Tom Eccles (113 results)

Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.

Condition: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Trade Paperback. Condition: USED Good.

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: Very Good. 1769081115. 1/22/2026 11:25:15 AM.

Large Hardcover. Condition: Near Fine. 1st Printing. First paperback printing. Top corner of last page creased, otherwise an excellent copy. 256 pp. Plop: Recent projects of the Public Art Fund features projects by forty-six internationally acclaimed artists whose temporary installations were made possible by the Public Art Fund, one of the most innovative presenters of contemporary art in America. Through an in-depth account of each of these memorable projects, it examines the ways in which artists as diverse as Rachel Whiteread and Takashi Murakami, Christian Boltanski and Pipilotti Rist, and Andrea Zittel and Vik Muniz have created a dynamic experience of contemporary art. From Paul Pfeiffer's Orpheus Descending, a video work documenting the brief life-cycle of a flock of chickens, shown in the World Trade Center and World Financial Center, to Josiah McElheny's The Metal Party, an elaborate reconstruction of an event held at the Bauhaus in 1929, these projects address a multitude of issues related to urban living, site-specificity, and the impact of public art on both casual passersby and local communities. For artists, creating work outside the museum or gallery's white box is both a challenging and a rewarding experience, an opportunity to use the public realm for an evolution of their studio practice. This book sheds new light on a key aspect of contemporary art, while also creating a lasting pictorial record of installations on view for perhaps only a few weeks or months. Plop documents the vitality of a changing city and the evolution of what it means for art to be "public," providing a key reference work for everyone interested in public art and the international contemporary art scene.

Soft cover. Condition: Very Good.

Hardcover without dustjacket as issued, 312 pages; small indents to front cover; otherwise as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1450grams, ISBN:9781858942476.

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paperback. Condition: Very Good. Inscribed on the title page by the artist. Edge rubbing on the covers, spine a little sunned, pen name front endpaper. Photographic multimedia art project looks at Civil War reenactments. All orders packed with care, most dust jackets protected by Brodart sleeve, independent bookseller since 2011.

Hardcover. Condition: Used - Very Good.

Soft cover. Condition: Fine. A fine fresh copy bound in French-fold wraps.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1500grams, ISBN:9781858942476.

Softcover. Condition: Very Good Plus. [ART]. Liam Gillick, Tom Eccles. "From 199A to 199B." Annandale-on-Hudson, NY: The Center for Curatorial Studies at Bard College and CCS Bard Hessel Museum of Art, 2012. English language. Softcover. Text with black and white photos. 7 x 5 inches. 5 oz. 82 pp. Shelfwear. Text clean. Very Good Plus. ISBN: 9781936192229. "'Liam Gillick: From 199A-199B' revisits a formative period of the artist?s career in France, Germany, Italy, and England, prior to his move to New York in 1998. This period took place during the recessionary years of the early 1990s, a dynamic period of artistic change, during which artists from the United States were exposing the workings of the gallery and institution while challenging the traditional status of artistic persona. In Europe, artists were turning their attention to the matrix of cultural production within the context of fading public funding and a new freedom to travel following the fall of the Berlin Wall. Considering the relationship between the artist, the institution, and the audience to be mutually co-dependent in the creation of meaning, Gillick created situations where the outcome of the work was incomplete without involving the institution and the exhibition visitor.".

Hardcover. Condition: new. Hardcover. Invisible Adversaries is inspired by the eponymous 1976 feature film by the radical Austrian artist Valie Export. The film presents a womans struggle to retain her sense of self against hostile alien forces that appear increasingly ubiquitous, colonizing the minds of all those around her. Motifs from the film--among them, architectures influence on identity; feminist critique; and the power of political fantasy--operate as filters through which to consider significant pieces from the Marieluise Hessel Collection. In addition to works by Valie Export, Invisible Adversaries draws primarily from acquisitions of the Marieluise Hessel Collection over the past decade, with works by over 50 artists including Chantal Akerman, Ida Applebroog, Lynda Benglis, Barbara Bloom, Patty Chang, Anne Collier, Reneke Dijkstra, K8 Hardy, Roni Horn, Glenn Ligon, Leigh Ledare, Helen Marten, William Pope.L, Hito Steyerl, Magali Reus, Rachel Rose, Thomas Ruff, Lorna Simpson, Diane Simpson, Jo Spence and Gillian Wearing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: Very Good+. First Edition; No Printing Stated. 9.25 X 1 X 10.75 inches; 256 pages; color photographs throughout the book. Very Good condition. No noteworthy defects. No markings.; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

Hardcover. Condition: As New. 1st Edition. Artangel/Public Art Fund, 2012. Hardcover. 104 pages. 42 color, 40 b/w illustrations. 8.50x11.00". As New, sealed in publisher's shrink wrap. In Madison Square Park in New York, and subsequently in Soho Square, the heart of London's media world, video artist Tony Oursler created a spectral audio-visual experience for an image-saturated society. Conceived as a kind of psycho-landscape, "The Influence Machine" delves deep into the history of media, rousing long-forgotten spirits and setting them to roam about both squares at night. The ghosts of the Fox Sisters, who made telegraphic contact with the spirit world in the mid-19th century, haunted alongside the ghost of television pioneer John Logie Baird. This book brings together Tony Oursler's most elaborate deep media projects in an illustrated time line, the "Timestream", and accompanying texts elaborate on the phantasmagorias of the late 18th century, its contemporary equivalents, and the influence of spiritualism within the general development of media. Essays by Carlo McCormick and Marina Warner. Introduction by James Lingwood and Tom Eccles. Interview by Louise Neri.

No Binding. Condition: VGF. A lot of two VGF of better mini lobby cards. Size: 8" x 10". Photographic Image.

Hardcover without dustjacket as issued, 240 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

hardcover. Condition: As New. Used hardcover like new. No underlining, tears, highlighting, or marginalia. A clean sound and serviceable copy.

Softcover. Condition: VG. Quarto. Softcover. Grey and silver illustrated wraps. 2 volumes, 224 and 62 pages : illustrations (some color) ; 30 cm. "Center for Curatorial Studies at Bard College inaugurates the new 17,000 square-foot Hessel Museum of Art with Wrestle, an exhibition of over 150 representative works from the Marieluise Hessel Collection. This compelling overview of the Hessel Collection focuses on works that challenge notions of self and others, offering connections in form and content among works from diverse artistic and social positions. We have tried to be sensitive to the context and intentions of the artists, Tom Eccles states, but we have also tried to craft an exhibition that is contentious, provocative, and faithful to the character of the collection as a whole and the collectors bold and passionate choices over the past 40 years. An innovative two-volume catalogue, also titled Wrestle, continues the curatorial play of suggestive juxtapositions. All works in the exhibition are illustrated along with three specially commissioned artist projects."--Gallery website.