Taha Halima (50 results)

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Condition: New.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Hardback or Cased Book. Condition: New. Gateways: African American Art from the Key Collection. Book.

Condition: New.

Hardcover. Condition: new. Hardcover. A dynamic, personal, and poignant collection of over 90 works from Eric Key's extensive collection of art by American artists of African descent, spanning the Harlem Renaissance to the twenty-first century. Since he started collecting in the 1990s, Eric Key's intent has always been to help preserve America's Black experience in the arts, and to benefit the many communities of which he has been a part-opening gateways for artists, African Americans, and conversations about race, identity, and America. Featured in the volume are selected works by some of the most recognizable contemporary African American artists, including Sam Gilliam, Jacob Lawrence, Elizabeth Catlett, William Artis, Samella Lewis, and Renee Stout. Together, these artists work to dispel the many stereotypes and misunderstandings about African American art and people, but also remain a form of personal narrative. As Eric Key states, the works in his collection are an extension of himself, a Black man in a still mostly white art world; they are an extension of the country in which he lives and an extension of the artists who created them. AUTHORS: Dr. Adrienne L. Childs is an independent art historian, curator, and senior consulting curator at The Phillips Collection. She also served as curator at the David C. Driskell Center, where she curated numerous exhibitions on African American art. Childs co-curated the exhibition The Colour of Anxiety: Race, Sexuality and Disorder in Victorian Sculpture for the Henry Moore Institute, as well as Riffs and Relations: African American Artists and the European Modernist Tradition, (2020,) for the Phillips Collection. Childs's current book project is Ornamental Blackness: The Black Figure in European Decorative Arts (2024). She has been awarded fellowships by many institutions, including the Hutchins Center at Harvard University and the Center for Advanced Studies in the Visual Arts at the National Gallery. In 2022, Childs was awarded the Driskell Prize by the High Museum of Art for her contributions to the field of African American Art. Halima Taha is best known for her ground-breaking bestseller, Collecting African American Art: Works on Paper and Canvas, the first book to validate the collection of fine art, printmaking, and photography by Americans of African descent as viable assets and commodities within the art market. Her book served as a choice PBS membership incentive, raising its fundraising goal three times. In addition, her work created the foundation, in conjunction with the National Black Fine Art Show (1997-2009), to cultivate and educate global markets, enabling Swann Galleries to establish the first African American auction category in 2008. Her work catalyzed prominent museums to pursue collections of African American Art for exhibition and acquisition within the first two decades of this century. Taha is an art professional and tireless advocate for Black visual culture; her curatorial, art advisory, and strategic planning develop corporate and not-for-profit programs and audiences. Eric Key is currently the director of the Arts Program at University of Maryland Global Campus. SELLING POINTS: . A dynamic, personal, and poignant collection of over 90 works from Eric Key's extensive collection of art by American artists of African descent, including pieces on paper, canvas, and sculpture, spanning the Harlem Renaissance to the twenty-first century. . Eric Key's vast experience and the extensive network of friends and colleagues that it has fostered, directly inform his mastery as a collector. . Wide-ranging book features works by some of the most recognizable contemporary African American artists, including Sam Gilliam, Jacob Lawrence, Elizabeth Catlett, William Artis, Samella Lewis, and Renee Stout. 354 colour illustrations A dynamic, personal, and poignant collection of over 90 works from Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: New. Since he started collecting in the 1990s, Eric Key's intent has always been to help preserve America's Black experience in the arts, and to benefit the many communities of which he has been a part-opening gateways for artists, African Americans, and conversations about race, identity, and America. Featured in the volume are selected works by some of the most recognizable contemporary African American artists, including Sam Gilliam, Jacob Lawrence, Elizabeth Catlett, William Artis, Samella Lewis, and Renee Stout. Together, these artists work to dispel the many stereotypes and misunderstandings about African American art and people, but also remain a form of personal narrative. As Eric Key states, the works in his collection are an extension of himself, a Black man in a still mostly white art world; they are an extension of the country in which he lives and an extension of the artists who created them.…

Hardback. Condition: Very Good.

Hardcover. Condition: Very Good. 1. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condition: Fair. 1. With dust jacket. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardback. Condition: Very Good.

Condition: New. 2024. hardcover. . . . . .

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condition: Very Good.

Condition: New.

Hardcover. Condition: Brand New. 152 pages. 10.00x8.25x10.24 inches. In Stock.

Condition: As New. 152, col illus. . HB. As new in original cellophane. Eric Key is the Director of the Arts Program at the University of Maryland Global Campus. He is an astute aart collector, with one of the nation's pre-eminent collections of art by Black artists. Featured in the volume are selected works by some of the most recognizable contemporary African American artists, including Sam Gilliam, Jacob Lawrence, Elizabeth Catlett, William Artis, Samella Lewis, and Renee Stout. [9781913875664].…

hardcover. Condition: New. Brand New.

Condition: New. 2024. hardcover. . . . . . Books ship from the US and Ireland.

hardcover. Condition: New. Special order direct from the distributor.

Hardcover. Condition: Good. No Jacket. Dust jacket missing. Third printing. Shelf and handling wear to cover and binding, with general signs of previous use. Gift inscription to front end page. Secure packaging for safe delivery.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New.

Condition: New.

Hardcover. Condition: Brand New. 152 pages. 10.00x8.25x10.24 inches. In Stock.

Hardcover. Condition: Brand New. 152 pages. 10.00x8.25x10.24 inches. In Stock.

Soft cover. Condition: Near Fine. Dust Jacket Condition: Fine. Qto., 170 pages, colour illustrated. A Near Fine copy which has one small inobtrusive art gallery ink on the front free end paper. Overall, a Near Fine copy in a Fine dust jacket.