Samuel Bianchini (35 results)

Condition: New.

Softcover. Condition: Bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: New.

Condition: New.

Condition: New.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1550grams, ISBN:9780262034753.

Condition: New.

Condition: Neuf.

Condition: New. pp. 864.

Condition: New.

Hardcover. Condition: new. Hardcover. Critical analyses, case studies, and artist interviews examine works of art that are realized with the physical involvement of the viewer.How are we to understand works of art that are realized with the physical involvement of the viewer? A relationship between a work of art and its audience that is rooted in an experience that is both aesthetic and physical? Today, these works often use digital technologies, but artists have created participatory works since the 1950s. In this book, critics, writers, and artists offer diverse perspectives on this kind of "practicable" art that bridges contemplation and use, discussing and documenting a wide variety of works from the last several decades. The contributors consider both works that are technologically mediated and those that are not, as long as they are characterized by a process of reciprocal exchange.The book offers a historical frame for practicable works, discussing, among other things, the emergence and influence of cybernetics. It examines art movements and tendencies that incorporate participatory strategies; draws on the perspectives of the humanities and sciences; and investigate performance and exhibition. Finally, it presents case studies of key works by artists including and offers interviews with such leading artists and theoreticians asClaire Bishop,Thomas Hirschhorn, Matt Adams of Blast Theory,Seiko Mikamiand Bruno Latour. Numerous illustrations of artists and their works accompany the text.ContributorsMatt Adams (Blast Theory), Jean-Christophe Bailly, Samuel Bianchini, Claire Bishop, Jean-Louis Boissier, Nicolas Bourriaud, Christophe Charles, Valerie Ch telet, Jean-Pierre Cometti, Sarah Cook, Jordan Crandall, Dominique Cunin, Nathalie Delbard, Anna Dezeuze, Diedrich Diederichsen, Christophe Domino, Larisa Dryansky, Gl ria Ferreira, Jean-Paul Fourmentraux, Gilles Froger, Masaki Fujihata, Jean Gagnon, Katrin Gattinger, Jochen Gerz, Piero Gilardi, Veronique Goudinoux, Usman Haque, Helen Evans and Heiko Hansen (HeHe), Jeppe Hein, Thomas Hirschhorn, Marion Hohlfeldt, Pierre-Damien Huyghe, Judith Ickowicz, Eric Kluitenberg, Janet Kraynak, Bruno Latour, Christophe Leclercq, Frederik Lesage, Rafael Lozano-Hemmer, Peter Lunenfeld, Lawrence Malstaf, Julie Martin, Seiko Mikami, Dominique Moulon, Hiroko Myokam, Ernesto Neto, Mayumi Okura, Eddie Panier, Fran oise Parfait, Simon Penny, Daniel Pinkas, Chantal Pontbriand, Emanuele Quinz, Margit Rosen, Alberto Sanchez Balmisa, Frederik Schikowski, Arnd Schneider, Madeline Schwartzman, Luke Skrebowski, Vanessa Theodoropoulou, Rirkrit Tiravanija, Andrea Urlberger, Erik Verhagen, Franz Erhard Walther, Peter Weibel, Renate Wiehager, Catherine Wood, Giovanna Zapperi, Anne Zeitz, David ZerbibEdited bySamuel BianchiniandErik Verhagen with the collaboration ofNathalie DelbardandLarisa Dryansky. Critical analyses, case studies, and artist interviews examine works of art that are realized with the physical involvement of the viewer. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: As New. Unread book in perfect condition.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condition: Brand New. 194 pages. French language. 8.43x5.35x0.63 inches. In Stock.

Couverture rigide. Condition: Comme neuf. Edition originale. Paris 2010. 1 Volume/1.-- As New -- . Hardback - 29,7 x 21 cm . ------- 208 pages with 350 color illustrations .*********************** """ Based in Paris and New York, Alain Declercq is an important, accomplished and provocative French artist with a mature ideological drive enough so to have been raided by police for his connections to activism and outrage at the War on Terror. Declercq trained as a graphic designer; this heavy-papered monograph has a rational and elegant design by Declercq and Ruedi Baur. An occasional performance artist, Declercq is best known for his photography, video, and pictures made from bullet holes. Most impressive of all the conceptually robust work here is the series Blue on Blue (Attack). Photographs of skies seen notionally through the cockpits of military aircraft bombing unseen enemies below, these elegiac images are the perfect expression of Declercqs aesthetic discipline and moral purpose. With texts by Samuel Bianchini, Nicole Brenez, Jan van Woensel and Gérard Wajcman.********************** fav-02-06.

Hardback. Condition: New.

Softcover, 206 pages; in English and French; very good condition; covers slightly yellowed; no internal marks. Artist who makes sound installations. Foreign shipping may be extra.

Couverture rigide. Condition: Comme neuf. Edition originale. Paris 2010. 1 Volume/1.-- Comme Neuf -- .Reliure éditeur cartonnée , dos toilé. - Format 29,7 x 21 cm . ------- 208 pages avec 350 illustrations couleurs .*********************** """ Monographie rétrospective. Un répertoire analytique et signalétique des recherches de Declercq depuis plus de dix ans : un examen (mené avec un sens certain de la dérision et flirtant souvent avec la légalité) des structures du pouvoir, des formes d'oppression et de sécurité contemporaines l'Etat, la police, le terrorisme et des stratégies de manipulation médiatique. Avec quelque 350 reproductions d'uvres, chacune documentée par une notice, et quatre essais inédits.********************************* Premier ouvrage monographique consacré à l'ensemble de l'uvre d'Alain Declercq, Documents est le produit graphique d'une collaboration avec le studio Intégral - Ruedi Baur. Véritable catalogue au sens propre du terme, le livre répertorie et documente l'ensemble des uvres produites par Alain Declercq. Chaque uvre est l'objet d'une courte notice. Des textes originaux de Nicole Brenez, Jan Van Woensel, Gérard Wacjman et Samuel Bianchini offrent des lectures plus globales de la démarche d'Alain Declercq.

Condition: As New. Unread book in perfect condition.

Couverture souple. Condition: Comme neuf. Edition originale. Paris, Centre Georges Pompidou 1994. 1 Volume/1. ) -- Comme Neuf -- Broché cousu, couverture à rabats illustrée. Format 21 x 15 cm ( 150 gr ) -------- 79 pages. 30 illustrations, en noir et blanc (images de films pour la plupart) . essais et témoignages filmographie.

Condition: New. pp. 864.

Condition: New.

Hardcover. Condition: new. New Copy. Customer Service Guaranteed.

Condition: New.

Hardback. Condition: New.

Couverture souple. Condition: Neuf. Edition originale. Paris 2008. 1 Volume/1. -- Neuf -- Broché cousu. ( 24 x 17,1 cm )( 646 gr ) ------- 208 pages. Illustrations ********************** "" Premier ouvrage monographique consacré à Céleste Boursier-Mougenot, cette publication, conçue par l'artiste / musicien français, adapte au format livre l'idée de dispositif qui caractérise son travail : il induit une situation spécifique, une relation particulière au travail de l'artiste et toutes les formes d'approches que cette relation suppose du point de vue du lecteur. Il est un matériau autant qu'un média. À l'instar de l'ensemble des matériaux ou moyens employés par Céleste Boursier-Mougenot dans ses réalisations, des mots, de la parole ou du texte trouvent leur place en tant que composants dans le processus du livre, et alimentent la démarche de l'artiste. Avec l' uvre intitulée Index, présentée pour la première fois au Frac Champagne-Ardenne à l'été 2006, le livre peut s'inscrire plus loin encore dans le processus de création. Céleste Boursier-Mougenot a conçu un programme informatique qui analyse l'activité scripturale et en extrait des éléments textuels pour produire une partition musicale. Cette partition est transmise à un piano de type Disklavier qui les joue en direct. Dans le livre Etats seconds, les textes sont interprétés musicalement par le dispositif d'index. "" ************************ ref fav-02-06 & ref att 902.

Hardcover. Condition: new. Hardcover. Critical analyses, case studies, and artist interviews examine works of art that are realized with the physical involvement of the viewer.How are we to understand works of art that are realized with the physical involvement of the viewer? A relationship between a work of art and its audience that is rooted in an experience that is both aesthetic and physical? Today, these works often use digital technologies, but artists have created participatory works since the 1950s. In this book, critics, writers, and artists offer diverse perspectives on this kind of "practicable" art that bridges contemplation and use, discussing and documenting a wide variety of works from the last several decades. The contributors consider both works that are technologically mediated and those that are not, as long as they are characterized by a process of reciprocal exchange.The book offers a historical frame for practicable works, discussing, among other things, the emergence and influence of cybernetics. It examines art movements and tendencies that incorporate participatory strategies; draws on the perspectives of the humanities and sciences; and investigate performance and exhibition. Finally, it presents case studies of key works by artists including and offers interviews with such leading artists and theoreticians asClaire Bishop,Thomas Hirschhorn, Matt Adams of Blast Theory,Seiko Mikamiand Bruno Latour. Numerous illustrations of artists and their works accompany the text.ContributorsMatt Adams (Blast Theory), Jean-Christophe Bailly, Samuel Bianchini, Claire Bishop, Jean-Louis Boissier, Nicolas Bourriaud, Christophe Charles, Valerie Ch telet, Jean-Pierre Cometti, Sarah Cook, Jordan Crandall, Dominique Cunin, Nathalie Delbard, Anna Dezeuze, Diedrich Diederichsen, Christophe Domino, Larisa Dryansky, Gl ria Ferreira, Jean-Paul Fourmentraux, Gilles Froger, Masaki Fujihata, Jean Gagnon, Katrin Gattinger, Jochen Gerz, Piero Gilardi, Veronique Goudinoux, Usman Haque, Helen Evans and Heiko Hansen (HeHe), Jeppe Hein, Thomas Hirschhorn, Marion Hohlfeldt, Pierre-Damien Huyghe, Judith Ickowicz, Eric Kluitenberg, Janet Kraynak, Bruno Latour, Christophe Leclercq, Frederik Lesage, Rafael Lozano-Hemmer, Peter Lunenfeld, Lawrence Malstaf, Julie Martin, Seiko Mikami, Dominique Moulon, Hiroko Myokam, Ernesto Neto, Mayumi Okura, Eddie Panier, Fran oise Parfait, Simon Penny, Daniel Pinkas, Chantal Pontbriand, Emanuele Quinz, Margit Rosen, Alberto Sanchez Balmisa, Frederik Schikowski, Arnd Schneider, Madeline Schwartzman, Luke Skrebowski, Vanessa Theodoropoulou, Rirkrit Tiravanija, Andrea Urlberger, Erik Verhagen, Franz Erhard Walther, Peter Weibel, Renate Wiehager, Catherine Wood, Giovanna Zapperi, Anne Zeitz, David ZerbibEdited bySamuel BianchiniandErik Verhagen with the collaboration ofNathalie DelbardandLarisa Dryansky. Critical analyses, case studies, and artist interviews examine works of art that are realized with the physical involvement of the viewer. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condition: New.

Taschenbuch. Condition: Neu. Simulation technologique et matérialisation artistique | Une exploration transdisciplinaire arts/sciences | Samuel Bianchini (u. a.) | Taschenbuch | 194 S. | Französisch | 2022 | Editions L'Harmattan | EAN 9782296559387 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Couverture souple. Condition: Comme neuf. Edition originale. Paris 2017. 1 Volume/1. -- Comme Neuf -- Broché cousu sous jaquette . Format 20,5 x 15 cm ( 480 gr ) ------ 252 pages avec 160 illustrations . ******************** Présentation éditeur "" Après "Imprimer le monde" et "Coder le monde", "La Fabrique du vivant" est le troisième catalogue consacré au code et à la création, dans le cadre des expositions du cycle Mutations / Créations du Centre Pompidou (Mnam/Cci). ************ La Fabrique du vivant retrace une archéologie du vivant et de la vie artificielle. Plusieurs essais dans le champ de l épistémologie du vivant, de l architecture, de l histoire de l art et du design ainsi que de la prospective industrielle interrogent les enjeux de la biofabrication dans la conception d objets durables ou ceux d une architecture bio-computationnelle qui met en oeuvre de nouvelles formes de nature artificielle. Une cinquantaine de créateurs artistes, designers, architectes questionnent ce nouvel écosystème numérique. "" **************************.