Rooke Thomas (65 results)

Condition: New.

Paperback. Condition: New. 'To know his work without his talk is "not to know him" .only when they are side by side is the common origin and aim seen and the complete man displayed.' Thus Thomas Rooke, studio assistant to Burne-Jones, who over four years memorised and recorded much of his master's studio and lunch-table talk. The man revealed with startling freshness and immediacy is far from the familiar painter of knightly melancholy and abstract angels. Burne-Jones emerges as a loveable and charming man, far more practical and down-to-earth, far more witty and ironic than might have been expected. He may still regret that he was not born in the Middle Ages and reminisce about the golden years with William Morris and Dante Gabriel Rossetti in the 1850's and 60's. But he is still hard at work on his last great collaboration with Morris, the Kelmscott Chaucer, while not hesitating to fulminate about Britain's imperial pretensions and the hypocrisy that accompanied them. And he is unfailingly articulate when it comes to discussing the craft of painting in relation to himself, his contemporaries and the giants of the past. The conversations are edited by Mary Lago, Professor of English at the University of Missouri-Columbia, who also wrote extensively on William Rothenstein, Rabindranath Tagore and E. M. Forster.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Paperback. Condition: new. Paperback. 'To know his work without his talk is not to know him only when they are side by side is the common origin and aim seen and the complete man displayed.' Thus Thomas Rooke, studio assistant to Burne-Jones, who over four years memorised and recorded much of his master's studio and lunch-table talk. The man revealed with startling freshness and immediacy is far from the familiar painter of knightly melancholy and abstract angels. Burne-Jones emerges as a loveable and charming man, far more practical and down-to-earth, far more witty and ironic than might have been expected. He may still regret that he was not born in the Middle Ages and reminisce about the golden years with William Morris and Dante Gabriel Rossetti in the 1850's and 60's. But he is still hard at work on his last great collaboration with Morris, the Kelmscott Chaucer, while not hesitating to fulminate about Britain's imperial pretensions and the hypocrisy that accompanied them. And he is unfailingly articulate when it comes to discussing the craft of painting in relation to himself, his contemporaries and the giants of the past. The conversations are edited by Mary Lago, Professor of English at the University of Missouri-Columbia, who also wrote extensively on William Rothenstein, Rabindranath Tagore and E. M. Forster. AUTHORS: Edward Burne-Jones (1833-1898) was one of the greatest and most original artists of Victorian England; his romantic and dreamy output was belied by his sharp and practical private persona. Thomas Rooke (1842-1941) was a painter and topographer, much patronised by Ruskin. He served as Burne-Jones's studio assistant for the last four years of the older painter's life. Mary Lago was Professor of English at the University of Missouri-Columbia. She wrote extensively on William Rothenstein, Rabindranath Tagore and E. M. Forster. 23 b/w illustrations The conversations of Burne-Jones, nineteenth-century painter of melancholy, abstract angels, with his assistant, revealing a loveable, witty man, articulate about his world, craft and contemporaries. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: Good. Light wear to boards. Content is clean . Good DJ with little wear.

Paperback. Condition: Fine. First Edition. 2004. First Edition. First edition. Magazine. White printed wrappers [about 6" x 9"], 122 pages. Fine copy. clphE.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. In.

Condition: New.

Condition: Very Good. New/unused condition with small scuffs and light staining to the cover. The content is in like new condition.

Soft cover. Condition: Fine. First Edition. | Fine -- illus. wraps.

Condition: Near Fine condition. Doreen Davie photographs (illustrator). First Edition. Evanston, Illinois:: Northwestern University, 1987. 6" wide by 9.25" tall. Bright, shiny, clean, tight. No owner's name or bookplate. Spine is uncreased, square and flat. Pages are fresh, crisp, and unmarked. Contributions include: Lynn Grossman (IN PROPORTION); Robert Coover (A SUDDEN STORY; CARTOON); James Kelman (OLD FRANCIS); Joyce Carol Oates (YARROW); Don Chaon (SURE I WILL); Leon Rooke (THE BLUE BABY; PRETTY PICTURES); Donald Davie (poems); Thomas McGrath (poems); Alan Shapiro (poems); plus non-fiction pieces by Al Young (JAZZ AND LETTERS: A COLLOQUY); Peter Schwendener (MILES DAVIS: THE LOSS OF LYRICISM); Paul Breslin (on the poetry of Derek Walcott); etc. First Edition. Softcover. Near Fine condition/No Jacket, as issued. Illus. by Doreen Davie photographs. 193pp. + 15 pages of ads.

Condition: New. In.

Softcover. Condition: Very Good. First edition. Small quarto. Wrappers. 445-684pp. Foxing on topedge, spine lightly tanned, very good. Featuring "A Prescription to Live By: Ransom and the Agrarian Debates" by Thomas Daniel Young; "The *Compleat Gentleman*: An Approach to John Crowe Ransom by Richard Gray, "Isaac McCaslin and Keats's *Ode on a Grecian Urn* by Larry Marshall Sams; *The Age of Innocence*: Wharton's *Portrait of a Gentleman* by Cynthia Griffin Wolff; and "The Hollywood Metaphor: The Marx Brothers, S.J. Perelman, and Nathanael West by J.A. Ward. Short stories, poetry, essays, and reviews by Charles East, Elizabeth Spencer, Elaine Gottlieb, Constance Rooke, Leon Rooke, Kay McClelland, Gordon Weaver, Curtis Harnack, William Wiser, Stephen Minot, Robert Gibbons, Miller Williams, Daniel Halpern, Catharine Savage Brosman, Frank Manley, Larry Rubin, Rosanne Coggeshall, Horace Hamilton, Margaret Gibson, Wayne Dodd, Gordon Weaver, Peter Makuck, Charles Edward Eaton, Brooks Haxton, Ennis Rees, Marcy Frantom, Vernon Fowlkes, Jr., Nancy Schoenberger, Robert Hollander, Robert W. Hill, Thomas Daniel Young, Richard Gray, Larry Marshall Sams, Cynthia Griffin Wolff, J.A. Ward, Harold L. Weatherby, and Gerald Weales.

Condition: New. In.

Paperback. Condition: new. Paperback. 'To know his work without his talk is not to know him only when they are side by side is the common origin and aim seen and the complete man displayed.' Thus Thomas Rooke, studio assistant to Burne-Jones, who over four years memorised and recorded much of his master's studio and lunch-table talk. The man revealed with startling freshness and immediacy is far from the familiar painter of knightly melancholy and abstract angels. Burne-Jones emerges as a loveable and charming man, far more practical and down-to-earth, far more witty and ironic than might have been expected. He may still regret that he was not born in the Middle Ages and reminisce about the golden years with William Morris and Dante Gabriel Rossetti in the 1850's and 60's. But he is still hard at work on his last great collaboration with Morris, the Kelmscott Chaucer, while not hesitating to fulminate about Britain's imperial pretensions and the hypocrisy that accompanied them. And he is unfailingly articulate when it comes to discussing the craft of painting in relation to himself, his contemporaries and the giants of the past. The conversations are edited by Mary Lago, Professor of English at the University of Missouri-Columbia, who also wrote extensively on William Rothenstein, Rabindranath Tagore and E. M. Forster. AUTHORS: Edward Burne-Jones (1833-1898) was one of the greatest and most original artists of Victorian England; his romantic and dreamy output was belied by his sharp and practical private persona. Thomas Rooke (1842-1941) was a painter and topographer, much patronised by Ruskin. He served as Burne-Jones's studio assistant for the last four years of the older painter's life. Mary Lago was Professor of English at the University of Missouri-Columbia. She wrote extensively on William Rothenstein, Rabindranath Tagore and E. M. Forster. 23 b/w illustrations The conversations of Burne-Jones, nineteenth-century painter of melancholy, abstract angels, with his assistant, revealing a loveable, witty man, articulate about his world, craft and contemporaries. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condition: New. Print on Demand. This fascinating book explores the historical development of bookkeeping from ancient times to the present day, providing valuable insights into its role in shaping economic practices. The author delves into the intriguing origins of accounting in ancient Babylonia, exploring the sophisticated bookkeeping systems used for trade and debt management. As the book progresses, it traces the evolution of double-entry bookkeeping, highlighting its significance in the growth of trade and commerce during the Renaissance. Along the way, the author delves into the complexities of cost accounting, exploring the challenges and benefits of accurately tracking production costs. Ultimately, this book offers a comprehensive overview of the historical and practical dimensions of bookkeeping, making it an invaluable resource for students, accountants, and anyone interested in the evolution of business practices. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Condition: New. Klappentext- The conversations of Burne-Jones, 19th-century painter of melancholy, abstract angels, with his assistant, revealing a loveable, witty man, articulate about his world, craft and contemporariesTo know his wor.

VG orig. slate blue cloth, lightly spotted. Contents: part I. psychology; part II. the authority of scripture and inspiration; part III. pastoral theology. xvii, 261 pages. Preface signed by J. M. and W. C. S. (Starr, A Baptist bibliography, R4283). Binding is Hardback.

Condition: New.

Paperback. Condition: New. Print on Demand. This book transports readers to the enchanting realm of opera, where music and drama intertwine to evoke the grandest of human emotions. The story unfolds over three mesmerizing acts, set against the backdrop of 15th century France. At the heart of the narrative lies a poignant tale of love, loss, and resilience. Amilie Vernet, a young orphan, finds solace in the love of Jose Speckbacher, a brave soldier. However, their budding romance is threatened by the ruthless Count der Tiemar and the complexities of war. Amidst clashing swords and soaring melodies, the characters grapple with themes of loyalty, betrayal, and the indomitable spirit that resides within us all. The author delves deeply into the transformative power of music, exploring its ability to inspire hope, ignite passion, and mend broken hearts. The lyrical arias and stirring choruses paint a vivid tapestry of emotions, transporting readers to a realm where love and sorrow intertwine. Through its captivating characters, evocative language, and profound insights, this book celebrates the enduring allure of opera. It is a testament to the enduring power of storytelling, where the human condition is laid bare and the search for meaning amidst adversity takes center stage. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Condition: As New. Unread book in perfect condition.

Gebunden. Condition: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Paperback. Condition: New. 'To know his work without his talk is "not to know him" .only when they are side by side is the common origin and aim seen and the complete man displayed.' Thus Thomas Rooke, studio assistant to Burne-Jones, who over four years memorised and recorded much of his master's studio and lunch-table talk. The man revealed with startling freshness and immediacy is far from the familiar painter of knightly melancholy and abstract angels. Burne-Jones emerges as a loveable and charming man, far more practical and down-to-earth, far more witty and ironic than might have been expected. He may still regret that he was not born in the Middle Ages and reminisce about the golden years with William Morris and Dante Gabriel Rossetti in the 1850's and 60's. But he is still hard at work on his last great collaboration with Morris, the Kelmscott Chaucer, while not hesitating to fulminate about Britain's imperial pretensions and the hypocrisy that accompanied them. And he is unfailingly articulate when it comes to discussing the craft of painting in relation to himself, his contemporaries and the giants of the past. The conversations are edited by Mary Lago, Professor of English at the University of Missouri-Columbia, who also wrote extensively on William Rothenstein, Rabindranath Tagore and E. M. Forster.

Taschenbuch. Condition: Neu. Neuware - This book is a collection of sermons delivered by Thomas George Rooke, an Anglican priest, in Frome, a small town in Somerset, England. Rooke's sermons stress the importance of simplicity and humility in religion and provide guidance for how to lead a more spiritual life. This volume will appeal to readers interested in Christian theology and philosophy.

Buch. Condition: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Buch. Condition: Neu. Neuware - This book is a collection of sermons delivered by Thomas George Rooke, an Anglican priest, in Frome, a small town in Somerset, England. Rooke's sermons stress the importance of simplicity and humility in religion and provide guidance for how to lead a more spiritual life. This volume will appeal to readers interested in Christian theology and philosophy.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. A fine / fine copy, unread, signed by a number of authors on the title page at the reading event for this publication release. Signing event provenance from 2007 is laid in. Signed by editor, Jane Urquhart and Dennis Bock, Adrien Clarkson, Madeleine Thien, Austin Clarke, David Bezmozgis, Vincent Lam, Dionne Brand, Michael Winter, Susan Swan, Wayson Choy, Wayne Johnston, Margaret Atwood, Barbara Gowdy, Leon Rooke, Thomas King, Sheila Heti. Very scarce and collectible with provenance of signatures. Signed by Author(s).