Clifton Rivka (51 results)

Paperback. Condition: New.

Condition: New.

Condition: New.

Paperback or Softback. Condition: New. Wrong Feast. Book.

Condition: New.

Paperback. Condition: New.

Paperback or Softback. Condition: New. Muzzle. Book.

paperback. Condition: Good. softcover book light wear to cover and book edges, has some light reader wear.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New.

Condition: New.

Paperback. Condition: new. Paperback. "Where the erotic meets mortality, where the spirit meets the body, where one dream-meets anotherthis is the landscape where these poems unfold," Kathryn Nuernberger writes of Rivka Clifton's, Wrong Feast.Indeed, in Cliftons second full-length collection, the lyric image, in all its ambiguous potential, flexes the tensions between Capitalisms mass-produced nightmares and the individually strange experiences of death, art, and queerness to depict a world both sumptuous and awry engaging Charles Simics surrealist question: How to think without recourse to abstractions, logic, and categorical postulates. Clifton turns the sensory details in her poems until their most mundane aspects become uncanny a fish becomes a purse, a dogs head is deified as it is impaled on a fence, a buzzing cellphone is birthed into a crib . . . Page after page, Wrong Feast models close attention, while fully considering the ambiguities and the possibilities within Cliftons creations. These are not merely poems of action and consequence, but ones of call and response. They will not provide lessons or insights. They are not the prophecy garnered from entrails. They are the entrails. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: New. "Where the erotic meets mortality, where the spirit meets the body, where one dream-meets another-this is the landscape where these poems unfold," Kathryn Nuernberger writes of Rivka Clifton's, Wrong Feast. Indeed, in Cliftons' second full-length collection, the lyric image, in all its ambiguous potential, flexes the tensions between Capitalism's mass-produced nightmares and the individually strange experiences of death, art, and queerness to depict a world both sumptuous and awry engaging Charles Simic's surrealist question: "How to think without recourse to abstractions, logic, and categorical postulates." Clifton turns the sensory details in her poems until their most mundane aspects become uncanny?-?a fish becomes a purse, a dog's head is deified as it is impaled on a fence, a buzzing cellphone is birthed into a crib . . . Page after page, Wrong Feast models close attention, while fully considering the ambiguities and the possibilities within Clifton's creations. These are not merely poems of action and consequence, but ones of call and response. They will not provide lessons or insights. They are not the prophecy garnered from entrails. They are the entrails.…

Paperback. Condition: New. "Where the erotic meets mortality, where the spirit meets the body, where one dream-meets another-this is the landscape where these poems unfold," Kathryn Nuernberger writes of Rivka Clifton's, Wrong Feast. Indeed, in Cliftons' second full-length collection, the lyric image, in all its ambiguous potential, flexes the tensions between Capitalism's mass-produced nightmares and the individually strange experiences of death, art, and queerness to depict a world both sumptuous and awry engaging Charles Simic's surrealist question: "How to think without recourse to abstractions, logic, and categorical postulates." Clifton turns the sensory details in her poems until their most mundane aspects become uncanny?-?a fish becomes a purse, a dog's head is deified as it is impaled on a fence, a buzzing cellphone is birthed into a crib . . . Page after page, Wrong Feast models close attention, while fully considering the ambiguities and the possibilities within Clifton's creations. These are not merely poems of action and consequence, but ones of call and response. They will not provide lessons or insights. They are not the prophecy garnered from entrails. They are the entrails.…

Condition: new.

Condition: New.

Condition: New. In English.

Paperback. Condition: Brand New. 88 pages. 6.00x0.21x9.00 inches. In Stock.

Condition: New.

Condition: New.

paperback. Condition: New. Special order direct from the distributor.

Paperback. Condition: Brand New. 80 pages. 6.00x2.00x9.00 inches. In Stock.

Condition: New.

Paperback. Condition: Brand New. 80 pages. 6.00x2.00x9.00 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

paperback. Condition: New. Special order item direct from the distributor.

Condition: New. 2026. paperback. . . . . .

Taschenbuch. Condition: Neu. Neuware - 'Where the erotic meets mortality, where the spirit meets the body, where one dream-meets anotherthis is the landscape where these poems unfold,' Kathryn Nuernbergerwrites of Rivka Clifton's, Wrong Feast.Indeed, in Cliftons' second full-length collection, the lyric image, in all its ambiguous potential, flexes the tensions between Capitalism's mass-produced nightmares and the individually strange experiences of death, art, and queerness to depict a world both sumptuous and awry engaging Charles Simic's surrealist question: "How to think without recourse to abstractions, logic, and categorical postulates." Clifton turns the sensory details in her poems until their most mundane aspects become uncanny??a fish becomes a purse, a dog's head is deified as it is impaled on a fence, a buzzing cellphone is birthed into a crib . . . Page after page, Wrong Feast models close attention, while fully considering the ambiguities and the possibilities within Clifton's creations. These are not merely poems of action and consequence, but ones of call and response. They will not provide lessons or insights. They are not the prophecy garnered from entrails.They are the entrails.…