Snow K Mitchell (44 results)

Condition: New.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Paperback or Softback. Condition: New. A Revolution in Movement: Dancers, Painters, and the Image of Modern Mexico. Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Hard bound in dust jacket. Dust jacket shows minor shelf wear, otherwise in very good condition. (Heavy - please contact for overseas shipping quote.).

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. Honorable Mention, Latin American Studies Association Mexico Section Best Book in the HumanitiesA Revolution in Movement is the first book to illuminate how collaborations between dancers and painters shaped Mexico's postrevolutionary cultural identity. K. Mitchell Snow traces this relationship throughout nearly half a century of developments in Mexican dance-the emulation of Diaghilev's Ballets Russes in the 1920s, the adoption of U.S.-style modern dance in the 1940s, and the creation of ballet-inspired folk dance in the 1960s.Snow describes the appearances in Mexico by Russian ballerina Anna Pavlova and Spanish concert dancer Tortóla Valencia, who helped motivate Mexico to express its own national identity through dance. He discusses the work of muralists and other visual artists in tandem with Mexico's theatrical dance world, including Diego Rivera's collaborations with ballet composer Carlos Chávez; Carlos Mérida's leadership of the National School of Dance; José Clemente Orozco's involvement in the creation of the Ballet de la Ciudad de México; and Miguel Covarrubias, who led the "golden age" of Mexican modern dance. Snow draws from a rich trove of historical newspaper accounts and other contemporary documents to show how these collaborations produced an image of modern Mexico that would prove popular both locally and internationally and continues to endure today.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. Honorable Mention, Latin American Studies Association Mexico Section Best Book in the HumanitiesA Revolution in Movement is the first book to illuminate how collaborations between dancers and painters shaped Mexicos postrevolutionary cultural identity. K. Mitchell Snow traces this relationship throughout nearly half a century of developments in Mexican dancethe emulation of Diaghilevs Ballets Russes in the 1920s, the adoption of U.S.-style modern dance in the 1940s, and the creation of ballet-inspired folk dance in the 1960s.Snow describes the appearances in Mexico by Russian ballerina Anna Pavlova and Spanish concert dancer Tortola Valencia, who helped motivate Mexico to express its own national identity through dance. He discusses the work of muralists and other visual artists in tandem with Mexicos theatrical dance world, including Diego Riveras collaborations with ballet composer Carlos Chavez; Carlos Meridas leadership of the National School of Dance; Jose Clemente Orozcos involvement in the creation of the Ballet de la Ciudad de Mexico; and Miguel Covarrubias, who led the golden age of Mexican modern dance. Snow draws from a rich trove of historical newspaper accounts and other contemporary documents to show how these collaborations produced an image of modern Mexico that would prove popular both locally and internationally and continues to endure today. The first book to illuminate how collaborations between dancers and painters shaped Mexicos postrevolutionary cultural identity. K. Mitchell Snow traces this relationship throughout nearly half a century of developments in Mexican dance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: new.

Condition: New.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Very Good. Dust Jacket Condition: Fine. First Edition. A Very Good or better copy in brown hard covers of this large color-illustrated art volume, in a Fine dust jacket. Little wear, but with a small ownership stamp inside both the front and rear cover. Book.

Condition: New. 2022. Paperback. . . . . .

Paperback. Condition: Brand New. 346 pages. 9.25x6.13x0.65 inches. In Stock.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Large hardcover with a single blemish: a slight watermark affects the margins of the last 15 pages. The dust jacket is good with slight wear and a few small tears taped on the underside, and is protected by a new, clear, removeable cover (but the flaps are not covered). 198 pages, with color illustrations, many of the human form. [4 lbs]. Book.

Condition: New.

Condition: New. In.

Hardcover. Condition: New. Dust Jacket Condition: New. Brand new hardcover book! ; 115 color plates. Trevor Southey is a man who has risked much in putting into practice his personal and artistic vision of life. This thoughtful memoir is neither laudation nor apologia. Instead, Southey gives insight into his art by recollecting his life's journey up to this point. Regardless of one's ultimate judgement of his life or art, one must marvel at the candor of Trevor Southey in an age of evasion and fault deflection. This volume (12" x 13ĵ") looks back on an admirable body of work, it equally anticipates works of art yet to come in a distinguished career. The ideas in Southey's works emerge from within, just as their thematic material results from the interplay of the external elements of his life and the internal workings of his spirit. The primordial men and women of his work inhabit neither past nor present. They remind us that even though humanity may think it has momentarily lost possession of its soul, the soul's beauty remains. Southey's idealized beings aim to transform humanity's future by challenging viewers to rediscover themselves. ; 14" x 16"; 204 (115 Color Plates) pages;

Paperback. Condition: New.

Hardcover. Condition: Very Good. Dust Jacket Condition: Fair. 1st Edition. This monograph serves as both a retrospective and a personal memoir of the artist Trevor Southey. It documents his creative evolution through a wide range of media including oil paintings, etchings, and sculpture. The text provides a candid narrative of Southey's life journey, exploring themes of spiritual identity and the human form. The volume is oversized, featuring numerous full-page color plates and detailed reproductions of his figurative work. This specific copy includes a handwritten inscription and signature by the artist on the title page. Listing Details: Title: Reconciliation Author: Trevor Southey; K. Mitchell Snow Edition: First Edition. This copy is identified as a first edition by the presence of the full number line (1 2 3 4 5 6 7 8 9 0) on the copyright page and the 1997 publication date which matches the first release of the title. Printing: First Printing Language: English Binding: Hardcover. Charcoal grey cloth boards with silver gilt lettering on the spine. Dust Jacket: Yes. Original pictorial dust jacket included. Publisher: Signature Books, Salt Lake City, UT Year of Publication: 1997 Condition Assessment: Near Fine/Fair The book itself is in near fine condition, the title page has a vertical crease (see photo). The blue cloth boards are clean and the silver lettering remains bright. The internal pages are crisp, and the binding is tight and secure. The dust jacket is in fair condition. It shows significant wear, including noticeable chipping at the spine ends and corners, some edge tears, and general surface rubbing. While the jacket is intact and protects the volume, it reflects heavy handling and shelf wear.

Paperback. Condition: new. Paperback. Honorable Mention, Latin American Studies Association Mexico Section Best Book in the HumanitiesA Revolution in Movement is the first book to illuminate how collaborations between dancers and painters shaped Mexicos postrevolutionary cultural identity. K. Mitchell Snow traces this relationship throughout nearly half a century of developments in Mexican dancethe emulation of Diaghilevs Ballets Russes in the 1920s, the adoption of U.S.-style modern dance in the 1940s, and the creation of ballet-inspired folk dance in the 1960s.Snow describes the appearances in Mexico by Russian ballerina Anna Pavlova and Spanish concert dancer Tortola Valencia, who helped motivate Mexico to express its own national identity through dance. He discusses the work of muralists and other visual artists in tandem with Mexicos theatrical dance world, including Diego Riveras collaborations with ballet composer Carlos Chavez; Carlos Meridas leadership of the National School of Dance; Jose Clemente Orozcos involvement in the creation of the Ballet de la Ciudad de Mexico; and Miguel Covarrubias, who led the golden age of Mexican modern dance. Snow draws from a rich trove of historical newspaper accounts and other contemporary documents to show how these collaborations produced an image of modern Mexico that would prove popular both locally and internationally and continues to endure today. The first book to illuminate how collaborations between dancers and painters shaped Mexicos postrevolutionary cultural identity. K. Mitchell Snow traces this relationship throughout nearly half a century of developments in Mexican dance. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: NEW.

Condition: New.

Paperback. Condition: New. Honorable Mention, Latin American Studies Association Mexico Section Best Book in the HumanitiesA Revolution in Movement is the first book to illuminate how collaborations between dancers and painters shaped Mexico's postrevolutionary cultural identity. K. Mitchell Snow traces this relationship throughout nearly half a century of developments in Mexican dance-the emulation of Diaghilev's Ballets Russes in the 1920s, the adoption of U.S.-style modern dance in the 1940s, and the creation of ballet-inspired folk dance in the 1960s.Snow describes the appearances in Mexico by Russian ballerina Anna Pavlova and Spanish concert dancer Tortóla Valencia, who helped motivate Mexico to express its own national identity through dance. He discusses the work of muralists and other visual artists in tandem with Mexico's theatrical dance world, including Diego Rivera's collaborations with ballet composer Carlos Chávez; Carlos Mérida's leadership of the National School of Dance; José Clemente Orozco's involvement in the creation of the Ballet de la Ciudad de México; and Miguel Covarrubias, who led the "golden age" of Mexican modern dance. Snow draws from a rich trove of historical newspaper accounts and other contemporary documents to show how these collaborations produced an image of modern Mexico that would prove popular both locally and internationally and continues to endure today.

Condition: New. In.

Hardcover. Condition: Brand New. 331 pages. 9.25x6.25x1.00 inches. In Stock.