Raab Tim (76 results)

Condition: As New.

Condition: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.…

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: New.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Paperback or Softback. Condition: New. Powerhouses of Ohio High School Football: The 50s and 60s. Book.

Paperback. Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New.

Paperback. Condition: new. Paperback. Join author Tim Raab as he presents the champions, contenders, heartbreaks and heroics of this thrilling era of Ohio pigskin history. Few things seem as important to Americans as sports, particularly football. By the middle of the twentieth century, Ohio high school football ranked among the mightiest in the nation. Dynastic programs Massillon and Canton McKinley dominated the 1950s. Not to be outdone, Barberton, Portsmouth, Cleveland Cathedral Latin and Jackson staked their claims to greatness, and championship squads from Benedictine to Marion Harding and Alliance fought their way to the top of the rankings though ever-steady Massillon continued their winning ways in the '60s. Along the way, determined newcomers like Niles McKinley, Toledo Central Catholic, Wyoming, Sandusky, Bishop Watterson and Marion Catholic snatched their share of gridiron glory. At the decade's close, the fierce Golden Bears of Upper Arlington forged their own dynasty. These are the stories of hundreds of young men who pushed themselves to their limits, and the coaches who pushed them to victory. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Hardback or Cased Book. Condition: New. Powerhouses of Ohio High School Football: The 50s and 60s. Book.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Paperback. Condition: NEW. 1st. x, 179 pages, illustrations (some colour), facsimiles; 28 cm. Catalogue of an exhibition of the same name held at Thomas Cole National Historic Site in Catskill, New York from May 1 to November 4, 2018. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "Landscape art in the early 19th century was guided by two rival concepts: the picturesque, which emphasized touristic pleasures and visual delight, and the sublime, an aesthetic category rooted in notions of fear and danger. British artists including J.M.W. Turner and John Constable raised landscape painting to new heights and their work reached global audiences through the circulation of engravings. Thomas Cole, born in England, emigrated to the United States in 1818, and first absorbed the picturesque and sublime through print media. Cole transformed British and continental European traditions to create a distinctive American form of landscape painting. The authors here explore the role of prints as agents of artistic transmission and look closely at how Cole's own creative process was driven by works on paper such as drawings, notebooks, letters, and manuscripts. Also considered is the importance of the parallel works of William Guy Wall, best known for his pioneering Hudson River Portfolio. Beautifully illustrated with works on paper ranging from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, as well as notable paintings, this book offers important insights into Cole's formulation of a profound new category in art--the American sublime." - Publisher. *** CONTENTS: An Inheritance in Print: Thomas Cole and the Aesthetics of Landscape, by Tim Barringer and Jennifer Raab; Working Papers: Thomas Cole's Early Drawings and Notebooks, by Nicholas Robbins; Idyllic and Industrial Visions: Thomas Cole, William Guy Wall, and the Hudson River, by Sophie Lynfold, by Catalogue, by Origins, by Picturesque, by Sublime, by Trans-Atlantic Inheritance. Size: 4to. Collectible. …

Condition: New. 2019. Paperback. . . . . .

Condition: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condition: Brand New. 144 pages. 9.00x6.00x0.31 inches. In Stock.

Paperback. Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: As New. Color pictorial glued wraps.x, 179 pp., profusely illustrated with over 100 color and bw images. Catalogue of an exhibition of the same name held at Thomas Cole National Historic Site in Catskill, New York from May 1 to November 4, 2018. Although the catalogue only lists 31 amply-annotated works, there is a very lengthy and well-illustrated essay which precedes the catalogue. A significant addition to the literature on Cole and his influences and influence. "Landscape art in the early 19th century was guided by two rival concepts: the picturesque, which emphasized touristic pleasures and visual delight, and the sublime, an aesthetic category rooted in notions of fear and danger. British artists including J.M.W. Turner and John Constable raised landscape painting to new heights and their work reached global audiences through the circulation of engravings. Thomas Cole, born in England, emigrated to the United States in 1818, and first absorbed the picturesque and sublime through print media. Cole transformed British and continental European traditions to create a distinctive American form of landscape painting. The authors here explore the role of prints as agents of artistic transmission and look closely at how Cole's own creative process was driven by works on paper such as drawings, notebooks, letters, and manuscripts. Also considered is the importance of the parallel works of William Guy Wall, best known for his pioneering Hudson River Portfolio. Beautifully illustrated with works on paper ranging from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, as well as notable paintings, this book offers important insights into Cole's formulation of a profound new category in art--the American sublime." -- Publisher's description.…

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Landscape art in the early 19th century was guided by two rival concepts: the picturesque, which emphasized touristic pleasures and visual delight, and the sublime, an aesthetic category rooted in notions of fear and danger. British artists including J.M.W. Turner and John Constable raised landscape painting to new heights and their work reached global audiences through the circulation of engravings. Thomas Cole, born in England, emigrated to the United States in 1818, and first absorbed the picturesque and sublime through print media. Cole transformed British and continental European traditions to create a distinctive American form of landscape painting. The authors here explore the role of prints as agents of artistic transmission and look closely at how Cole's own creative process was driven by works on paper such as drawings, notebooks, letters, and manuscripts. Also considered is the importance of the parallel works of William Guy Wall, best known for his pioneering Hudson River Portfolio. Beautifully illustrated with works on paper ranging from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, as well as notable paintings, this book offers important insights into Cole's formulation of a profound new category in art-the American sublime.Published in association with the Thomas Cole National Historic SiteExhibition Schedule:Thomas Cole National Historic Site (05/01/18-11/04/18).…

Condition: New. pp. 192.

Hardback. Condition: Good. On the two-hundredth anniversary of Frederic Edwin Church?s birth, leading scholars explore how his wide-ranging work continues to resonate in today?s world The work of Frederic Edwin Church (1826?1900), renowned American landscape painter, was indelibly shaped by global travel. Church?s art was defined by place: early trips took him to South America, across the northeastern United States, and to the Arctic; later he visited the Caribbean, Europe, and the Middle East; in his final decades, he spent long sojourns in Mexico. Intimate drawings and oil sketches executed on-site illuminate his encounters with new environments and cultures. Large, extravagantly detailed paintings produced for public exhibition made him internationally famous. The designed landscapes, extensive collections, and striking architecture of his home, Olana, in the Hudson Valley, reflect the many worlds through which he traveled. In Frederic Church: Global Artist, original essays by scholars from across the humanities reveal Church as an artist enmeshed in the economic and territorial expansionism of the nineteenth century. Church?s works engage with questions of industrialization and environmental destruction, the rise and fall of empires, the construction of national identity, and the cataclysmic effects of slavery and civil war. This lavishly illustrated volume examines the artist in his time and demonstrates his continuing relevance in our own. Published in association with the Olana Partnership Exhibition Schedule: Olana NY State Historic Site(May 17?October 25, 2026).…

Condition: New.