Warlick M E (64 results)

Condition: good. Paperback Book.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

Soft cover. Condition: Very Good. 1st Edition. This is a VG, unmarked, first edition, first printing paperback copy, blue spine, 96 pages, Photos on request.

Paperback. Condition: Very Good. Paperback. Pages are clean and unmarked. Covers show very minor shelving wear.; 100% Satisfaction Guaranteed! Ships same or next business day.

Softcover. Condition: Good with no dust jacket. Sound binding. Underlined passages in one article and small ink mark on contents page. Other pages clean and bright. Wrappers have general handling wear. Contents: Murray, The Hangzhou Portraits of Confucius and Seventy-two Disciples (Sheng xian tu): art in the service of politics. Germer, In search of a beholder: on the relation between art, audiences, and social spheres in post-Thermidor France. Drucker, Harnett, Haberle, and Peto: visuality and artifice among the proto-modern Americans. Gould, Jean Pucelle and northern Gothic art: new evidence from Strasbourg Cathedral. Buettner, Profane illuminations, secular illusions: manuscripts in late medieval coutly society. Hertel, Irony, dream, and kitsch: Max Klinger's Paraphrase of the Finding of a Glove and German modernism. Warlick, Mythic rebirth in Gustav Klimt's Stoclet frieze: new considerations of his Egyptianizing form and content. de Jong, An important patron and an unknown artist: Giovanni Ricci, Ponsio Jacquio, and the decoration of the Palazzo Ricci-Sacchetti in Rome. Cheney, Comment: The date of Francesco Salviati's French journey. Reviews. 11.5" tall; 178 pages. …

Soft cover. Condition: Near Fine. B/W Illustrated. Slightly Creased Front Cover.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. Surrealist artist Max Ernst defined collage as the "alchemy of the visual image." Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, however, M. E. Warlick persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career.A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of the late nineteenth and early twentieth centuries, and Warlick sets Ernst's work squarely within this movement. Looking at both his art (many of the works she discusses are reproduced in the book) and his writings, she reveals how thoroughly alchemical philosophy and symbolism pervade his early Dadaist experiments, his foundational work in surrealism, and his many collages and paintings of women and landscapes, whose images exemplify the alchemical fusing of opposites. This pioneering research adds an essential key to understanding the multilayered complexity of Ernst's works, as it affirms his standing as one of Germany's most significant artists of the twentieth century.…

Paperback. Condition: Very Good. 1st Edition. ***BOOK ONLY, NO STONES***** 96PP.

Paperback or Softback. Condition: New. Max Ernst and Alchemy: A Magician in Search of Myth. Book.

Paperback. Condition: new. Paperback. Surrealist artist Marx Ernst defined collage as the "alchemy of the visual image". Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, however, the author persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career. A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of th elate 19th and early 20th centuries, and the author sets Ernst's work squarely within this movement. Looking at both his art (many of the works she discusses are reproduced in the book) and his writings, she reveals how thoroughly alchemical philosophy and symbolism pervade his early Dadaist experiments, his foundational work images in surrealism, and his many collages and paintings of women and landscapes, whose images exemplify the alchemical fusing of opposites.This pioneering research adds an essential key to understanding the multilayered complexity of Ernst's works, as if affirms his standing as one of Germany's most significant artists of the 20th century. Surrealist artist Max Ernst defined collage as the 'alchemy of the visual image'. This book demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career. It helps you understand a multilayered complexity of Ernst's works. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Very Good. Book Only, no stones. 96pp. Book.

Condition: new.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Condition: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Used; Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.…

Paperback. Condition: New. Surrealist artist Max Ernst defined collage as the "alchemy of the visual image." Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, however, M. E. Warlick persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career.A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of the late nineteenth and early twentieth centuries, and Warlick sets Ernst's work squarely within this movement. Looking at both his art (many of the works she discusses are reproduced in the book) and his writings, she reveals how thoroughly alchemical philosophy and symbolism pervade his early Dadaist experiments, his foundational work in surrealism, and his many collages and paintings of women and landscapes, whose images exemplify the alchemical fusing of opposites. This pioneering research adds an essential key to understanding the multilayered complexity of Ernst's works, as it affirms his standing as one of Germany's most significant artists of the twentieth century.…

Condition: New. pp. 340 23:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Gloss Lam.

Condition: New. Surrealist artist Max Ernst defined collage as the 'alchemy of the visual image'. This book demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career. It helps you understand a multilayered complexity of Ernst's works. Series: The Surrealist Revolution Series. Num Pages: 335 pages, 73 b&w illus. BIC Classification: 3JJ; ACXD7; AGB; HRQX2. Category: (P) Professional & Vocational. Dimension: 155 x 230 x 18. Weight in Grams: 484. . 2001. Paperback. . . . .…

Soft cover. Condition: New. No Jacket. 1st Edition. First edition stated 2001, first printing, Published by University of Texas Press. Trade softcover without DJ as issued. Condition new, square tight and clean book, no edgewear, sharp corners, spine not creased, no names, no underlinings, no highlights, no bent page corners, not a reminder. 8vo, XXIV + 309 pages.…

Paperback. Condition: Very Good. BOOK ONLY, NO STONES. 96pp. Book.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback. Condition: New.

Condition: New. In English.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. Surrealist artist Max Ernst defined collage as the 'alchemy of the visual image'. This book demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career. It helps you understand a multilayered complexity of Ernst's works. Series: The Surrealist Revolution Series. Num Pages: 335 pages, 73 b&w illus. BIC Classification: 3JJ; ACXD7; AGB; HRQX2. Category: (P) Professional & Vocational. Dimension: 155 x 230 x 18. Weight in Grams: 484. . 2001. Paperback. . . . . Books ship from the US and Ireland.…