Isbn: 9783907236321 - Orlando (21 results)

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New.

8°, gebunden Ausgabe. Condition: Gut. 272 S. äusere Gebrauchsspuren, innen sauber und ordentlich. W18 Sprache: Deutsch Gewicht in Gramm: 1675.

Condition: As New. Unread book in perfect condition.

Condition: New. 2022. Paperback. . . . . .

Paperback. Condition: new. Paperback. Klodin Erbs Orlando series is based on the eponymous novel by Virginia Woolf, in which a poet lives for over five centuries and mysteriously changes sex. So far the series comprises nearly two hundred mostly small painted portraits in a wide range of different styles. The subjects are male, female or of undefined gender. The series is, on the one hand, a study in portrait painting that also explores the history of art and the time inherent in and associated with it, as the artist explains. Its also an investigation of her own identity as a painter, on the other hand. The sheer quantity of images makes it possible to immerse oneself, even lose oneself, in the faces, writes Erb, transforming the viewer into a universal being in a timeless existence. Paradigms of demarcation and identification are dissolved as a result and reworked into a larger context (I am many, I am you, etc. ).Klodin Erbs artistic exploration of identity was fleshed out during a conversation over dinner in a pavilion by Lake Zurich. The object of this event was to dispense with everyday egos by donning costumes and make-up and, in the experimental setting of a performance-art dinner, tap into a meta-ego in order to discuss the themes of the Orlando series: identity, gender and role models, the construct of time, ageing and the longing for eternal life/youth, humanoids and artificial intelligence, the last human. The transcript of this conversation runs through the book and ties it all together.With an interview between the artist and Kathleen Buehler, Jacqueline Burckhardt, Finn Canonica, Gregory Hari, Susanna Koeberle, Nina Kunz, Katarina Lang, Chris Luebkeman, and Romeo Koyote Rosen. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: New. Klodin Erb's Orlando series is based on the eponymous novel by Virginia Woolf, in which a poet lives for over five centuries and mysteriously changes sex. So far the series comprises nearly two hundred mostly small painted portraits in a wide range of different styles. The subjects are male, female or of undefined gender. The series is, on the one hand, a study in portrait painting that also explores "the history of art and the time inherent in and associated with it", as the artist explains. It's also an investigation of her own identity as a painter, on the other hand. "The sheer quantity of images makes it possible to immerse oneself, even lose oneself, in the faces," writes Erb, "transforming the viewer into a universal being in a timeless existence. " Paradigms of demarcation and identification are dissolved as a result and reworked into a larger context (I am many, I am you, etc. ). Klodin Erb's artistic exploration of identity was fleshed out during a conversation over dinner in a pavilion by Lake Zurich. The object of this event was to dispense with everyday egos by donning costumes and make-up and, in the experimental setting of a performance-art dinner, tap into a meta-ego in order to discuss the themes of the Orlando series: identity, gender and role models, the construct of time, ageing and the longing for eternal life/youth, humanoids and artificial intelligence, the last human. The transcript of this conversation runs through the book and ties it all together. With an interview between the artist and Kathleen Bühler, Jacqueline Burckhardt, Finn Canonica, Gregory Hari, Susanna Koeberle, Nina Kunz, Katarina Lang, Chris Luebkeman, and Romeo Koyote Rosen.…

Condition: New. In English.

Hardcover. Condition: Brand New. 240 pages. German language. 12.28x9.45x0.83 inches. In Stock.

Condition: NEW.

Condition: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condition: New. Klodin Erb's Orlando series is based on the eponymous novel by Virginia Woolf, in which a poet lives for over five centuries and mysteriously changes sex. So far the series comprises nearly two hundred mostly small painted portraits in a wide range of different styles. The subjects are male, female or of undefined gender. The series is, on the one hand, a study in portrait painting that also explores "the history of art and the time inherent in and associated with it", as the artist explains. It's also an investigation of her own identity as a painter, on the other hand. "The sheer quantity of images makes it possible to immerse oneself, even lose oneself, in the faces," writes Erb, "transforming the viewer into a universal being in a timeless existence. " Paradigms of demarcation and identification are dissolved as a result and reworked into a larger context (I am many, I am you, etc. ). Klodin Erb's artistic exploration of identity was fleshed out during a conversation over dinner in a pavilion by Lake Zurich. The object of this event was to dispense with everyday egos by donning costumes and make-up and, in the experimental setting of a performance-art dinner, tap into a meta-ego in order to discuss the themes of the Orlando series: identity, gender and role models, the construct of time, ageing and the longing for eternal life/youth, humanoids and artificial intelligence, the last human. The transcript of this conversation runs through the book and ties it all together. With an interview between the artist and Kathleen Bühler, Jacqueline Burckhardt, Finn Canonica, Gregory Hari, Susanna Koeberle, Nina Kunz, Katarina Lang, Chris Luebkeman, and Romeo Koyote Rosen.…

Buch. Condition: Neu. Neuware - Klodin Erbs Werkserie Orlando basiert auf der gleichnamigen Geschichte von Virginia Woolf, in der eine Person über 500 Jahre lebt und dabei das Geschlecht auf geheimnisvolle Art und Weise wechselt. Sie umfasst bis jetzt annähernd 200 gemalte Portraits in unterschiedlichsten Stilarten. Die meist kleinformatigen Bilder zeigen männliche und weibliche, sowie Portraits undefinierten Geschlechts. Dieser Bilder-Zyklus ist einerseits eine Studie der Portraitmalerei, welche auch «die Kunstgeschichte und die darin innewohnende und damit verbundene Zeit» thematisiert, wie die Künstlerin erklärte, und andererseits eine Untersuchung ihrer eigenen Identität als Malerin. «Die schiere Menge an Bildern ermöglicht ein Eintauchen in Gesichter, ein Sich-darin-Verlieren und transformiert die Betrachter zu universellen Wesen in zeitlosem Dasein.» - Modelle der Abgrenzung und Identifizierung werden dadurch aufgelöst und in einem grösseren Kontext neu verhandelt (Ich sind viele, ich bin du, etc.).Klodin Erbs künstlerische Auseinandersetzung mit dem gesellschaftlich relevanten Ansatz der Identität wurde diskursiv erweitert mit einem Dinergespräch im Pavillon des Strandbads Tiefenbrunnen. Ziel war es, durch Kostümierung und Schminke das alltägliche Ich abzulegen und durch das spielerisch erprobte Meta-Ich im experimentellen Rahmen eines Performance Abendessens über die inhaltlichen Themen des Orlando-Zyklus zu diskutieren - Identität, Geschlecht und Rollenmodelle,Konstrukt Zeit, Altern und der Wunsch nach ewigem Leben/Jugend, Humanoids und künstliche Intelligenz, der letzte Mensch. Das Transkript dieses Gesprächs zieht sich als roter Faden durch das Buch.…

Gebunden. Condition: New. Klodin Erbs Werkserie Orlando basiert auf der gleichnamigen Geschichte von Virginia Woolf, in der eine Person ueber 500 Jahre lebt und dabei das Geschlecht auf geheimnisvolle Art und Weise wechselt. Sie umfasst bis jetzt annaehernd 200 gemalte Portraits in un.

Paperback. Condition: New. Klodin Erb's Orlando series is based on the eponymous novel by Virginia Woolf, in which a poet lives for over five centuries and mysteriously changes sex. So far the series comprises nearly two hundred mostly small painted portraits in a wide range of different styles. The subjects are male, female or of undefined gender. The series is, on the one hand, a study in portrait painting that also explores "the history of art and the time inherent in and associated with it", as the artist explains. It's also an investigation of her own identity as a painter, on the other hand. "The sheer quantity of images makes it possible to immerse oneself, even lose oneself, in the faces," writes Erb, "transforming the viewer into a universal being in a timeless existence. " Paradigms of demarcation and identification are dissolved as a result and reworked into a larger context (I am many, I am you, etc. ). Klodin Erb's artistic exploration of identity was fleshed out during a conversation over dinner in a pavilion by Lake Zurich. The object of this event was to dispense with everyday egos by donning costumes and make-up and, in the experimental setting of a performance-art dinner, tap into a meta-ego in order to discuss the themes of the Orlando series: identity, gender and role models, the construct of time, ageing and the longing for eternal life/youth, humanoids and artificial intelligence, the last human. The transcript of this conversation runs through the book and ties it all together. With an interview between the artist and Kathleen Bühler, Jacqueline Burckhardt, Finn Canonica, Gregory Hari, Susanna Koeberle, Nina Kunz, Katarina Lang, Chris Luebkeman, and Romeo Koyote Rosen.…

Buch. Condition: Neu. Orlando | Klodin Erb | Buch | 272 S. | Deutsch | 2022 | Edition Patrick Frey | EAN 9783907236321 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Paperback. Condition: new. Paperback. Klodin Erbs Orlando series is based on the eponymous novel by Virginia Woolf, in which a poet lives for over five centuries and mysteriously changes sex. So far the series comprises nearly two hundred mostly small painted portraits in a wide range of different styles. The subjects are male, female or of undefined gender. The series is, on the one hand, a study in portrait painting that also explores the history of art and the time inherent in and associated with it, as the artist explains. Its also an investigation of her own identity as a painter, on the other hand. The sheer quantity of images makes it possible to immerse oneself, even lose oneself, in the faces, writes Erb, transforming the viewer into a universal being in a timeless existence. Paradigms of demarcation and identification are dissolved as a result and reworked into a larger context (I am many, I am you, etc. ).Klodin Erbs artistic exploration of identity was fleshed out during a conversation over dinner in a pavilion by Lake Zurich. The object of this event was to dispense with everyday egos by donning costumes and make-up and, in the experimental setting of a performance-art dinner, tap into a meta-ego in order to discuss the themes of the Orlando series: identity, gender and role models, the construct of time, ageing and the longing for eternal life/youth, humanoids and artificial intelligence, the last human. The transcript of this conversation runs through the book and ties it all together.With an interview between the artist and Kathleen Buehler, Jacqueline Burckhardt, Finn Canonica, Gregory Hari, Susanna Koeberle, Nina Kunz, Katarina Lang, Chris Luebkeman, and Romeo Koyote Rosen. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condition: New. Klodin Erb's Orlando series is based on the eponymous novel by Virginia Woolf, in which a poet lives for over five centuries and mysteriously changes sex. So far the series comprises nearly two hundred mostly small painted portraits in a wide range of different styles. The subjects are male, female or of undefined gender. The series is, on the one hand, a study in portrait painting that also explores "the history of art and the time inherent in and associated with it", as the artist explains. It's also an investigation of her own identity as a painter, on the other hand. "The sheer quantity of images makes it possible to immerse oneself, even lose oneself, in the faces," writes Erb, "transforming the viewer into a universal being in a timeless existence. " Paradigms of demarcation and identification are dissolved as a result and reworked into a larger context (I am many, I am you, etc. ). Klodin Erb's artistic exploration of identity was fleshed out during a conversation over dinner in a pavilion by Lake Zurich. The object of this event was to dispense with everyday egos by donning costumes and make-up and, in the experimental setting of a performance-art dinner, tap into a meta-ego in order to discuss the themes of the Orlando series: identity, gender and role models, the construct of time, ageing and the longing for eternal life/youth, humanoids and artificial intelligence, the last human. The transcript of this conversation runs through the book and ties it all together. With an interview between the artist and Kathleen Bühler, Jacqueline Burckhardt, Finn Canonica, Gregory Hari, Susanna Koeberle, Nina Kunz, Katarina Lang, Chris Luebkeman, and Romeo Koyote Rosen.…