Language: English
Published by Association Paris-Musées, 2004
ISBN 10: 2879008395 ISBN 13: 9782879008394
Seller: Ammareal, Morangis, France
£ 2.79
Quantity: 1 available
Add to basketHardcover. Condition: Bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.
Language: English
Published by Association Paris-Musées, 2004
ISBN 10: 2879008395 ISBN 13: 9782879008394
Seller: Ammareal, Morangis, France
£ 2.79
Quantity: 1 available
Add to basketHardcover. Condition: Bon. Ancien livre de bibliothèque. Edition 2004. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2004. Ammareal gives back up to 15% of this item's net price to charity organizations.
Language: English
Published by Association Paris-Musées, 2004
ISBN 10: 2879008247 ISBN 13: 9782879008240
Seller: Ammareal, Morangis, France
£ 2.79
Quantity: 1 available
Add to basketHardcover. Condition: Très bon. Ancien livre de bibliothèque. Légères traces d'usure sur la couverture. Edition 2004. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Slight signs of wear on the cover. Edition 2004. Ammareal gives back up to 15% of this item's net price to charity organizations.
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Add to basketHardcover. Condition: Très bon. Edition 2019. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 2019. Ammareal gives back up to 15% of this item's net price to charity organizations.
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Published by SCOP Le Chasse-Marée, Douarnenez, 1991
Seller: Bouquinerie "Rue du Bac", GOMMERVILLE, France
First Edition
Couverture souple. Condition: Très bon. 1ère Édition. 76 pages sur papier glacé. Au sommaire : "La Petite pêche à Groix" par Gildas Borel, "Les Skipjacks américains de la Chesapeake" par Philippe Goulletquer et Catherine Simon-Goulletquer, "La Course des Skipjacks" par James A. Michener, "Maurice Amiet, architecte naval", "La Fin tragique de la Sémillante" par Gilles Millot, "En route vers la Crimée" par Jules Alexandre Sancery, "Les Epaves de Bouliac" par Bruno Bizot, "Rias et lagunes ibériques, une randonnée voile-aviron" par Marc Adrey, plan de modélisme : "Messenger, skipjack de la baie de Chesapeake". Revue.
Hardcover. Condition: new. Hardcover. Read Frame Type Film stems from the ambitious "TypoFilm" research project, initiated at the Centre Pompidou in Paris in 2020 and dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Long before the advent of the digital realm, we have been reading on screen. From credits to subtitles to title cards and beyond, texts play a critical part in the structure of a film. Yet, away from the world of narrative, industrial cinema, where the work of renowned title designers like Saul Bass and Pablo Ferro has gained critical consideration, these textual and visual elements have often been overlooked. In Read Frame Type Film, film curator Enrico Camporesi, graphic design historian Catherine de Smet, and designer Philippe Millot aim to address this gap by focusing on a neglected body of works: experimental and artists' films. They bring their extensive research and expertise to a discussion of 24 works from the film collection at the Centre Pompidou that capture the affinity between cinema and typography. Composed of a series of rich explorative texts, accompanying specially-commissioned photography of analog film strips from the collection, the book is itself an experimental object in which text and images mirror one another. It spotlights the endless possibilities of interplay between images and text and centers a long-overlooked art form in the history of moving images. Read Frame Type Film is a book developed from the ambitious "TypoFilm" research project that was initiated at the Centre Pompidou in Paris in 2020, dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Bringing together graphic design historians and specialists in artists' film and video, the project, a book in which text and images mirror one another, set out to pay rigorous attention to the practical, historical, and theoretical relationship between cinema and typography. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Condition: New.
Condition: New.
Publication Date: 2019
ISBN 10: 2918999172 ISBN 13: 9782918999171
Seller: Librairie Thé à la page, Montélimar, France
Couverture souple. Condition: Comme neuf.
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
hardcover. Condition: Good. Millot, Philippe (illustrator). HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Condition: very good. Spécimen enseignant. Envoi rapide et soigné.
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Hardback. Condition: New. Read Frame Type Film stems from the ambitious "TypoFilm" research project, initiated at the Centre Pompidou in Paris in 2020 and dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Long before the advent of the digital realm, we have been reading on screen. From credits to subtitles to title cards and beyond, texts play a critical part in the structure of a film. Yet, away from the world of narrative, industrial cinema, where the work of renowned title designers like Saul Bass and Pablo Ferro has gained critical consideration, these textual and visual elements have often been overlooked. In Read Frame Type Film, film curator Enrico Camporesi, graphic design historian Catherine de Smet, and designer Philippe Millot aim to address this gap by focusing on a neglected body of works: experimental and artists' films. They bring their extensive research and expertise to a discussion of 24 works from the film collection at the Centre Pompidou that capture the affinity between cinema and typography. Composed of a series of rich explorative texts, accompanying specially-commissioned photography of analog film strips from the collection, the book is itself an experimental object in which text and images mirror one another. It spotlights the endless possibilities of interplay between images and text and centers a long-overlooked art form in the history of moving images. Read Frame Type Film is a book developed from the ambitious "TypoFilm" research project that was initiated at the Centre Pompidou in Paris in 2020, dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Bringing together graphic design historians and specialists in artists' film and video, the project, a book in which text and images mirror one another, set out to pay rigorous attention to the practical, historical, and theoretical relationship between cinema and typography.
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
Condition: new.
Condition: As New. Unread book in perfect condition.
Published by Gouvernement de la Nouvelle-Calédonie. Nouméa. ., 2013
Seller: Jean-Louis Boglio Maritime Books, CYGNET, TAS, Australia
Folder (3 folds) containing a 15 page booklet with 12 colour photos, and a Compact Disc with 8 tracks. Preface by Harold Martin and introduction by Jean-Pierre Cabée. Pictorial covers. French text. Fine. Oblong: 12.7 x 14.2. National Anthem for New Caledonia.
Hardback. Condition: New. Read Frame Type Film stems from the ambitious "TypoFilm" research project, initiated at the Centre Pompidou in Paris in 2020 and dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Long before the advent of the digital realm, we have been reading on screen. From credits to subtitles to title cards and beyond, texts play a critical part in the structure of a film. Yet, away from the world of narrative, industrial cinema, where the work of renowned title designers like Saul Bass and Pablo Ferro has gained critical consideration, these textual and visual elements have often been overlooked. In Read Frame Type Film, film curator Enrico Camporesi, graphic design historian Catherine de Smet, and designer Philippe Millot aim to address this gap by focusing on a neglected body of works: experimental and artists' films. They bring their extensive research and expertise to a discussion of 24 works from the film collection at the Centre Pompidou that capture the affinity between cinema and typography. Composed of a series of rich explorative texts, accompanying specially-commissioned photography of analog film strips from the collection, the book is itself an experimental object in which text and images mirror one another. It spotlights the endless possibilities of interplay between images and text and centers a long-overlooked art form in the history of moving images. Read Frame Type Film is a book developed from the ambitious "TypoFilm" research project that was initiated at the Centre Pompidou in Paris in 2020, dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Bringing together graphic design historians and specialists in artists' film and video, the project, a book in which text and images mirror one another, set out to pay rigorous attention to the practical, historical, and theoretical relationship between cinema and typography.
Condition: New.
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Condition: New. In.