Henry Balme (27 results)

Condition: New.

Condition: New.

Paperback. Condition: Very Good. In very good, clean. lightly read condition. However some shelf wear and bumps to edges of cover. Shipped from the UK within 2 business days of order being placed.

Condition: New.

Hardcover. Condition: Good. 1st Edition. ix 179pp hardback, purple cloth gilt frontispiece tissue-guarded, ex-library with usual stamps and labels, mostly unopened, few ms notes, line digram, consisting of letters exchanged between the authors on the Ornaments Rubric, good copy.

Paperback. Condition: New. Print on Demand. This book assesses the arguments and examines the historical context of whether vestments were part of the rites of the Church during the reign of Queen Elizabeth I. The author provides a thorough analysis of the evidence, particularly scrutinizing Elizabeth's Ornaments Rubric of 1559 which authorized the use of vestments. Drawing on extensive research, the author demonstrates that the Ornaments Rubric was an attempt by the Queen to impose her personal taste in matters of ritual, rather than a true representation of the Church's desires. Moreover, through an examination of numerous contemporary documents, the author argues that the clergy largely ignored the Ornaments Rubric, and that vestments were not in widespread use during that period. Instead, the author suggests that the Ornaments Rubric was more symbolic than practical, and that it failed to establish a uniform standard of worship within the Church. Ultimately, this book sheds light on the complex relationship between the Crown and the Church during the Tudor era, and provides valuable insights into the ongoing debates surrounding the role of ritual within the Church of England. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…

59 pp. In-folio - cart. éd. ill. en coul. Dessins de Michel Balme avec textes intercalés.

Gebunden. Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. This book traces the evolving relationship between the abstract moving image and music, from the eighteenth century to the present, across media including film, concert projections, and kaleidoscopes.Although the term visual music has become widespread among artists, curators, and scholars over the past three decades, its meaning remains unsettled. Is it a translation of musical form into visual representation, or a musical response to images? This book offers a critical redefinition of the term, grounding visual music in the category of the abstract moving image.Close readings of seminal films by Mary Ellen Bute, Jordan Belson, Oskar Fischinger, Walter Ruttmann, and James Whitney are complemented by analyses of contemporary work by Joanna Priestley, Takashi Ohashi, and Clayton McCracken. These films are examined through multiple critical lenses, including middlebrow modernism, mysticism, transmediality, and the relation of abstract art to music.By bringing theoretical precision and historical depth to the subject, the book offers fresh perspectives on visual music and provides a valuable foundation for students and scholars in musicology, film studies, and art history, as well as those working in the growing field of audiovisual studies. It is essential reading for anyone interested in the fertile terrain where music and the visual arts converge. …

Hardback. Condition: New. This book traces the evolving relationship between the abstract moving image and music, from the eighteenth century to the present, across media including film, concert projections, and kaleidoscopes.Although the term visual music has become widespread among artists, curators, and scholars over the past three decades, its meaning remains unsettled. Is it a translation of musical form into visual representation, or a musical response to images? This book offers a critical redefinition of the term, grounding visual music in the category of the abstract moving image.Close readings of seminal films by Mary Ellen Bute, Jordan Belson, Oskar Fischinger, Walter Ruttmann, and James Whitney are complemented by analyses of contemporary work by Joanna Priestley, Takashi Ohashi, and Clayton McCracken. These films are examined through multiple critical lenses, including middlebrow modernism, mysticism, transmediality, and the relation of abstract art to music.By bringing theoretical precision and historical depth to the subject, the book offers fresh perspectives on visual music and provides a valuable foundation for students and scholars in musicology, film studies, and art history, as well as those working in the growing field of audiovisual studies. It is essential reading for anyone interested in the fertile terrain where music and the visual arts converge. …

Condition: New. Print on Demand pp. 204.

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Condition: New. PRINT ON DEMAND.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1883 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 212 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 212 Language: English.…

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1883. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 212, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 212 212.…

Softcover. Condition: New. Reprint. Language: English. Approximately 212 pages. English: Print-on-demand reprint. Original edition : 1883. Text in English. This scholarly work examines the liturgical discipline of the Church regarding the use of vestments under the ornaments rubric. The authors, E.B. Wheatley Balme and Henry M. Fletcher, analyze historical and theological perspectives on this aspect of ecclesiastical practice. The text provides a detailed exploration of the theological and canonical considerations surrounding the vestments and their proper use in liturgical contexts. It is a valuable resource for historians, theologians, and scholars of liturgical studies. Book images are non-contractual. This item is printed on demand and ships from our printing partners' facility nearest the destination. These facilities are located mainly in the United States, the United Kingdom and Canada. …

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextrnrnTrieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of b.…

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condition: new. Hardcover. This book traces the evolving relationship between the abstract moving image and music, from the eighteenth century to the present, across media including film, concert projections, and kaleidoscopes.Although the term visual music has become widespread among artists, curators, and scholars over the past three decades, its meaning remains unsettled. Is it a translation of musical form into visual representation, or a musical response to images? This book offers a critical redefinition of the term, grounding visual music in the category of the abstract moving image.Close readings of seminal films by Mary Ellen Bute, Jordan Belson, Oskar Fischinger, Walter Ruttmann, and James Whitney are complemented by analyses of contemporary work by Joanna Priestley, Takashi Ohashi, and Clayton McCracken. These films are examined through multiple critical lenses, including middlebrow modernism, mysticism, transmediality, and the relation of abstract art to music.By bringing theoretical precision and historical depth to the subject, the book offers fresh perspectives on visual music and provides a valuable foundation for students and scholars in musicology, film studies, and art history, as well as those working in the growing field of audiovisual studies. It is essential reading for anyone interested in the fertile terrain where music and the visual arts converge. An interdisciplinary exploration of the abstract moving image across various media such as films, concert projections, and kaleidoscopes. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condition: new. Hardcover. This book traces the evolving relationship between the abstract moving image and music, from the eighteenth century to the present, across media including film, concert projections, and kaleidoscopes.Although the term visual music has become widespread among artists, curators, and scholars over the past three decades, its meaning remains unsettled. Is it a translation of musical form into visual representation, or a musical response to images? This book offers a critical redefinition of the term, grounding visual music in the category of the abstract moving image.Close readings of seminal films by Mary Ellen Bute, Jordan Belson, Oskar Fischinger, Walter Ruttmann, and James Whitney are complemented by analyses of contemporary work by Joanna Priestley, Takashi Ohashi, and Clayton McCracken. These films are examined through multiple critical lenses, including middlebrow modernism, mysticism, transmediality, and the relation of abstract art to music.By bringing theoretical precision and historical depth to the subject, the book offers fresh perspectives on visual music and provides a valuable foundation for students and scholars in musicology, film studies, and art history, as well as those working in the growing field of audiovisual studies. It is essential reading for anyone interested in the fertile terrain where music and the visual arts converge. An interdisciplinary exploration of the abstract moving image across various media such as films, concert projections, and kaleidoscopes. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book traces the evolving relationship between the abstract moving image and music, from the eighteenth century to the present, across media including film, concert projections, and kaleidoscopes.Although the term visual music has become widespread among artists, curators, and scholars over the past three decades, its meaning remains unsettled. Is it a translation of musical form into visual representation, or a musical response to images This book offers a critical redefinition of the term, grounding visual music in the category of the abstract moving image.Close readings of seminal films by Mary Ellen Bute, Jordan Belson, Oskar Fischinger, Walter Ruttmann, and James Whitney are complemented by analyses of contemporary work by Joanna Priestley, Takashi Ohashi, and Clayton McCracken. These films are examined through multiple critical lenses, including middlebrow modernism, mysticism, transmediality, and the relation of abstract art to music.By bringing theoretical precision and historical depth to the subject, the book offers fresh perspectives on visual music and provides a valuable foundation for students and scholars in musicology, film studies, and art history, as well as those working in the growing field of audiovisual studies. It is essential reading for anyone interested in the fertile terrain where music and the visual arts converge.…