Zuberi Nabeel (57 results)

Hardcover. Condition: Fine Crisp, bright, clean. Dust Jacket Condition: Fine. First Printing. no owners' marks; as new. vii, 276pp incl. index..

Hardcover. Condition: New. 8vo, hardcover. NEW in dust jacket. Bright, crisp & clean, unread. viii, 276 p.

Hardcover. Condition: Very Good. Dust Jacket Condition: Includes dust jacket.

Hardcover. Condition: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Soft cover. Condition: Good - Scuffed Edges.

Imperial octavo, soft cover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.…

paperback (VG) ; all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.

Condition: New. Brand New.

Hardback. Condition: New. Popular music culture serves as an arena for debates on English and British national identity in this lively discussion of English popular music of the 1980s and 1990s. Against the background of his own upbringing as a Pakistani Brit, Nabeel Zuberi deftly combines a detailed account of the development of this music with a sophisticated assessment of its relation to the politics of cultural identity in Britain.   Zuberi looks at how the sounds, images, and lyrics of English popular music generate and critique ideas of national belonging, recasting the social and even the physical landscapes of cities like Manchester and London. The Smiths and Morrissey play on romanticized notions of the (white) English working class, while the Pet Shop Boys map a "queer urban Britain" in the AIDS era. The techno-culture of raves and dance clubs incorporates both an anti-institutional do-it-yourself politics and emergent leisure practices, while the potent mix of technology and creativity in British black music includes local conditions as well as a sense of global diaspora. British Asian musicians, drawing on Afrodiasporic and South Asian traditions, seek a sense of place in Britain as commercial interests try to pin down an image of them to market.            Sounds English shows how popular music complicates cherished notions of Englishness as it activates cultural outsiders and taps into a sense of not belonging. Alert and readable, Zuberi's wide-ranging discussion includes the performers Oasis, Blur, Tricky, Massive Attack, Goldie, A Guy Called Gerald, Roni Size, Bally Sagoo, Fun^da^mental, Echobelly, Cornershop, Talvin Singh, and others.…

Condition: Very Good. Used, dust jacket has light scratches and minor scuffs to outer edges, some outer pages have shelf wear, book content is in like new condition.

Hardcover super octavo (VG+) in d/w (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: new.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: new. Hardcover. Popular music culture serves as an arena for debates on English and British national identity in this lively discussion of English popular music of the 1980s and 1990s. Against the background of his own upbringing as a Pakistani Brit, Nabeel Zuberi deftly combines a detailed account of the development of this music with a sophisticated assessment of its relation to the politics of cultural identity in Britain.Zuberi looks at how the sounds, images, and lyrics of English popular music generate and critique ideas of national belonging, recasting the social and even the physical landscapes of cities like Manchester and London. The Smiths and Morrissey play on romanticized notions of the (white) English working class, while the Pet Shop Boys map a "queer urban Britain" in the AIDS era. The techno-culture of raves and dance clubs incorporates both an anti-institutional do-it-yourself politics and emergent leisure practices, while the potent mix of technology and creativity in British black music includes local conditions as well as a sense of global diaspora.British Asian musicians, drawing on Afrodiasporic and South Asian traditions, seek a sense of place in Britain as commercial interests try to pin down an image of them to market.Sounds English shows how popular music complicates cherished notions of Englishness as it activates cultural outsiders and taps into a sense of not belonging. Alert and readable, Zuberi's wide-ranging discussion includes the performers Oasis, Blur, Tricky, Massive Attack, Goldie, A Guy Called Gerald, Roni Size, Bally Sagoo, Fun^da^mental, Echobelly, Cornershop, Talvin Singh, and others. Against the background of his own upbringing as a Pakistani Brit, Zuberi explores English popular music of the 1980s and 1990s as a function of the politics of cultural identity in Britain. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. 2001. Hardcover. . . . . .

Condition: New. pp. viii + 276.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. In English.

Condition: New.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Condition: Brand New. 276 pages. 9.00x6.00x1.00 inches. In Stock.

Condition: New. pp. viii + 276.

Condition: New.

Condition: New. 2001. Hardcover. . . . . . Books ship from the US and Ireland.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. 256.

Condition: New.