Helland Frode (55 results)

Paperback. Condition: New. A unique collection of everything that Ibsen wrote about the theatre.Three new productions of plays by Henrik Ibsen open somewhere in the world every week. Moreover, they are adapted into multiple genres: Chinese and Western Opera, Japanese Noh theatre, puppet plays, musicals, dance performances, tourist spectacles, promenade performances, applied theatre, community events, and every possible screen technology.The more successful Ibsen became as a playwright, the more reluctant he was to make public pronouncements about the practice of theatre, but his thoughts on the art form can be gleaned by mining his prefaces, letters, speeches and newspaper articles.For the first time, these fragments have been gathered together in one volume. Arranged chronologically, they throw a unique light on Ibsen's views on theatre production, casting, translation, the business of theatre, and most importantly his own plays. The result is an invaluable resource for those who seek to know what Ibsen himself thought about his work and about the theatre of his time.Ibsen on Theatre is edited, introduced and annotated by Frode Helland and Julie Holledge, with new translations by May-Brit Akerholt. Also included is a foreword by Richard Eyre.Ibsen on Theatre is in the Nick Hern Books .On Theatre series: what the world's greatest dramatists had to say about theatre, in their own words.'For anyone interested in Ibsen's plays-actors, directors, students, audiences-[this is] a marvellously accessible compendium of the thoughts of a man I now unhesitatingly describe as a very great playwright.' Richard Eyre, from his Foreword.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. A unique collection of everything that Ibsen wrote about the theatre.Three new productions of plays by Henrik Ibsen open somewhere in the world every week. Moreover, they are adapted into multiple genres: Chinese and Western Opera, Japanese Noh theatre, puppet plays, musicals, dance performances, tourist spectacles, promenade performances, applied theatre, community events, and every possible screen technology.The more successful Ibsen became as a playwright, the more reluctant he was to make public pronouncements about the practice of theatre, but his thoughts on the art form can be gleaned by mining his prefaces, letters, speeches and newspaper articles.For the first time, these fragments have been gathered together in one volume. Arranged chronologically, they throw a unique light on Ibsens views on theatre production, casting, translation, the business of theatre, and most importantly his own plays. The result is an invaluable resource for those who seek to know what Ibsen himself thought about his work and about the theatre of his time.Ibsen on Theatre is edited, introduced and annotated by Frode Helland and Julie Holledge, with new translations by May-Brit Akerholt. Also included is a foreword by Richard Eyre.Ibsen on Theatre is in the Nick Hern Books .On Theatre series: what the world's greatest dramatists had to say about theatre, in their own words.For anyone interested in Ibsens playsactors, directors, students, audiences[this is] a marvellously accessible compendium of the thoughts of a man I now unhesitatingly describe as a very great playwright. Richard Eyre, from his Foreword'Will undoubtedly help readers to understand what motivated Ibsen' British Theatre Guide A unique collection of everything that Ibsen wrote about the theatre. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: Brand New. 272 pages. 9.00x6.00x1.00 inches. In Stock.

Condition: new.

paperback. Condition: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Condition: New. 2018. Paperback. . . . . .

Paperback. Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Octavo, softcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.

Condition: New. 272.

Paperback. Condition: new. Paperback. A unique collection of everything that Ibsen wrote about the theatre.Three new productions of plays by Henrik Ibsen open somewhere in the world every week. Moreover, they are adapted into multiple genres: Chinese and Western Opera, Japanese Noh theatre, puppet plays, musicals, dance performances, tourist spectacles, promenade performances, applied theatre, community events, and every possible screen technology.The more successful Ibsen became as a playwright, the more reluctant he was to make public pronouncements about the practice of theatre, but his thoughts on the art form can be gleaned by mining his prefaces, letters, speeches and newspaper articles.For the first time, these fragments have been gathered together in one volume. Arranged chronologically, they throw a unique light on Ibsens views on theatre production, casting, translation, the business of theatre, and most importantly his own plays. The result is an invaluable resource for those who seek to know what Ibsen himself thought about his work and about the theatre of his time.Ibsen on Theatre is edited, introduced and annotated by Frode Helland and Julie Holledge, with new translations by May-Brit Akerholt. Also included is a foreword by Richard Eyre.Ibsen on Theatre is in the Nick Hern Books .On Theatre series: what the world's greatest dramatists had to say about theatre, in their own words.For anyone interested in Ibsens playsactors, directors, students, audiences[this is] a marvellously accessible compendium of the thoughts of a man I now unhesitatingly describe as a very great playwright. Richard Eyre, from his Foreword'Will undoubtedly help readers to understand what motivated Ibsen' British Theatre Guide A unique collection of everything that Ibsen wrote about the theatre. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condition: new. Paperback. A unique collection of everything that Ibsen wrote about the theatre.Three new productions of plays by Henrik Ibsen open somewhere in the world every week. Moreover, they are adapted into multiple genres: Chinese and Western Opera, Japanese Noh theatre, puppet plays, musicals, dance performances, tourist spectacles, promenade performances, applied theatre, community events, and every possible screen technology.The more successful Ibsen became as a playwright, the more reluctant he was to make public pronouncements about the practice of theatre, but his thoughts on the art form can be gleaned by mining his prefaces, letters, speeches and newspaper articles.For the first time, these fragments have been gathered together in one volume. Arranged chronologically, they throw a unique light on Ibsens views on theatre production, casting, translation, the business of theatre, and most importantly his own plays. The result is an invaluable resource for those who seek to know what Ibsen himself thought about his work and about the theatre of his time.Ibsen on Theatre is edited, introduced and annotated by Frode Helland and Julie Holledge, with new translations by May-Brit Akerholt. Also included is a foreword by Richard Eyre.Ibsen on Theatre is in the Nick Hern Books .On Theatre series: what the world's greatest dramatists had to say about theatre, in their own words.For anyone interested in Ibsens playsactors, directors, students, audiences[this is] a marvellously accessible compendium of the thoughts of a man I now unhesitatingly describe as a very great playwright. Richard Eyre, from his Foreword'Will undoubtedly help readers to understand what motivated Ibsen' British Theatre Guide A unique collection of everything that Ibsen wrote about the theatre. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: New. A unique collection of everything that Ibsen wrote about the theatre. An invaluable resource for those who seek to know what Ibsen himself thought about his work and about the theatre of his time. Ibsen on Theatre is in the Nick Hern Books .On Theatre ser.

Hardback. Condition: New. Illustrated. The volume reveals an astonishing richness in the theatrical approaches to Ibsen across the world: it considers political theatre, institutional 'high art', theatre for development, queer and transgender theatre, Brechtian techniques, puppetry, post-dramatic theatre, rural village performance and avant-garde touring companies. Investigating varied renegotiations of his drama, including the work of Thomas Ostermeier in Germany and other parts of the world, versions of A Doll's House from Chile and China, The Wild Duck in Iran and productions of Peer Gynt in Zimbabwe and Egypt, Frode Helland provides a deeper understanding of a cross-cultural Ibsen. The volume gives an in-depth analysis of the practice of Ibsen in relation to political, social, ideological and economic forces within and outside of the performances themselves, and demonstrates the incredible diversity of his work in local situations.

Condition: New. In.

Hardcover. Condition: new. Hardcover. The volume reveals an astonishing richness in the theatrical approaches to Ibsen across the world: it considers political theatre, institutional high art, theatre for development, queer and transgender theatre, Brechtian techniques, puppetry, post-dramatic theatre, rural village performance and avant-garde touring companies. Investigating varied renegotiations of his drama, including the work of Thomas Ostermeier in Germany and other parts of the world, versions of A Dolls House from Chile and China, The Wild Duck in Iran and productions of Peer Gynt in Zimbabwe and Egypt, Frode Helland provides a deeper understanding of a cross-cultural Ibsen. The volume gives an in-depth analysis of the practice of Ibsen in relation to political, social, ideological and economic forces within and outside of the performances themselves, and demonstrates the incredible diversity of his work in local situations. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New. Series: Methuen Drama Engage. Num Pages: 272 pages, 14 bw illus. BIC Classification: AN; DSBF; DSG. Category: (G) General (US: Trade). Dimension: 147 x 279 x 25. Weight in Grams: 452. . 2015. Hardback. . . . .

Paperback. Condition: New. A unique collection of everything that Ibsen wrote about the theatre.Three new productions of plays by Henrik Ibsen open somewhere in the world every week. Moreover, they are adapted into multiple genres: Chinese and Western Opera, Japanese Noh theatre, puppet plays, musicals, dance performances, tourist spectacles, promenade performances, applied theatre, community events, and every possible screen technology.The more successful Ibsen became as a playwright, the more reluctant he was to make public pronouncements about the practice of theatre, but his thoughts on the art form can be gleaned by mining his prefaces, letters, speeches and newspaper articles.For the first time, these fragments have been gathered together in one volume. Arranged chronologically, they throw a unique light on Ibsen's views on theatre production, casting, translation, the business of theatre, and most importantly his own plays. The result is an invaluable resource for those who seek to know what Ibsen himself thought about his work and about the theatre of his time.Ibsen on Theatre is edited, introduced and annotated by Frode Helland and Julie Holledge, with new translations by May-Brit Akerholt. Also included is a foreword by Richard Eyre.Ibsen on Theatre is in the Nick Hern Books .On Theatre series: what the world's greatest dramatists had to say about theatre, in their own words.'For anyone interested in Ibsen's plays-actors, directors, students, audiences-[this is] a marvellously accessible compendium of the thoughts of a man I now unhesitatingly describe as a very great playwright.' Richard Eyre, from his Foreword.

Condition: New. Series: Methuen Drama Engage. Num Pages: 272 pages, 14 bw illus. BIC Classification: AN; DSBF; DSG. Category: (G) General (US: Trade). Dimension: 147 x 279 x 25. Weight in Grams: 452. . 2015. Hardback. . . . . Books ship from the US and Ireland.

Condition: As New. Unread book in perfect condition.

Condition: New. In.

Condition: New. In.

Hardcover. Condition: Brand New. 253 pages. 8.50x5.50x1.00 inches. In Stock.

Paperback. Condition: New.

Condition: New.

Condition: New.

Soft cover. Condition: New. 292 pages, illustrations : 24 cm. On all continents, across the greatest divides, Henrik Ibsen s plays are staged every week. Ibsen s dramas exemplify the simplest and most basic form of inter cultural exchange within the theatre: texts originating in one culture performed in translation in another culture. .As part of the global theatre repertoire, Ibsen s plays are constantly subject to localising acts involving the interplay between the local and the global. They reveal the interweaving of different cultures in site-specific appropriations. The articles in this collection were produced by a team of international scholars collaborating on a research project entitled Ibsen Between Cultures ; it was funded by the Norwegian Research Council. The general aim of the project was to interrogate how we can account for the extraordinary international success of Ibsen s plays. Its specific goal was to reach new understandings of Ibsen s function as a global dramatist, and evaluate how the plays are altered, shifted, transferred and appropriated as they are localised to new cultural contexts. What happens to Ibsen when he becomes an Indian, Bangladeshi, or Chinese dramatist? The articles that make up this collection address this question.