Helen Sear (36 results)

Trade Paperback. Condition: Like New. 1st Edition. 192 pp. Clean, fresh copy with very minor shelf wear on front and back cover, crisp pages and clean text. Helen Sear (Front Cover Photo) (illustrator).

1 [26] p. : col. ill.; 20 x 30 cm. Includes Illustrations. Includes bibliographical references. Very good. light shefwear, ex museum stamp to blank flyleaf, brown cover.

Hardcover. Condition: Brand New. 64 pages. 8.90x6.50x0.50 inches. In Stock.

Condition: As New. Unread book in perfect condition.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover without dustjacket as issued, unpaginated; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Very Good. 1899823093. 2002 Zelda Cheatle, bright clean copy, Professional booksellers since 1981.

Hardback. Condition: New.

paperback. Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Soft cover. Condition: Very Good. 1st Edition. Exhibition catalogue for 15 April -2 May 1991. Square exhibition catalogue with pictorial card wrappers. Not paginated but 16 pages. Introduction by Carol McKay and a statement from all four participating artists. Illustrated with six black and white illustrations. In excellent condition. Provenance Barry Cooke collection. Size 21 x 21 cm (8.25 x 8.25 inches). Zarina Bhimji; John Drummond; Helen Sear; David Shepherd. (illustrator).…

Hardcover. Condition: Brand New. 144 pages. 10.87x8.46x0.75 inches. In Stock.

Condition: New.

Hardcover. Condition: new. Hardcover. 'Four thousand square foot of blue-flecked linoleum is decorated with maps of the world. This random patchwork, traversed by thousands of people scuffing its surface, is slowly being worn away, the floor underneath emerging as new oceans eroding the graphic landmass. Fallen sticky price labels and other detritus settle across an ever-evolving cartography formed by human footfall.'Helen Sear reflects on the current ecological crisis and our shared responsibilities across countries and borders. It is a call for human collaboration to avert the permanent loss of other species, in an era that biologist E O Wilson has suggested might be named The Age of Loneliness.In 2018 and 2019 Sear spent several weeks in Durham North Carolina inside the vast warehouse premises of The Scrap Exchange, an organisation dedicated to re-diverting surplus materials from landfill and creating environmental awareness and community through reuse. It is a microcosm for something global, namely our human relationships with, and impact on the environment and our immediate surroundings.Constructing a makeshift studio on the shop floor she invited visitors to have their portraits taken, photographed hands holding chosen objects, sometimes recording brief conversations. Photographing strangers in the formal style of studio portraiture enabled a momentary stillness and connection amid the agitation of peripheral vision overload and the direct eye contact between subject and artist heightens the sense of a moment shared.Helen Sears practice focuses on the co-existence of human, animal, and natural environments and is rooted in an interest in Magic Realism, Surrealism and Conceptual Art. She studied Fine Art at Reading University and University College London, Slade School, her practice coming to prominence in the late 1980s, when she worked primarily with mixed-media installation, performance and video. Her photographic works became widely known in the 1991 British Council exhibition, De-Composition: Constructed Photography in Britain, Sear was the first woman to represent Wales with a solo exhibition at the 56th Venice Biennale 2015 presenting a suite of new worksthe rest is smoke. Helen Sear currently lives and works in France. Helen Sear has photographed inside The Scrap Exchange, an organisation dedicated to re-diverting surplus materials from landfill and creating environmental awareness and community through reuse. It is a microcosm for something global, namely our human relationships with, and impact on the environment and our immediate surroundings. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Quarto hardcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs.

Condition: New.

Condition: As New. Unread book in perfect condition.

SOFTCOVER. Condition: As New. 1st Edition. Large landscape 4to. in stiff card covers, gilt lettering to front cover, unpaginated, approx. 28pp on glossy art paper, colour plates, etc . [CONDITION: An extremely well preserved AS NEW unread and unmarked copy ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Condition: New. 2021. Hardcover. . . . . .

Soft cover. Condition: Very Good. Close to new condition apart from slight scuffing to the front cover. 1995 paperback. The photo is of the actual book you will receive. Fast dispatch, normally within 24 hours, by UK seller.

Condition: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.

Condition: Very Good. First edition. Paperback. Oblong octavo. (40)pp. Original printed paperback. Slight wear, faint waviness, slight abrasion to rear from label removal, otherwise very good.

Condition: New.

No Binding. Condition: Very Good. 917-P-4. A VG or better original release 8 x 10 still with description on back. Ultra rare! Size: 8" x 10". Photographic Image.

Condition: New.

Soft cover. Condition: Fine. 1st Edition. Text in Italian and English. Artists featured in the exhibition (listed on p. [7]) : Tim Anstey, Claire Banks, Adam Dant, David Dernie, Martin Goalen, Brendan Hansbro, Sioban Piercy, Jeanine Richards, Daphne Wright, Stephen Duncan, Sally Moore, Kathy Prendergast, Carol Robertson, Helen Sear. Catalogue of an exhibition organised by the British Council and held at the British School at Rome, 13-28 May 1993. Text (by Jon Thompson) in Italian and English. Description: 71 pages : illustrations (some colour), portraits, plans ; 22 cm.…

First Edition. Paperbound, oblong format. A catalogue issued to accompany an exhibition of photographs by Helen Sear. Illustrated. Fine in printed wrappers. With essays by Susan Butler ÒNocturneÓ and Russell Roberts ÒIn Visible LightÓ.

Condition: Very Good. - Text in English and Welsh - Very minor shelfwear and very slight bump to head of spine otherwise near new condition - Clean bright tight book - 100 pages.

Buch. Condition: Neu. Neuware - 'Four thousand square foot of blue-flecked linoleum is decorated with maps of the world. This random patchwork, traversed by thousands of people scuffing its surface, is slowly being worn away, the floor underneath emerging as new oceans eroding the graphic landmass. Fallen sticky price labels and other detritus settle across an ever-evolving cartography formed by human footfall.' Helen Sear reflects on the current ecological crisis and our shared responsibilities across countries and borders. It is a call for human collaboration to avert the permanent loss of other species, in an era that biologist E O Wilson has suggested might be named 'The Age of Loneliness'. In 2018 and 2019 Sear spent several weeks in Durham North Carolina inside the vast warehouse premises of The Scrap Exchange, an organisation dedicated to re-diverting surplus materials from landfill and creating environmental awareness and community through reuse. It is a microcosm for something global, namely our human relationships with, and impact on the environment and our immediate surroundings. Constructing a makeshift studio on the shop floor she invited visitors to have their portraits taken, photographed hands holding chosen objects, sometimes recording brief conversations. Photographing strangers in the formal style of studio portraiture enabled a momentary stillness and connection amid the agitation of peripheral vision overload and the direct eye contact between subject and artist heightens the sense of a moment shared. Helen Sear's practice focuses on the co-existence of human, animal, and natural environments and is rooted in an interest in Magic Realism, Surrealism and Conceptual Art. She studied Fine Art at Reading University and University College London, Slade School, her practice coming to prominence in the late 1980s, when she worked primarily with mixed-media installation, performance and video. Her photographic works became widely known in the 1991 British Council exhibition, De-Composition: Constructed Photography in Britain, Sear was the first woman to represent Wales with a solo exhibition at the 56th Venice Biennale 2015 presenting a suite of new works.the rest is smoke. Helen Sear currently lives and works in France. …