Liam Gillick Tom Eccles (9 results)

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK.

Softcover. Condition: Very Good Plus. [ART]. Liam Gillick, Tom Eccles. "From 199A to 199B." Annandale-on-Hudson, NY: The Center for Curatorial Studies at Bard College and CCS Bard Hessel Museum of Art, 2012. English language. Softcover. Text with black and white photos. 7 x 5 inches. 5 oz. 82 pp. Shelfwear. Text clean. Very Good Plus. ISBN: 9781936192229. "'Liam Gillick: From 199A-199B' revisits a formative period of the artist?s career in France, Germany, Italy, and England, prior to his move to New York in 1998. This period took place during the recessionary years of the early 1990s, a dynamic period of artistic change, during which artists from the United States were exposing the workings of the gallery and institution while challenging the traditional status of artistic persona. In Europe, artists were turning their attention to the matrix of cultural production within the context of fading public funding and a new freedom to travel following the fall of the Berlin Wall. Considering the relationship between the artist, the institution, and the audience to be mutually co-dependent in the creation of meaning, Gillick created situations where the outcome of the work was incomplete without involving the institution and the exhibition visitor.". …

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover without dustjacket as issued, 240 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: New.

Hardcover. Condition: Brand New. 352 pages. French language. 9.72x6.73x1.46 inches. In Stock.

Hardcover. Condition: Sehr gut. 1. Auflage. Z : 19 x 24 cm, 240 pages, 200 color illustrations - A selected survey of Liam Gillick's groundbreaking projects, installations, methods, and practices, which challenged the orthodox presentation and reception of art through the 1990's. Considering the relationship between the artist, the institution, and the audience to be mutually codependent in the creation of meaning, Gillick created situations in which the outcome was incomplete without the institution's involvement and the questioning of the expanded role of the exhibition visitor. "From Nineteen Ninety A to Nineteen Ninety D" includes the artist's original texts from the 1990s, new essays by Yves Aupetitallot, Tom Eccles, Paul O'Neill, and Jörn Schafaff, and contributions from the many collaborative partners and students who restaged Gillick's work within exhibitions at CCS Bard, Hessel Museum, Annandale-on-Hudson (2013) and the Ecole du Magasin, Grenoble (2014).…

Hardcover. Condition: Near Fine. First Edition. [ART]. Liam Gillick, Paul O'Neill, Jorn Schafaff, Tom Eccles, Yves Aupertitallot, et al. "Liam Gillick: From Nineteen Ninety A to Nineteen Ninety D [Signed and Inscribed]." Zurich: JRP Ringier. Printed in the EU, 2015. First edition. Signed and Inscribed in ink on title page by Liam Gillick: [L and L = London 2015 . . . Liam]. English language. Hardcover with glossy pictorial boards. Retrospective catalog with critical texts by Gillick and others, with full-color photographic illustrations of past work including documentation in situ, with collaborator biographies. 9 1/2 x 7 1/2 inches. 37 oz. 238 pp. Some shelf-wear including indent on spine and some bumping along edge. Interior clean besides Gillick's inscription. Near Fine. ISBN: 9783037644058. "This publication is a selected survey of British-born, New York-based artist Liam Gillick's groundbreaking projects, installations, methods, and practices, which since the 1990s have challenged the orthodox presentation and reception of art. Considering the relationship between the artist, the institution, and the audience to be mutually codependent in the creation of meaning, Gillick has created situations in which the outcome was incomplete, questioning the expanded role of the exhibition visitor. 'From Nineteen Ninety A to Nineteen Ninety D' includes the artist's original texts from the 1990s, new essays by Yves Aupetitallot, Tom Eccles, Paul O'Neill, and Jorn Schafaff, and contributions from the many collaborative partners and students who restaged his work in exhibitions at CCS Bard, Hessel Museum, Annandale-on-Hudson, and the Ecole du Magasin, Grenoble, in 2014.". Signed and Inscribed.…

Originalhardcover. Condition: Sehr gut. 1. Aufl. 240 S. plus 1 Blatt. 200 Farbabb. FROM 199ATO199B. In collaboration with students and former students of the Center for Curatorial Studies, Bard College. Curated by Tom Eccles. Hessel Museum of Art June 23-December 21, 2012. The installations and projects were produced in collaboration with graduate students: Juana Berrfo -- Olga Dekalo -- Sarah Fritchey -- Sarah Higgins -- Annie Larmon -- Marina Noronha -- Karly Wildenhaus -- and former students of the program: -- Ian Berry -- Jose Luis Blondet -- Cecilia Brunson -- David Ho -- Yeung Chan -- Vincenzo de Bellis -- Jennifer Dunlop-Fletcher -- Monserrat Albores Gleason -- Ruba Katrib -- Nathan Lee -- Fionn Meade -- Tomas Pospiszyl -- Chen Tamir -- Gilbert Vicario and with contributions by H.E.N.S. (Arlen Austen and Jason Boughton) FROM 199CTO199D In collaboration with participants at the Ecole du Magasin, Grenoble. Curated by Yves Aupetitallot. MAGASIN-Centre National d'Art Contemporain June 6-September 7, 2014. The installations and projects were produced in collaboration with: Claire Astier -- Paola Bonino -- Giulia Bortoluzzi -- Selma Boskailo -- Neringa Bumbliene and Anna Tomczak. ISBN 9783037644058 Sprache: Deutsch Gewicht in Gramm: 1053.…