New York-based magazineArts, among others. His reviews were often among the first substantial articles on the post-war generation of British artists, many of whom became his friends, and the first significant writings published in Britain on leading contemporary European and American artists. Many of these important but long out of print articles and essays are re-published here, as are others on the subject Bowness taught at the Courtauld Institute of Art from 1957 to 1980:nineteenth century French painting. Bowness left the Courtauld in 1980 to take up the post of director of the Tate Gallery. Under his leadership, the museum expanded its collection, deepened its commitment to scholarship, established itself as a major patron of contemporaryart,not least through the Turner Prize which he initiated, and embarked on an expansion programme that led to the opening of Tate Liverpool, Tate St Ives and a new wing of what is now Tate Britain. His writings on museums (he also set up the Barbara Hepworth Museum, St Ives, and was involved with The Hepworth, Wakefield) and his reflections on criticism and reputation, also published here, remain especially relevant for the present era of mega-museums and art hype. 608 pp. Englisch.

- Softcover
Seller: Biblios, frankfurt am main, HESSE, GermanyBiblios
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- Softcover
Seller: Wegmann1855, Zwiesel, , GermanyWegmann1855
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Taschenbuch. Condition: Neu. Neuware -Selected criticism, essays and lectures by Sir Alan Bowness, critic, art historian and former director of the Tate Gallery. With a foreword by Dawn Ades This book comprises the selected writings of the eminent art historian, critic and museum director, Sir Alan Bowness (1928-2021). In the 19…50s and early 1960s he was a regular and acute critic of contemporary art forArt News and Review,The Observer,The Spectator,Times Literary Reviewand the New York-based magazineArts, among others. His reviews were often among the first substantial articles on the post-war generation of British artists, many of whom became his friends, and the first significant writings published in Britain on leading contemporary European and American artists. Many of these important but long out of print articles and essays are re-published here, as are others on the subject Bowness taught at the Courtauld Institute of Art from 1957 to 1980:nineteenth century French painting. Bowness left the Courtauld in 1980 to take up the post of director of the Tate Gallery. Under his leadership, the museum expanded its collection, deepened its commitment to scholarship, established itself as a major patron of contemporaryart,not least through the Turner Prize which he initiated, and embarked on an expansion programme that led to the opening of Tate Liverpool, Tate St Ives and a new wing of what is now Tate Britain. His writings on museums (he also set up the Barbara Hepworth Museum, St Ives, and was involved with The Hepworth, Wakefield) and his reflections on criticism and reputation, also published here, remain especially relevant for the present era of mega-museums and art hype.

- Softcover
Seller: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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Paperback. Condition: new. Paperback. This book comprises the selected writings of the eminent art historian, critic and museum director, Sir Alan Bowness (1928-2021). In the 1950s and early 1960s he was a regular and acute critic of contemporary art for Art News and Review, The Observer, The Spectator, Times Literary Review and… the New York-based magazine Arts, among others. His reviews were often among the first substantial articles on the post-war generation of British artists, many of whom became his friends, and the first significant writings published in Britain on leading contemporary European and American artists. Many of these important but long out of print articles and essays are re-published here, as are others on the subject Bowness taught at the Courtauld Institute of Art from 1957 to 1980: nineteenth century French painting. Bowness left the Courtauld in 1980 to take up the post of director of the Tate Gallery. Under his leadership, the museum expanded its collection, deepened its commitment to scholarship, established itself as a major patron of contemporary art, not least through the Turner Prize which he initiated, and embarked on an expansion programme that led to the opening of Tate Liverpool, Tate St Ives and a new wing of what is now Tate Britain. His writings on museums (he also set up the Barbara Hepworth Museum, St Ives, and was involved with The Hepworth, Wakefield) and his reflections on criticism and reputation, also published here, remain especially relevant for the present era of mega-museums and art hype. Selected criticism, essays and lectures by Sir Alan Bowness, critic, art historian and former director of the Tate Gallery. With a foreword by Dawn Ades. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

- Softcover
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- Softcover
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- Softcover
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Paperback. Condition: new. Paperback. This book comprises the selected writings of the eminent art historian, critic and museum director, Sir Alan Bowness (1928-2021). In the 1950s and early 1960s he was a regular and acute critic of contemporary art for Art News and Review, The Observer, The Spectator, Times Literary Review and… the New York-based magazine Arts, among others. His reviews were often among the first substantial articles on the post-war generation of British artists, many of whom became his friends, and the first significant writings published in Britain on leading contemporary European and American artists. Many of these important but long out of print articles and essays are re-published here, as are others on the subject Bowness taught at the Courtauld Institute of Art from 1957 to 1980: nineteenth century French painting. Bowness left the Courtauld in 1980 to take up the post of director of the Tate Gallery. Under his leadership, the museum expanded its collection, deepened its commitment to scholarship, established itself as a major patron of contemporary art, not least through the Turner Prize which he initiated, and embarked on an expansion programme that led to the opening of Tate Liverpool, Tate St Ives and a new wing of what is now Tate Britain. His writings on museums (he also set up the Barbara Hepworth Museum, St Ives, and was involved with The Hepworth, Wakefield) and his reflections on criticism and reputation, also published here, remain especially relevant for the present era of mega-museums and art hype. Selected criticism, essays and lectures by Sir Alan Bowness, critic, art historian and former director of the Tate Gallery. With a foreword by Dawn Ades. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

- Softcover
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
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Paperback. Condition: New. Selected criticism, essays and lectures by Sir Alan Bowness, critic, art historian and former director of the Tate Gallery. With a foreword by Dawn Ades This book comprises the selected writings of the eminent art historian, critic and museum director, Sir Alan Bowness (1928-2021). In the 1950s and ear…ly 1960s he was a regular and acute critic of contemporary art for Art News and Review, The Observer, The Spectator, Times Literary Review and the New York-based magazine Arts, among others. His reviews were often among the first substantial articles on the post-war generation of British artists, many of whom became his friends, and the first significant writings published in Britain on leading contemporary European and American artists. Many of these important but long out of print articles and essays are re-published here, as are others on the subject Bowness taught at the Courtauld Institute of Art from 1957 to 1980: nineteenth century French painting. Bowness left the Courtauld in 1980 to take up the post of director of the Tate Gallery. Under his leadership, the museum expanded its collection, deepened its commitment to scholarship, established itself as a major patron of contemporary art, not least through the Turner Prize which he initiated, and embarked on an expansion programme that led to the opening of Tate Liverpool, Tate St Ives and a new wing of what is now Tate Britain. His writings on museums (he also set up the Barbara Hepworth Museum, St Ives, and was involved with The Hepworth, Wakefield) and his reflections on criticism and reputation, also published here, remain especially relevant for the present era of mega-museums and art hype.

- Softcover
Seller: buchversandmimpf2000, Emtmannsberg, BAYE, Germanybuchversandmimpf2000
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Taschenbuch. Condition: Neu. Neuware -Selected criticism, essays and lectures by Sir Alan Bowness, critic, art historian and former director of the Tate Gallery. With a foreword by Dawn Ades This book comprises the selected writings of the eminent art historian, critic and museum director, Sir Alan Bowness (1928-2021). In the 19…50s and early 1960s he was a regular and acute critic of contemporary art forArt News and Review,The Observer,The Spectator,Times Literary Reviewand the New York-based magazineArts, among others. His reviews were often among the first substantial articles on the post-war generation of British artists, many of whom became his friends, and the first significant writings published in Britain on leading contemporary European and American artists. Many of these important but long out of print articles and essays are re-published here, as are others on the subject Bowness taught at the Courtauld Institute of Art from 1957 to 1980:nineteenth century French painting. Bowness left the Courtauld in 1980 to take up the post of director of the Tate Gallery. Under his leadership, the museum expanded its collection, deepened its commitment to scholarship, established itself as a major patron of contemporaryart,not least through the Turner Prize which he initiated, and embarked on an expansion programme that led to the opening of Tate Liverpool, Tate St Ives and a new wing of what is now Tate Britain. His writings on museums (he also set up the Barbara Hepworth Museum, St Ives, and was involved with The Hepworth, Wakefield) and his reflections on criticism and reputation, also published here, remain especially relevant for the present era of mega-museums and art hype.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 608 pp. Englisch.