Dore Michel (38 results)

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New.

Paperback. Condition: new. Paperback. "For anyone interested in social change."--"Ottawa Citizen" "Convey[s] an impressive body of knowledge about the Quebec labour movement, working class conditions and working class struggles."--"McGill Daily" "For anyone interested in social change."--"Ottawa Citizen" "Convey[s] an impressive body of knowledge about the Quebec labour movement, working class conditions and working class struggles."--"McGill Daily" Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: Brand New. 304 pages. 8.40x5.30x0.70 inches. In Stock.

Condition: good. Doré, Gustave (illustrator). Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: good. Doré, Gustave (illustrator). Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover. Condition: Très bon. Doré, Gustave (illustrator). Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condition: Bon. Doré, Gustave (illustrator). Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condition: Très bon. Doré, Gustave (illustrator). Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condition: Bon. Doré, Gustave (illustrator). Petite(s) trace(s) de pliure sur la couverture. Pages cornées. Couverture différente. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Slightly creased cover. Dog-eared pages. Different cover. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condition: Très bon. Petite(s) trace(s) de pliure sur la couverture. Légères traces d'usure sur la couverture. Edition 2011. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Slightly creased cover. Slight signs of wear on the cover. Edition 2011. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condition: Très bon. Petite(s) trace(s) de pliure sur la couverture. Edition 2011. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Slightly creased cover. Edition 2011. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condition: Bon. Doré, Gustave (illustrator). Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: New. Num Pages: 299 pages. BIC Classification: KC. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 217 x 141 x 26. Weight in Grams: 322. . 1985. First Edition. paperback. . . . .

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New.

Condition: New. Num Pages: 299 pages. BIC Classification: KC. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 217 x 141 x 26. Weight in Grams: 322. . 1985. First Edition. paperback. . . . . Books ship from the US and Ireland.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: new. Paperback. "For anyone interested in social change."--"Ottawa Citizen" "Convey[s] an impressive body of knowledge about the Quebec labour movement, working class conditions and working class struggles."--"McGill Daily" "For anyone interested in social change."--"Ottawa Citizen" "Convey[s] an impressive body of knowledge about the Quebec labour movement, working class conditions and working class struggles."--"McGill Daily" Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

broché. Condition: très bel état. in-8 62 pages. Ajustement des frais d'envoi en fonction du poids.

Condition: Neuf.

Condition: Très bon. Nos envois se font avec suivi, pour tout problème n'hésitez pas à nous contacter pour trouver une solution.

Taschenbuch. Condition: Neu. Neuware.

Paperback. Condition: New.

Couverture souple. Condition: Comme neuf. Broché, 277 pages. 17x22 cm. Parfait état. Résumé : Les HLM, un univers que chacun croît connaître pour y habiter, avoir déposé une demande de logement, résider à proximité d'un quartier d'habitat social ou, simplement, en avoir une image trop souvent assimilée à celle des grands ensembles ou des cités en difficulté. Derrière ces visions quelque peu réductrices se cache depuis plus d'un siècle un monde de professionnels animés par une mission commune : offrir un habitat de qualité à tous ceux qui ne pourraient y accéder par le jeu du marché. Roland Pignol, qui passa 23 ans à l'Union des HLM, dont douze en tant que délégué général, et deux de ses collaborateurs, Jean-Michel Doré et Michèle Bardin, retracent de l'intérieur la vie de l'un des quatre grands mécanismes de solidarité de la société française. Celle d'un Mouvement qui ne se veut pas seulement une organisation professionnelle efficace et un lobby écouté, mais une communauté d'hommes et de femmes dont la plupart ne sont pas « entrés en HLM » par hasard. Au fil des pages, les auteurs évoquent les réussites des HLM en termes de progrès social, d'amortisseurs face au chômage et d'acteurs économiques contra cycliques ainsi que le rôle joué par les HLM français dans la création d'une Europe du logement social. Mais ils n'éludent pas les limites de l'action des organismes et de leur Union face à la montée et au développement de la crise urbaine. Refusant langue de bois et auto satisfaction, ces Témoignages démontrent que l'Institution HLM demeure nécessaire, voire indispensable, pour répondre aux besoins d'une société de plus en plus émiettée et fragilisée. À propos de l'auteur : Roland Pignol, entré à l'Union en 1970 comme Directeur, devient Délégué général adjoint en 1974 puis Délégué général en 1981, fonction qu'il occupera jusqu'à son départ en retraite en 1993. En collaboration avec : Jean-Michel Doré, entré à l'Union en 1971 comme Responsable des études économiques et financières, a été Directeur de Fédération de 1976 à 1981. Nommé Conseiller du Délégué général en 1981 puis Délégué général adjoint en 2000, il occupe cette fonction jusqu'à son départ en retraite en 2006. Michèle Bardin, entrée à l'Union en 1980 en tant que conseiller en communication auprès des organismes Hlm, exerce la fonction de Directeur des Relations extérieures de 1982 à son départ en retraite fin 2003.

Encuadernación de tapa dura. Condition: Nuevo. Dust Jacket Condition: Nuevo. Saura: Tragedy & Creation includes the masterpiece Salvatierra (1957), exhibited at the 29th Venice Biennale in 1958, as well as a selection of Damas, in which the female figure is depicted in differing yet similar ways. In Saura s words, they were born of a compelling need to scream, of an urge to express oneself no matter how, by making all the energetic possibilities of the universe our own. These works inaugurate a new phase in his imagery, with the idea of pictorial form emerging from a kind of hand-to-hand combat, with no concern for composition, colour or balance Stima (1959) and Pandora (1960) are good examples. They are paintings resulting from confrontation; from a battle that transforms inert matter into a movement originating in figurative desire. All the works exemplify how Saura had been searching for a new kind of representation through material that bears the stigma and the imprint of humanity. The relationships between figure and abstraction, between ground and living being, and between rising up and drowning are also evident, showing that he was fully aware of the inevitable, dramatic and joyful balance between man and his existence, as, for example in 40 superposiciones (1975). As Barbero stresses in his text for the exhibition catalogue: His colour choice, nearly always dominated during this period by black and white or shades of grey, is linked to that distinctive silence full of gestures and thrusts, which are characteristic of paintings by the Spanish greats. The clearest reference to the relationship with history and politics, but also to the investigation of the human and figural dimension, can only be that of Goya, just as many have pointed out before. The more drastic, radical and controversial sense of Goya s paintings can be found in the Spanish master s relationship with the representation of the body and, eminently, with the idea of the portrait that, beyond effigy, focuses heavily on expression. This transmigrates into an idea of dramatic and free painting that Saura was developing so that it could be the expression of a total reality. This exhibition asserts that Saura s message is still relevant today by tracing a temporal arc linking his message to commonplaces such as the grief caused by human cruelty, the suffering caused by social inequality, the abuses committed by the ruling classes and the hypocrisy of politicians. All these messages prevail and are evident in the work of Goya, in 20th-century art and in today s culture and society. For this exhibition a catalogue has been published with texts by the specialist Luca Massimo Barbero, by Antonio Saura himself, and by other experts on the artist and his context, such as Michel Tapié, Yvon Taillandier, Julián Ríos and Dore Ashton. Likewise, a selection of photographs by Jean Marie del Moral, Leopoldo Pomés, Francesc Català-Roca, Jaume Blassi, Ramón Masats and Giacomelli documenting the artist, his creative process and the studio in Cuenca. LANGUAGE English SIZE 60x30 cm PAGES: 104.

Couverture rigide. Condition: Bon. Edition originale. Pages doubles. Fac-simile dans pochette.

Condition: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Condition: New.