Schmidt Theron (30 results)

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Soft cover. Condition: New. 319pp. Colour illustration.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Very Good. Card cover creased at fore-corners, slight edgewear; Pages generally clean, though several small marks on ffep, top fore-corners creased throughout prelims, coloured plates; Binding tight. This collection of conversations, provocations, and images considers what Live Art has been for and against. ; 6.75 x 8.75"; 320 pages.…

Condition: New.

Paperback. Condition: New. Examines how the politics of the theatre can illuminate the theatricality of politics Theatricality is often dismissed as a distraction from "real" politics, as when cynical political gestures are derided as "pure theatre" or "only theatre." But the artists and theater companies discussed in this book, including Back to Back Theatre, Tim Crouch, Rabih MrouÉ, Nature Theater of Oklahoma, and Christoph Schlingensief, take a different approach. Theron Schmidt argues that they represent a "theatricalist turn" that explores and tests the conditions of the theater itself. Across diverse contexts of political engagement, ranging from disability rights to representations of violence, these theatrical conditions are interconnected with political struggles, such as those over who is seen and heard, how labour is valued, and what counts as "political" in the first place. In a so-called post-political era, The Theatricalists argues that an examination of theatre's internal politics can expand our understanding of the theatricality of politics more broadly.…

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: new. Paperback. Winner of the 2021 Theatre and Performance Research Association (TaPRA) Edited Collection Prize Notoriously difficult to define as a genre, Live Art is commonly positioned as a challenge to received artistic, social, and political categories: not theatre, not dance, not visual art, and often wilfully anti-mainstream and anti-establishment. But as it has become increasingly prevalent in international festivals, major art galleries, and university courses, it is ripe for a reassessment. Including almost 50 contributing artists and scholars, this collection of essays, conversations, provocations, and archival images takes the twentieth anniversary of the founding of one of the sectors most committed champions, the Live Art Development Agency in London, as an opportunity to consider not only what Live Art has been against, but also what it has been for. Through the work of this particular Agency, the book explores the idea of agency more generally: how Live Art has enabled the possibility for new kinds of thoughts, actions, and alliances for diverse individuals and groups. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Brand New. 258 pages. 8.75x6.00x1.00 inches. In Stock.

Condition: New. 2024. paperback. . . . . .

Paperback. Condition: Brand New. 280 pages. 8.75x6.75x1.00 inches. In Stock.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: As New. Unread book in perfect condition.

Condition: New. 2024. paperback. . . . . . Books ship from the US and Ireland.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. In English.

Condition: New. 2019. paperback. . . . . .

Paperback. Condition: new. Paperback. Winner of the 2021 Theatre and Performance Research Association (TaPRA) Edited Collection Prize Notoriously difficult to define as a genre, Live Art is commonly positioned as a challenge to received artistic, social, and political categories: not theatre, not dance, not visual art, and often wilfully anti-mainstream and anti-establishment. But as it has become increasingly prevalent in international festivals, major art galleries, and university courses, it is ripe for a reassessment. Including almost 50 contributing artists and scholars, this collection of essays, conversations, provocations, and archival images takes the twentieth anniversary of the founding of one of the sectors most committed champions, the Live Art Development Agency in London, as an opportunity to consider not only what Live Art has been against, but also what it has been for. Through the work of this particular Agency, the book explores the idea of agency more generally: how Live Art has enabled the possibility for new kinds of thoughts, actions, and alliances for diverse individuals and groups. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condition: New. 2019. paperback. . . . . . Books ship from the US and Ireland.

Condition: New. pp. 280.

Condition: New. pp. 280.

hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condition: New. Examines how the politics of the theatre can illuminate the theatricality of politics Theatricality is often dismissed as a distraction from "real" politics, as when cynical political gestures are derided as "pure theatre" or "only theatre." But the artists and theater companies discussed in this book, including Back to Back Theatre, Tim Crouch, Rabih MrouÉ, Nature Theater of Oklahoma, and Christoph Schlingensief, take a different approach. Theron Schmidt argues that they represent a "theatricalist turn" that explores and tests the conditions of the theater itself. Across diverse contexts of political engagement, ranging from disability rights to representations of violence, these theatrical conditions are interconnected with political struggles, such as those over who is seen and heard, how labour is valued, and what counts as "political" in the first place. In a so-called post-political era, The Theatricalists argues that an examination of theatre's internal politics can expand our understanding of the theatricality of politics more broadly.…