Cornelison Sally J (58 results)

paperback. Condition: Fine.

paperback. Condition: Very Good.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Fine. First Edition. Glossy, pictorial hardcover. First edition. No dust jacket, as issued. Fine condition, crisp, clean, and unused. Illustrated. 8vo. 174 pp. including primary and secondary source notes.

Paperback. Condition: New. Vasari and the Sacred Image explores the iconography, patronage, function, meaning, and afterlife of Giorgio Vasari's paintings for, and architectural modification of, one of the most important churches in his hometown of Arezzo. Based upon a rich and previously underexplored body of primary, secondary, and visual source material, this book examines works Vasari either thoughtfully designed for the Pieve, or resourcefully retrofitted from previous commissions, thereby promoting himself and his family, his patrons and associates, his artistic predecessors, and public and private devotions to local saints and their relics. Cornelison delves deeply into the history and iconography of key altarpieces, relating them to the broader issues of religious tradition and personal and artistic commemoration. She demonstrates that Vasari strove to create a cohesive sacred environment at the Pieve that was every bit as much steeped in Aretine sacred and visual tradition as it was in a climate of ecclesiastical reform.…

Paperback. Condition: New. Vasari and the Sacred Image explores the iconography, patronage, function, meaning, and afterlife of Giorgio Vasari's paintings for, and architectural modification of, one of the most important churches in his hometown of Arezzo. Based upon a rich and previously underexplored body of primary, secondary, and visual source material, this book examines works Vasari either thoughtfully designed for the Pieve, or resourcefully retrofitted from previous commissions, thereby promoting himself and his family, his patrons and associates, his artistic predecessors, and public and private devotions to local saints and their relics. Cornelison delves deeply into the history and iconography of key altarpieces, relating them to the broader issues of religious tradition and personal and artistic commemoration. She demonstrates that Vasari strove to create a cohesive sacred environment at the Pieve that was every bit as much steeped in Aretine sacred and visual tradition as it was in a climate of ecclesiastical reform.…

Paperback. Condition: new. Paperback. Vasari and the Sacred Image explores the iconography, patronage, function, meaning, and afterlife of Giorgio Vasari's paintings for, and architectural modification of, one of the most important churches in his hometown of Arezzo. Based upon a rich and previously underexplored body of primary, secondary, and visual source material, this book examines works Vasari either thoughtfully designed for the Pieve, or resourcefully retrofitted from previous commissions, thereby promoting himself and his family, his patrons and associates, his artistic predecessors, and public and private devotions to local saints and their relics. Cornelison delves deeply into the history and iconography of key altarpieces, relating them to the broader issues of religious tradition and personal and artistic commemoration. She demonstrates that Vasari strove to create a cohesive sacred environment at the Pieve that was every bit as much steeped in Aretine sacred and visual tradition as it was in a climate of ecclesiastical reform. Based upon a rich and previously underexplored body of source material, this book examines works Giorgio Vasari either thoughtfully designed for the Pieve. It expands our understanding of painting in Counter-Reformation Italy and the artistic production of one of the most important personalities of the Italian Renaissance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. 2026. paperback. . . . . .

Paperback. Condition: Brand New. 1st edition. 350 pages. 7.00x0.88x10.00 inches. In Stock.

Paperback / softback. Condition: New. New copy - Usually dispatched within 3 working days.

Condition: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New.

Condition: New. pp. 386.

Condition: New.

Condition: NEW.

Paperback. Condition: Brand New. 1st edition. 350 pages. 7.00x0.88x10.00 inches. In Stock.

Condition: Good. Volume 296. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780866983402.…

Paperback. Condition: new. Paperback. Vasari and the Sacred Image explores the iconography, patronage, function, meaning, and afterlife of Giorgio Vasari's paintings for, and architectural modification of, one of the most important churches in his hometown of Arezzo. Based upon a rich and previously underexplored body of primary, secondary, and visual source material, this book examines works Vasari either thoughtfully designed for the Pieve, or resourcefully retrofitted from previous commissions, thereby promoting himself and his family, his patrons and associates, his artistic predecessors, and public and private devotions to local saints and their relics. Cornelison delves deeply into the history and iconography of key altarpieces, relating them to the broader issues of religious tradition and personal and artistic commemoration. She demonstrates that Vasari strove to create a cohesive sacred environment at the Pieve that was every bit as much steeped in Aretine sacred and visual tradition as it was in a climate of ecclesiastical reform. Based upon a rich and previously underexplored body of source material, this book examines works Giorgio Vasari either thoughtfully designed for the Pieve. It expands our understanding of painting in Counter-Reformation Italy and the artistic production of one of the most important personalities of the Italian Renaissance. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condition: New. pp. 386.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback. Condition: New. Vasari and the Sacred Image explores the iconography, patronage, function, meaning, and afterlife of Giorgio Vasari's paintings for, and architectural modification of, one of the most important churches in his hometown of Arezzo. Based upon a rich and previously underexplored body of primary, secondary, and visual source material, this book examines works Vasari either thoughtfully designed for the Pieve, or resourcefully retrofitted from previous commissions, thereby promoting himself and his family, his patrons and associates, his artistic predecessors, and public and private devotions to local saints and their relics. Cornelison delves deeply into the history and iconography of key altarpieces, relating them to the broader issues of religious tradition and personal and artistic commemoration. She demonstrates that Vasari strove to create a cohesive sacred environment at the Pieve that was every bit as much steeped in Aretine sacred and visual tradition as it was in a climate of ecclesiastical reform.…

Taschenbuch. Condition: Neu. Neuware - Vasari and the SacredImageexplores the iconography, patronage, function, meaning, and afterlife of Giorgio Vasari's paintings for, and architectural modification of, one of the most important churches in his hometown of Arezzo.Based upon a rich and previously underexplored body of primary, secondary, and visual source material, this book examines works Vasari either thoughtfully designed for the Pieve, or resourcefully retrofitted from previous commissions, thereby promoting himself and his family, his patrons and associates, his artistic predecessors, and public and private devotions to local saints and their relics. Cornelison delves deeply into the history and iconography of key altarpieces, relating them to the broader issues of religious tradition and personal and artistic commemoration. She demonstrates that Vasari strove to create a cohesive sacred environment at the Pieve that was every bit as much steeped in Aretine sacred and visual tradition as it was in a climate of ecclesiastical reform.…

hardcover. Condition: New. 1st.

Paperback. Condition: new. Paperback. Vasari and the Sacred Image explores the iconography, patronage, function, meaning, and afterlife of Giorgio Vasari's paintings for, and architectural modification of, one of the most important churches in his hometown of Arezzo. Based upon a rich and previously underexplored body of primary, secondary, and visual source material, this book examines works Vasari either thoughtfully designed for the Pieve, or resourcefully retrofitted from previous commissions, thereby promoting himself and his family, his patrons and associates, his artistic predecessors, and public and private devotions to local saints and their relics. Cornelison delves deeply into the history and iconography of key altarpieces, relating them to the broader issues of religious tradition and personal and artistic commemoration. She demonstrates that Vasari strove to create a cohesive sacred environment at the Pieve that was every bit as much steeped in Aretine sacred and visual tradition as it was in a climate of ecclesiastical reform. Based upon a rich and previously underexplored body of source material, this book examines works Giorgio Vasari either thoughtfully designed for the Pieve. It expands our understanding of painting in Counter-Reformation Italy and the artistic production of one of the most important personalities of the Italian Renaissance. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Kartoniert / Broschiert. Condition: New. Sally J. Cornelison is Professor and Director of the Florence Graduate Program in Renaissance Art at Syracuse University, USA.Tracing the history of St. Antoninus cult and burial from the time of his death in 1459 until his remains were moved to th.

Paperback. Condition: New. Vasari and the Sacred Image explores the iconography, patronage, function, meaning, and afterlife of Giorgio Vasari's paintings for, and architectural modification of, one of the most important churches in his hometown of Arezzo. Based upon a rich and previously underexplored body of primary, secondary, and visual source material, this book examines works Vasari either thoughtfully designed for the Pieve, or resourcefully retrofitted from previous commissions, thereby promoting himself and his family, his patrons and associates, his artistic predecessors, and public and private devotions to local saints and their relics. Cornelison delves deeply into the history and iconography of key altarpieces, relating them to the broader issues of religious tradition and personal and artistic commemoration. She demonstrates that Vasari strove to create a cohesive sacred environment at the Pieve that was every bit as much steeped in Aretine sacred and visual tradition as it was in a climate of ecclesiastical reform.…

Paperback. Condition: Brand New. 388 pages. 9.61x6.77x1.18 inches. In Stock.

Taschenbuch. Condition: Neu. Neuware.