roberts projects (82 results)

Condition: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Condition: New.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Condition: Fine. Amoako Boafo (illustrator). Hard cover. Near fine copy. Sorry to say the jacket is missing. The author, Aplako Boafo is The author of the book and he painted the pictures that fill the books pages. Each picture tells a story.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. The latest in the World Stage series of portraits by Kehinde Wiley (born 1977), this volume presents 13 new paintings, the result of the artist's trip to Haiti-a nation that is often presented as a place of chronic poverty, corruption and deprivation. In Haiti Wiley actively went looking for beauty, staging pageants to cast his portrait subjects and advertising with open calls on the radio and posters put up in the streets of Jacmel, Jalouise and Port-au-Prince. Wiley worked within the tradition of pageant culture native to the Caribbean but also subverted it, choosing his winners at random. The paintings draw on the artistic traditions of France and Spain (the colonial rulers of Haiti before the Haitian Revolution), as well as Haiti's varied religious traditions and local crafts, creating a composite portrait of contemporary Haiti through its people, history and culture.

Hardcover. Condition: new. Hardcover. New paintings from Wiley that examine how nature is depicted and symbolized in Japanese artThis striking volume presents a new body of work by American painter Kehinde Wiley, who is best known for his vibrant portraiture of Black people that subverts the hierarchies and conventions of classical European and American portraiture. Drawing inspiration from Japanese nature paintings of the Edo period (ca. 16001868), Wiley parallels traditional techniques and materials in these monumental works. Exposed linen in the background of the paintings highlights the natural elements of the scenes while also preserving a delicate balance of untouched picture space. In recontextualizing the naturalist landscape genre from a non-Western perspective, Wiley activates diverse ways of thinking about mans relationship to nature.Following the artists sixth solo show at Roberts Projects, Los Angeles, this amply illustrated catalog includes commissioned essays placing Wileys work within the historical context of Japanese painting as well as contemporary Black art. In Wileys own words, In this new turn, Im trying to break open the conversation again toward what nature really means in the 21st century, in an era of widespread ecological disasters. Our relationship with nature is increasingly in a perilous position. It invites a reinterpretation of not only an incredible opportunity to explore the vastness and the beauty of nature, but also the astonishing fragility and sadness that surrounds us, and lost opportunities.Kehinde Wiley (born 1977) was the first Black artist to paint an official US presidential portrait for former US President Barack Obama. Wiley has held solo exhibitions throughout the United States and internationally, and his works are included in the collections of over 40 public institutions worldwide. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardback. Condition: New. New paintings from Wiley that examine how nature is depicted and symbolized in Japanese artThis striking volume presents a new body of work by American painter Kehinde Wiley, who is best known for his vibrant portraiture of Black people that subverts the hierarchies and conventions of classical European and American portraiture. Drawing inspiration from Japanese nature paintings of the Edo period (ca. 1600-1868), Wiley parallels traditional techniques and materials in these monumental works. Exposed linen in the background of the paintings highlights the natural elements of the scenes while also preserving a delicate balance of untouched picture space. In recontextualizing the naturalist landscape genre from a non-Western perspective, Wiley activates diverse ways of thinking about man's relationship to nature.Following the artist's sixth solo show at Roberts Projects, Los Angeles, this amply illustrated catalog includes commissioned essays placing Wiley's work within the historical context of Japanese painting as well as contemporary Black art. In Wiley's own words, "In this new turn, I'm trying to break open the conversation again toward what nature really means in the 21st century, in an era of widespread ecological disasters. Our relationship with nature is increasingly in a perilous position. It invites a reinterpretation of not only an incredible opportunity to explore the vastness and the beauty of nature, but also the astonishing fragility and sadness that surrounds us, and lost opportunities."Kehinde Wiley (born 1977) was the first Black artist to paint an official US presidential portrait for former US President Barack Obama. Wiley has held solo exhibitions throughout the United States and internationally, and his works are included in the collections of over 40 public institutions worldwide.

Hardcover. Condition: New. 1st Edition. Bought new and never opened in original plastic wraps.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover without dustjacket as issued, 96 pages; new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Used - Very Good. New paintings from Wiley that examine how nature is depicted and symbolized in Japanese artThis striking volume presents a new body of work by American painter Kehinde Wiley, who is best known for his vibrant portraiture of Black people that subverts the hierarchies and conventions of classical European and American portraiture. Drawing inspiration from Japanese nature paintings of the Edo period (ca. 1600-1868), Wiley parallels traditional techniques and materials in these monumental works. Exposed linen in the background of the paintings highlights the natural elements of the scenes while also preserving a delicate balance of untouched picture space. In recontextualizing the naturalist landscape genre from a non-Western perspective, Wiley activates diverse ways of thinking about man's relationship to nature.Following the artist's sixth solo show at Roberts Projects, Los Angeles, this amply illustrated catalog includes commissioned essays placing Wiley's work within the historical context of Japanese painting as well as contemporary Black art. In Wiley's own words, 'In this new turn, I'm trying to break open the conversation again toward what nature really means in the 21st century, in an era of widespread ecological disasters. Our relationship with nature is increasingly in a perilous position. It invites a reinterpretation of not only an incredible opportunity to explore the vastness and the beauty of nature, but also the astonishing fragility and sadness that surrounds us, and lost opportunities.'Kehinde Wiley (born 1977) was the first Black artist to paint an official US presidential portrait for former US President Barack Obama. Wiley has held solo exhibitions throughout the United States and internationally, and his works are included in the collections of over 40 public institutions worldwide.

Hardback. Condition: New. New paintings from Wiley that examine how nature is depicted and symbolized in Japanese artThis striking volume presents a new body of work by American painter Kehinde Wiley, who is best known for his vibrant portraiture of Black people that subverts the hierarchies and conventions of classical European and American portraiture. Drawing inspiration from Japanese nature paintings of the Edo period (ca. 1600-1868), Wiley parallels traditional techniques and materials in these monumental works. Exposed linen in the background of the paintings highlights the natural elements of the scenes while also preserving a delicate balance of untouched picture space. In recontextualizing the naturalist landscape genre from a non-Western perspective, Wiley activates diverse ways of thinking about man's relationship to nature.Following the artist's sixth solo show at Roberts Projects, Los Angeles, this amply illustrated catalog includes commissioned essays placing Wiley's work within the historical context of Japanese painting as well as contemporary Black art. In Wiley's own words, "In this new turn, I'm trying to break open the conversation again toward what nature really means in the 21st century, in an era of widespread ecological disasters. Our relationship with nature is increasingly in a perilous position. It invites a reinterpretation of not only an incredible opportunity to explore the vastness and the beauty of nature, but also the astonishing fragility and sadness that surrounds us, and lost opportunities."Kehinde Wiley (born 1977) was the first Black artist to paint an official US presidential portrait for former US President Barack Obama. Wiley has held solo exhibitions throughout the United States and internationally, and his works are included in the collections of over 40 public institutions worldwide.

Condition: As New. Unread book in perfect condition.

hardcover. Condition: New. Brand New.

Condition: New.

Condition: New.

Condition: New.

Condition: New. In.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardback. Condition: New. An investigation into Saar's lifelong interest in Black dolls, with new watercolors, historic assemblages, sketchbooks and a selection of Black dolls from the artist's collectionThis volume features new watercolor works on paper and assemblages by Betye Saar (born 1926) that incorporate the artist's personal collection of Black dolls. These watercolors showcase the artist's experimentation with vivid color and layered techniques, and her new interest in flat shapes. While Saar has previously used painting in her mixed-media collages, this is the first publication to focus on her watercolor works on paper."Watercolor is something that children use, so I decided, maybe I'll paint something about children, maybe I'll paint the dolls," Saar says. Referencing the underrepresented history of Black dolls through Saar's artistic lens, this catalog distills several intersecting themes, imagery and objects in Saar's oeuvre, highlighting her prominent usage and reinvention of Black imagery. It contains 90 color images, including early assemblage works that feature Black dolls, such as Gris-Gris Box (1972) and Mti (1973), plus early sketchbooks and a curated selection of Saar's Black doll collection. It also includes original essays by Rachel Federman, Associate Curator of Modern and Contemporary Drawings at the Morgan Library and Museum, and Katherine Jentleson, Merrie and Dan Boone Curator of Folk and Self-Taught Art at the High Museum of Art, and an interview with the artist by her granddaughter, Maddy Inez Leeser.