Performing Camera by Simon Baker (24 results)

Condition: very_good.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. Performing for the Camera This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

Condition: Good. 01st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Condition: Very Good. Dust Jacket Condition: 14019562. 1780595066. 6/4/2026 5:44:26 PM.

Paperback. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

paperback. Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: new. Paperback. The book examines three distinct strands of photographic practice: the documentation of performance works, by artists such as Yves Klein, Yayoi Kusama and Merce Cunningham; how performers and photographers have worked collaboratively, such as Nadar and the mime artist Charles Deburau, or Eikoh Hosoe and the choreographer Tatsumi Hijikata; and the work of photographers who have a strong performative element to their practice, such as Charles Ray, Boris Mikhailov and Erwin Wurm. It further explores the construction of self-identity in the work of artists such as Samuel Fosso, Lee Friedlander, Tomoko Sawada, Cindy Sherman and Andy Warhol, as well as the playful, innovative approaches to portraiture adopted by Keith Arnatt and Masahisa Fukase. The result is a fascinating new insight into the ways in which we think about the role of photography in performance art, and of performance within photographic practice. In his introductory essay, Simon Baker provides an insightful overview of the inter-relationship between performance and photography, while a further text examines how performance photography has been used as a tool to explore subjectivity and identity. The work of photography duo Harry Shunk and Janos Kender, who documented a number of the most exciting and important performances of the 1960s and 1970s, is also discussed. With around 300 illustrations of more than ninety key bodies of work, this is the definitive publication on photography and performance, two of the most popular and intriguing art forms of our time. Performing for the Camera examines how the photograph has both documented and developed our understanding of performance since the invention of the photographic medium. It engages with both the serious business of art and performance and the humour and improvisation of posing for the camera. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: New. The book examines three distinct strands of photographic practice: the documentation of performance works, by artists such as Yves Klein, Yayoi Kusama and Merce Cunningham; how performers and photographers have worked collaboratively, such as Nadar and the mime artist Charles Deburau, or Eikoh Hosoe and the choreographer Tatsumi Hijikata; and the work of photographers who have a strong performative element to their practice, such as Charles Ray, Boris Mikhailov and Erwin Wurm. It further explores the construction of self-identity in the work of artists such as Samuel Fosso, Lee Friedlander, Tomoko Sawada, Cindy Sherman and Andy Warhol, as well as the playful, innovative approaches to portraiture adopted by Keith Arnatt and Masahisa Fukase. The result is a fascinating new insight into the ways in which we think about the role of photography in performance art, and of performance within photographic practice. In his introductory essay, Simon Baker provides an insightful overview of the inter-relationship between performance and photography, while a further text examines how performance photography has been used as a tool to explore subjectivity and identity. The work of photography duo Harry Shunk and Janos Kender, who documented a number of the most exciting and important performances of the 1960s and 1970s, is also discussed. With around 300 illustrations of more than ninety key bodies of work, this is the definitive publication on photography and performance, two of the most popular and intriguing art forms of our time.…

Condition: very good. Gently used. May include previous owner's signature or bookplate on the front endpaper, sticker on back and/or remainder mark on text block.

Paperback. Condition: New. The book examines three distinct strands of photographic practice: the documentation of performance works, by artists such as Yves Klein, Yayoi Kusama and Merce Cunningham; how performers and photographers have worked collaboratively, such as Nadar and the mime artist Charles Deburau, or Eikoh Hosoe and the choreographer Tatsumi Hijikata; and the work of photographers who have a strong performative element to their practice, such as Charles Ray, Boris Mikhailov and Erwin Wurm. It further explores the construction of self-identity in the work of artists such as Samuel Fosso, Lee Friedlander, Tomoko Sawada, Cindy Sherman and Andy Warhol, as well as the playful, innovative approaches to portraiture adopted by Keith Arnatt and Masahisa Fukase. The result is a fascinating new insight into the ways in which we think about the role of photography in performance art, and of performance within photographic practice. In his introductory essay, Simon Baker provides an insightful overview of the inter-relationship between performance and photography, while a further text examines how performance photography has been used as a tool to explore subjectivity and identity. The work of photography duo Harry Shunk and Janos Kender, who documented a number of the most exciting and important performances of the 1960s and 1970s, is also discussed. With around 300 illustrations of more than ninety key bodies of work, this is the definitive publication on photography and performance, two of the most popular and intriguing art forms of our time.…

Condition: New. Performing for the Camera examines how the photograph has both documented and developed our understanding of performance since the invention of the photographic medium. It engages with both the serious business of art and performance and the humour and improvisation of posing for the camera. Editor(s): Baker, Simon. Num Pages: 240 pages, Over 300 colour illustrations. BIC Classification: AJ; AS. Category: (G) General (US: Trade). Dimension: 221 x 265 x 23. Weight in Grams: 968. . 2016. 01st Edition. Paperback. . . . .…

Paperback. Condition: Very Good. The book examines three distinct strands of photographic practice: the documentation of performance works, by artists such as Yves Klein, Yayoi Kusama and Merce Cunningham; how performers and photographers have worked collaboratively, such as Nadar and the mime artist Charles Deburau, or Eikoh Hosoe and the choreographer Tatsumi Hijikata; and the work of photographers who have a strong performative element to their practice, such as Charles Ray, Boris Mikhailov and Erwin Wurm. It further explores the construction of self-identity in the work of artists such as Samuel Fosso, Lee Friedlander, Tomoko Sawada, Cindy Sherman and Andy Warhol, as well as the playful, innovative approaches to portraiture adopted by Keith Arnatt and Masahisa Fukase. The result is a fascinating new insight into the ways in which we think about the role of photography in performance art, and of performance within photographic practice. In his introductory essay, Simon Baker provides an insightful overview of the inter-relationship between performance and photography, while a further text examines how performance photography has been used as a tool to explore subjectivity and identity. The work of photography duo Harry Shunk and Janos Kender, who documented a number of the most exciting and important performances of the 1960s and 1970s, is also discussed. With around 300 illustrations of more than ninety key bodies of work, this is the definitive publication on photography and performance, two of the most popular and intriguing art forms of our time. Copyright © Tate Publishing.…

Condition: New. Performing for the Camera examines how the photograph has both documented and developed our understanding of performance since the invention of the photographic medium. It engages with both the serious business of art and performance and the humour and improvisation of posing for the camera. Editor(s): Baker, Simon. Num Pages: 240 pages, Over 300 colour illustrations. BIC Classification: AJ; AS. Category: (G) General (US: Trade). Dimension: 221 x 265 x 23. Weight in Grams: 968. . 2016. 01st Edition. Paperback. . . . . Books ship from the US and Ireland.…

Paperback. Condition: new. Paperback. The book examines three distinct strands of photographic practice: the documentation of performance works, by artists such as Yves Klein, Yayoi Kusama and Merce Cunningham; how performers and photographers have worked collaboratively, such as Nadar and the mime artist Charles Deburau, or Eikoh Hosoe and the choreographer Tatsumi Hijikata; and the work of photographers who have a strong performative element to their practice, such as Charles Ray, Boris Mikhailov and Erwin Wurm. It further explores the construction of self-identity in the work of artists such as Samuel Fosso, Lee Friedlander, Tomoko Sawada, Cindy Sherman and Andy Warhol, as well as the playful, innovative approaches to portraiture adopted by Keith Arnatt and Masahisa Fukase. The result is a fascinating new insight into the ways in which we think about the role of photography in performance art, and of performance within photographic practice. In his introductory essay, Simon Baker provides an insightful overview of the inter-relationship between performance and photography, while a further text examines how performance photography has been used as a tool to explore subjectivity and identity. The work of photography duo Harry Shunk and Janos Kender, who documented a number of the most exciting and important performances of the 1960s and 1970s, is also discussed. With around 300 illustrations of more than ninety key bodies of work, this is the definitive publication on photography and performance, two of the most popular and intriguing art forms of our time. Performing for the Camera examines how the photograph has both documented and developed our understanding of performance since the invention of the photographic medium. It engages with both the serious business of art and performance and the humour and improvisation of posing for the camera. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condition: Brand New. 240 pages. 11.00x9.00x0.50 inches. In Stock.

Paperback. Condition: new. Paperback. The book examines three distinct strands of photographic practice: the documentation of performance works, by artists such as Yves Klein, Yayoi Kusama and Merce Cunningham; how performers and photographers have worked collaboratively, such as Nadar and the mime artist Charles Deburau, or Eikoh Hosoe and the choreographer Tatsumi Hijikata; and the work of photographers who have a strong performative element to their practice, such as Charles Ray, Boris Mikhailov and Erwin Wurm. It further explores the construction of self-identity in the work of artists such as Samuel Fosso, Lee Friedlander, Tomoko Sawada, Cindy Sherman and Andy Warhol, as well as the playful, innovative approaches to portraiture adopted by Keith Arnatt and Masahisa Fukase. The result is a fascinating new insight into the ways in which we think about the role of photography in performance art, and of performance within photographic practice. In his introductory essay, Simon Baker provides an insightful overview of the inter-relationship between performance and photography, while a further text examines how performance photography has been used as a tool to explore subjectivity and identity. The work of photography duo Harry Shunk and Janos Kender, who documented a number of the most exciting and important performances of the 1960s and 1970s, is also discussed. With around 300 illustrations of more than ninety key bodies of work, this is the definitive publication on photography and performance, two of the most popular and intriguing art forms of our time. Performing for the Camera examines how the photograph has both documented and developed our understanding of performance since the invention of the photographic medium. It engages with both the serious business of art and performance and the humour and improvisation of posing for the camera. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Condition: New. The book examines three distinct strands of photographic practice: the documentation of performance works, by artists such as Yves Klein, Yayoi Kusama and Merce Cunningham; how performers and photographers have worked collaboratively, such as Nadar and the mime artist Charles Deburau, or Eikoh Hosoe and the choreographer Tatsumi Hijikata; and the work of photographers who have a strong performative element to their practice, such as Charles Ray, Boris Mikhailov and Erwin Wurm. It further explores the construction of self-identity in the work of artists such as Samuel Fosso, Lee Friedlander, Tomoko Sawada, Cindy Sherman and Andy Warhol, as well as the playful, innovative approaches to portraiture adopted by Keith Arnatt and Masahisa Fukase. The result is a fascinating new insight into the ways in which we think about the role of photography in performance art, and of performance within photographic practice. In his introductory essay, Simon Baker provides an insightful overview of the inter-relationship between performance and photography, while a further text examines how performance photography has been used as a tool to explore subjectivity and identity. The work of photography duo Harry Shunk and Janos Kender, who documented a number of the most exciting and important performances of the 1960s and 1970s, is also discussed. With around 300 illustrations of more than ninety key bodies of work, this is the definitive publication on photography and performance, two of the most popular and intriguing art forms of our time.…

Kartoniert / Broschiert. Condition: New. KlappentextrnrnA groundbreaking exploration of the longstanding relationship between performance art and photographyPerforming for the Camera examines how the photograph has both documented and developed our understanding of performance .

Taschenbuch. Condition: Neu. Neuware - Performing for the Camera examines how the photograph has both documented and developed our understanding of performance since the invention of the photographic medium. It engages with both the serious business of art and performance and the humor and improvisation of posing for the camera. The book explores three distinct strands of photographic practice: the documentation of performance works by artists such as Merce Cunningham; how performers and photographers, like mime Charles Deburau and French photographer Nadar, have collaborated; and the work of photographers who have a strong performative element to their practice, such as Charles Ray. It further explores the construction of self-identity in the work of artists such as Lee Friedlander, Cindy Sherman, and Andy Warhol, as well as the playful, innovative approaches to portraiture adopted by Keith Arnatt and Masahisa Fukase. With some 300 images by more than 60 international artists, this is the definitive publication on photography and performance--two of the most popular and intriguing art forms of our time.…

Paperback. Condition: New. The book examines three distinct strands of photographic practice: the documentation of performance works, by artists such as Yves Klein, Yayoi Kusama and Merce Cunningham; how performers and photographers have worked collaboratively, such as Nadar and the mime artist Charles Deburau, or Eikoh Hosoe and the choreographer Tatsumi Hijikata; and the work of photographers who have a strong performative element to their practice, such as Charles Ray, Boris Mikhailov and Erwin Wurm. It further explores the construction of self-identity in the work of artists such as Samuel Fosso, Lee Friedlander, Tomoko Sawada, Cindy Sherman and Andy Warhol, as well as the playful, innovative approaches to portraiture adopted by Keith Arnatt and Masahisa Fukase. The result is a fascinating new insight into the ways in which we think about the role of photography in performance art, and of performance within photographic practice. In his introductory essay, Simon Baker provides an insightful overview of the inter-relationship between performance and photography, while a further text examines how performance photography has been used as a tool to explore subjectivity and identity. The work of photography duo Harry Shunk and Janos Kender, who documented a number of the most exciting and important performances of the 1960s and 1970s, is also discussed. With around 300 illustrations of more than ninety key bodies of work, this is the definitive publication on photography and performance, two of the most popular and intriguing art forms of our time.…