"synopsis" may belong to another edition of this title.
Edward Burne-Jones (1833-1898) was one of the greatest and most original artists of Victorian England; his romantic and dreamy output was belied by his sharp and practical private persona. Thomas Rooke (1842-1941) was a painter and topographer, much patronised by Ruskin. He served as Burne-Jones's studio assistant for the last four years of the older painter's life. Mary Lago was Professor of English at the University of Missouri-Columbia. She wrote extensively on William Rothenstein, Rabindranath Tagore and E. M. Forster.
"About this title" may belong to another edition of this title.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 19277306-n
Seller: INDOO, Avenel, NJ, U.S.A.
Condition: New. Seller Inventory # 9781843680895
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. 'To know his work without his talk is "not to know him" .only when they are side by side is the common origin and aim seen and the complete man displayed.' Thus Thomas Rooke, studio assistant to Burne-Jones, who over four years memorised and recorded much of his master's studio and lunch-table talk. The man revealed with startling freshness and immediacy is far from the familiar painter of knightly melancholy and abstract angels. Burne-Jones emerges as a loveable and charming man, far more practical and down-to-earth, far more witty and ironic than might have been expected. He may still regret that he was not born in the Middle Ages and reminisce about the golden years with William Morris and Dante Gabriel Rossetti in the 1850's and 60's. But he is still hard at work on his last great collaboration with Morris, the Kelmscott Chaucer, while not hesitating to fulminate about Britain's imperial pretensions and the hypocrisy that accompanied them. And he is unfailingly articulate when it comes to discussing the craft of painting in relation to himself, his contemporaries and the giants of the past. The conversations are edited by Mary Lago, Professor of English at the University of Missouri-Columbia, who also wrote extensively on William Rothenstein, Rabindranath Tagore and E. M. Forster. Seller Inventory # LU-9781843680895
Quantity: Over 20 available
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 19277306
Seller: INDOO, Avenel, NJ, U.S.A.
Condition: As New. Unread copy in mint condition. Seller Inventory # SS9781843680895
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # CW-9781843680895
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # CW-9781843680895
Quantity: 15 available
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. 'To know his work without his talk is not to know him only when they are side by side is the common origin and aim seen and the complete man displayed.' Thus Thomas Rooke, studio assistant to Burne-Jones, who over four years memorised and recorded much of his master's studio and lunch-table talk. The man revealed with startling freshness and immediacy is far from the familiar painter of knightly melancholy and abstract angels. Burne-Jones emerges as a loveable and charming man, far more practical and down-to-earth, far more witty and ironic than might have been expected. He may still regret that he was not born in the Middle Ages and reminisce about the golden years with William Morris and Dante Gabriel Rossetti in the 1850's and 60's. But he is still hard at work on his last great collaboration with Morris, the Kelmscott Chaucer, while not hesitating to fulminate about Britain's imperial pretensions and the hypocrisy that accompanied them. And he is unfailingly articulate when it comes to discussing the craft of painting in relation to himself, his contemporaries and the giants of the past. The conversations are edited by Mary Lago, Professor of English at the University of Missouri-Columbia, who also wrote extensively on William Rothenstein, Rabindranath Tagore and E. M. Forster. AUTHORS: Edward Burne-Jones (1833-1898) was one of the greatest and most original artists of Victorian England; his romantic and dreamy output was belied by his sharp and practical private persona. Thomas Rooke (1842-1941) was a painter and topographer, much patronised by Ruskin. He served as Burne-Jones's studio assistant for the last four years of the older painter's life. Mary Lago was Professor of English at the University of Missouri-Columbia. She wrote extensively on William Rothenstein, Rabindranath Tagore and E. M. Forster. 23 b/w illustrations The conversations of Burne-Jones, nineteenth-century painter of melancholy, abstract angels, with his assistant, revealing a loveable, witty man, articulate about his world, craft and contemporaries. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781843680895
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. reprint edition. 211 pages. 8.25x5.50x0.80 inches. In Stock. Seller Inventory # __1843680890
Quantity: 2 available
Seller: Cotswold Internet Books, Cheltenham, United Kingdom
Condition: Used - Very Good. VG paperback. Reprint. 2018 reprint with B&W illustrations; spine and cover uncreased; a clean, tidy copy. Seller Inventory # BOOKS290472I
Quantity: 1 available