Addyman Marie (26 results)

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condition: new.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. 2021. Hardcover. . . . . .

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. A journey through texts on, about, or reflecting our experience of the natural world.What might it mean to study ideas of nature within our English literary heritage? In posing this question this volume invites us both to discover a diversity of ways of looking at a major continuing topos within English literature, and to ask what we mean by nature itself within this context. Starting from the premise of considering the pathetic fallacy which demands that nature reflects our emotional needs and beliefs as well as providing our material sustenance, the author explores the astonishing variety of themes grouped under the banner of "nature writing". Some chapters consider the broad distinctions of nature experienced as time and mortality for human beings, and nature perceived as "out there" in the local or larger environment; others demonstrate how nature is commandeered in the erotic pastoral lyrics of the Elizabethan sonneteers, how the concept of a "natural" family underpins the tragedy of King Lear, and how definitions of what is natural are used to validate dominion over women and animals as well as the earth itself.A literary heritage of nature is here envisaged as a polyphony of voices across the centuries in which English texts influence and are influenced by their continental and North American fellow-artists. The colonial preoccupations of the Elizabethan Sir Walter Ralegh are re-examined in the writings of the American nineteenth-century defender of nature David Henry Thoreau. The seventeenth-century Norfolk physician Sir Thomas Browne's musings begin and end the meditations by W.G. Sebald on his twentieth-century East Anglian pilgrimage in The Rings of Saturn. Mary Shelley's new genre of science fiction is turned upside down in Italo Calvino's Cosmicomics. Ted Hughes translates Ovid. Seamus Heaney takes his inspiration from English, Irish and continental peers and predecessors.This polyphonic chorus of writing about nature has always enriched our literature and continues to do so. At the same it demonstrates how we have naturalised nature in our culture, as both a celebration, and an admonishment for what we take for granted in our attitudes to the natural world.…

Hardcover. Condition: new. Hardcover. A journey through texts on, about, or reflecting our experience of the natural world.What might it mean to study ideas of nature within our English literary heritage? In posing this question this volume invites us both to discover a diversity of ways of looking at a major continuing topos within English literature, and to ask what we mean by nature itself within this context. Starting from the premise of considering the pathetic fallacy which demands that nature reflects our emotional needs and beliefs as well as providing our material sustenance, the author explores the astonishing variety of themes grouped under the banner of "nature writing". Some chapters consider the broad distinctions of nature experienced as time and mortality for human beings, and nature perceived as "out there" in the local or larger environment; others demonstrate how nature is commandeered in the erotic pastoral lyrics of the Elizabethan sonneteers, how the concept of a "natural" family underpins the tragedy of King Lear, and how definitions of what is natural are used to validate dominion over women and animals as well as the earth itself.A literary heritage of nature is here envisaged as a polyphony of voices across the centuries in which English texts influence and are influenced by their continental and North American fellow-artists. The colonial preoccupations of the Elizabethan Sir Walter Ralegh are re-examined in the writings of the American nineteenth-century defender of nature David Henry Thoreau. The seventeenth-century Norfolk physician Sir Thomas Browne's musings begin and end the meditations by W.G. Sebald on his twentieth-century East Anglian pilgrimage in The Rings of Saturn. Mary Shelley's new genre of science fiction is turned upside down in Italo Calvino's Cosmicomics. Ted Hughes translates Ovid. Seamus Heaney takes his inspiration from English, Irish and continental peers and predecessors.This polyphonic chorus of writing about nature has always enriched our literature and continues to do so. At the same it demonstrates how we have naturalised nature in our culture, as both a celebration, and an admonishment for what we take for granted in our attitudes to the natural world. A journey through texts on, about, or reflecting our experience of the natural world. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. In English.

Hardback. Condition: New. A journey through texts on, about, or reflecting our experience of the natural world.What might it mean to study ideas of nature within our English literary heritage? In posing this question this volume invites us both to discover a diversity of ways of looking at a major continuing topos within English literature, and to ask what we mean by nature itself within this context. Starting from the premise of considering the pathetic fallacy which demands that nature reflects our emotional needs and beliefs as well as providing our material sustenance, the author explores the astonishing variety of themes grouped under the banner of "nature writing". Some chapters consider the broad distinctions of nature experienced as time and mortality for human beings, and nature perceived as "out there" in the local or larger environment; others demonstrate how nature is commandeered in the erotic pastoral lyrics of the Elizabethan sonneteers, how the concept of a "natural" family underpins the tragedy of King Lear, and how definitions of what is natural are used to validate dominion over women and animals as well as the earth itself.A literary heritage of nature is here envisaged as a polyphony of voices across the centuries in which English texts influence and are influenced by their continental and North American fellow-artists. The colonial preoccupations of the Elizabethan Sir Walter Ralegh are re-examined in the writings of the American nineteenth-century defender of nature David Henry Thoreau. The seventeenth-century Norfolk physician Sir Thomas Browne's musings begin and end the meditations by W.G. Sebald on his twentieth-century East Anglian pilgrimage in The Rings of Saturn. Mary Shelley's new genre of science fiction is turned upside down in Italo Calvino's Cosmicomics. Ted Hughes translates Ovid. Seamus Heaney takes his inspiration from English, Irish and continental peers and predecessors.This polyphonic chorus of writing about nature has always enriched our literature and continues to do so. At the same it demonstrates how we have naturalised nature in our culture, as both a celebration, and an admonishment for what we take for granted in our attitudes to the natural world.…

Condition: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Condition: New. A journey through texts on, about, or reflecting our experience of the natural world.What might it mean to study ideas of nature within our English literary heritage? In posing this question this volume invites us both to discover a diversity of ways of looking at a major continuing topos within English literature, and to ask what we mean by nature itself within this context. Starting from the premise of considering the pathetic fallacy which demands that nature reflects our emotional needs and beliefs as well as providing our material sustenance, the author explores the astonishing variety of themes grouped under the banner of "nature writing". Some chapters consider the broad distinctions of nature experienced as time and mortality for human beings, and nature perceived as "out there" in the local or larger environment; others demonstrate how nature is commandeered in the erotic pastoral lyrics of the Elizabethan sonneteers, how the concept of a "natural" family underpins the tragedy of King Lear, and how definitions of what is natural are used to validate dominion over women and animals as well as the earth itself.A literary heritage of nature is here envisaged as a polyphony of voices across the centuries in which English texts influence and are influenced by their continental and North American fellow-artists. The colonial preoccupations of the Elizabethan Sir Walter Ralegh are re-examined in the writings of the American nineteenth-century defender of nature David Henry Thoreau. The seventeenth-century Norfolk physician Sir Thomas Browne's musings begin and end the meditations by W.G. Sebald on his twentieth-century East Anglian pilgrimage in The Rings of Saturn. Mary Shelley's new genre of science fiction is turned upside down in Italo Calvino's Cosmicomics. Ted Hughes translates Ovid. Seamus Heaney takes his inspiration from English, Irish and continental peers and predecessors.This polyphonic chorus of writing about nature has always enriched our literature and continues to do so. At the same it demonstrates how we have naturalised nature in our culture, as both a celebration, and an admonishment for what we take for granted in our attitudes to the natural world.…

Hardback. Condition: New. A journey through texts on, about, or reflecting our experience of the natural world.What might it mean to study ideas of nature within our English literary heritage? In posing this question this volume invites us both to discover a diversity of ways of looking at a major continuing topos within English literature, and to ask what we mean by nature itself within this context. Starting from the premise of considering the pathetic fallacy which demands that nature reflects our emotional needs and beliefs as well as providing our material sustenance, the author explores the astonishing variety of themes grouped under the banner of "nature writing". Some chapters consider the broad distinctions of nature experienced as time and mortality for human beings, and nature perceived as "out there" in the local or larger environment; others demonstrate how nature is commandeered in the erotic pastoral lyrics of the Elizabethan sonneteers, how the concept of a "natural" family underpins the tragedy of King Lear, and how definitions of what is natural are used to validate dominion over women and animals as well as the earth itself.A literary heritage of nature is here envisaged as a polyphony of voices across the centuries in which English texts influence and are influenced by their continental and North American fellow-artists. The colonial preoccupations of the Elizabethan Sir Walter Ralegh are re-examined in the writings of the American nineteenth-century defender of nature David Henry Thoreau. The seventeenth-century Norfolk physician Sir Thomas Browne's musings begin and end the meditations by W.G. Sebald on his twentieth-century East Anglian pilgrimage in The Rings of Saturn. Mary Shelley's new genre of science fiction is turned upside down in Italo Calvino's Cosmicomics. Ted Hughes translates Ovid. Seamus Heaney takes his inspiration from English, Irish and continental peers and predecessors.This polyphonic chorus of writing about nature has always enriched our literature and continues to do so. At the same it demonstrates how we have naturalised nature in our culture, as both a celebration, and an admonishment for what we take for granted in our attitudes to the natural world.…

Hardcover. Condition: Brand New. 350 pages. 10.00x7.00x1.00 inches. In Stock.

Hardcover. Condition: new. Hardcover. A journey through texts on, about, or reflecting our experience of the natural world.What might it mean to study ideas of nature within our English literary heritage? In posing this question this volume invites us both to discover a diversity of ways of looking at a major continuing topos within English literature, and to ask what we mean by nature itself within this context. Starting from the premise of considering the pathetic fallacy which demands that nature reflects our emotional needs and beliefs as well as providing our material sustenance, the author explores the astonishing variety of themes grouped under the banner of "nature writing". Some chapters consider the broad distinctions of nature experienced as time and mortality for human beings, and nature perceived as "out there" in the local or larger environment; others demonstrate how nature is commandeered in the erotic pastoral lyrics of the Elizabethan sonneteers, how the concept of a "natural" family underpins the tragedy of King Lear, and how definitions of what is natural are used to validate dominion over women and animals as well as the earth itself.A literary heritage of nature is here envisaged as a polyphony of voices across the centuries in which English texts influence and are influenced by their continental and North American fellow-artists. The colonial preoccupations of the Elizabethan Sir Walter Ralegh are re-examined in the writings of the American nineteenth-century defender of nature David Henry Thoreau. The seventeenth-century Norfolk physician Sir Thomas Browne's musings begin and end the meditations by W.G. Sebald on his twentieth-century East Anglian pilgrimage in The Rings of Saturn. Mary Shelley's new genre of science fiction is turned upside down in Italo Calvino's Cosmicomics. Ted Hughes translates Ovid. Seamus Heaney takes his inspiration from English, Irish and continental peers and predecessors.This polyphonic chorus of writing about nature has always enriched our literature and continues to do so. At the same it demonstrates how we have naturalised nature in our culture, as both a celebration, and an admonishment for what we take for granted in our attitudes to the natural world. A journey through texts on, about, or reflecting our experience of the natural world. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Condition: New. PRINT ON DEMAND.

Hardcover. Condition: Brand New. 350 pages. 10.00x7.00x1.00 inches. In Stock. This item is printed on demand.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. A journey through texts on, about, or reflecting our experience of the natural world.&Uumlber den AutorMARIE ADDYMAN is an independent scholar whose writing and teaching reflects the interdisciplinary approach which is fundamental t.…

Buch. Condition: Neu. Nature | An English Literary Heritage | Marie Addyman | Buch | Einband - fest (Hardcover) | Englisch | 2021 | D.S.Brewer | EAN 9781843846024 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - What might it mean to study ideas of nature within our English literary heritage In posing this question this volume invites us both to discover a diversity of ways of looking at a major continuing topos within English literature, and to ask what we mean by nature itself within this context. Starting from the premise of considering the pathetic fallacy which demands that nature reflects our emotional needs and beliefs as well as providing our material sustenance, the author explores the astonishing variety of themes grouped under the banner of 'nature writing'. Some chapters consider the broad distinctions of nature experienced as time and mortality for human beings, and nature perceived as 'out there' in the local or larger environment; others demonstrate how nature is commandeered in the erotic pastoral lyrics of the Elizabethan sonneteers, how the concept of a 'natural' family underpins the tragedy of King Lear, and how definitions of what is natural are used to validate dominion over women and animals as well as the earth itself.A literary heritage of nature is here envisaged as a polyphony of voices across the centuries in which English texts influence and are influenced by their continental and North American fellow-artists. The colonial preoccupations of the Elizabethan Sir Walter Ralegh are re-examined in the writings of the American nineteenth-century defender of nature David Henry Thoreau. The seventeenth-century Norfolk physician Sir Thomas Browne's musings begin and end the meditations by W.G. Sebald on his twentieth-century East Anglian pilgrimage in The Rings of Saturn. Mary Shelley's new genre of science fiction is turned upside down in Italo Calvino's Cosmicomics. Ted Hughes translates Ovid. Seamus Heaney takes his inspiration from English, Irish and continental peers and predecessors.This polyphonic chorus of writing about nature has always enriched our literature and continues to do so. At the same it demonstrates how we have naturalised nature in our culture, as both a celebration, and an admonishment for what we take for granted in our attitudes to the natural world.MARIE ADDYMAN is an independent scholar whose writing and teaching reflects the interdisciplinary approach which is fundamental to her practice. While guest-lecturing on English literature and women's studies at various English universities, she has taught literature, history, and history of medicine for the Open University.…