Pleiger Henriette (43 results)

paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. How can exhibitions not only stage existing knowledge, but also raise questions that lead to new research? This question has become ever more relevant due to the museum sector's growing interest in the development of thematic exhibitions that combine narratives and objects from art, science, cultural history, and everyday life. Using theories from interdisciplinarity studies, Henriette Pleiger identifies different ways of producing knowledge during the exhibition-making process, as well as the mechanisms that are necessary for an exhibition to be considered interdisciplinary. The development of such exhibitions can be understood as collaborative research processes.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: new. Paperback. How can exhibitions not only stage existing knowledge, but also raise questions that lead to new research? This question has become ever more relevant due to the museum sector's growing interest in the development of thematic exhibitions that combine narratives and objects from art, science, cultural history, and everyday life. Using theories from interdisciplinarity studies, Henriette Pleiger identifies different ways of producing knowledge during the exhibition-making process, as well as the mechanisms that are necessary for an exhibition to be considered interdisciplinary. The development of such exhibitions can be understood as collaborative research processes. What does interdisciplinarity really mean in the context of exhibition-making and museum practice? Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condition: Gut. 260 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, kaum Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, few traces of use. 9783777445076 Sprache: Englisch Gewicht in Gramm: 910.

Condition: As New. Unread book in perfect condition.

AK. Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, 3.12.2022 - 2.4.2023. Bönen / Westfalen: Druckerei Kettler, 2022. Schwarzes, silbergepr. OHLn. m. farb. illustr. Decken. 128 Seiten mit unzähligen, teils ganzs. u. farbigen Fotos. - 23,5 x 16,5. * Druckfrisch und unbenutzt .

Klappbroschur. 370 S. : zahlr. Ill., graph. Darst., Kt. ; 29 cm sehr gute Erhaltung, das Titelbild ist anders. Über 2 Kg.shwer, daher Paketporto, Auslandsporto bitte erfragen. Sprache: Deutsch Gewicht in Gramm: 2201.

Condition: New.

Condition: New.

Hardcover. Condition: Wie neu. 1. Auflage. Sehr gutes, nahezu neuwertiges Exemplar der Originalauflage, großformatiges Hardcover, 21,5 cm x 26,5 cm, 198 Seiten in fester Bindung, keine Textanstreichungen, Einträge, Beschädigungen oder Verschmutzungen, nur minimale, kaum sichtbare Gebrauchs- oder Lagerspuren, daher sehr gut als antiquarisches Geschenkbuch oder zum Weiterverkauf geeignet, farbig und schwarz-weiß bebildert. » Der Kapitalismus hat von der wirtschaftlichen Sphäre des Markts auf alle Bereiche menschlichen Lebens ausgegriffen und sie sich untergeordnet. Deshalb muss er jenseits einer rein ökonomischen Analyse gerade auch als kulturgeschichtliches Phänomen verstanden und untersucht werden. (.)« (Coverzitat) Näheres, auch Inhaltsverzeichnis, siehe Fotos. Bitte um Vorkasse bei Angeboten (Buchpreis + Versandkosten) über 15 Euro, vielen Dank! Die angezeigten Portokosten ins Ausland werden den jeweiligen aktuellen Versandpreisen je nach Gewicht der Sendung angepasst.…

Taschenbuch. Condition: Neu. Neuware -How can exhibitions not only stage existing knowledge, but also raise questions that lead to new research This question has become ever more relevant due to the museum sector's growing interest in the development of thematic exhibitions that combine narratives and objects from art, science, cultural history, and everyday life. Using theories from interdisciplinarity studies, Henriette Pleiger identifies different ways of producing knowledge during the exhibition-making process, as well as the mechanisms that are necessary for an exhibition to be considered interdisciplinary. The development of such exhibitions can be understood as collaborative research processes. 280 pp. Englisch.…

Taschenbuch. Condition: Neu. Neuware -How can exhibitions not only stage existing knowledge, but also raise questions that lead to new research This question has become ever more relevant due to the museum sector's growing interest in the development of thematic exhibitions that combine narratives and objects from art, science, cultural history, and everyday life. Using theories from interdisciplinarity studies, Henriette Pleiger identifies different ways of producing knowledge during the exhibition-making process, as well as the mechanisms that are necessary for an exhibition to be considered interdisciplinary. The development of such exhibitions can be understood as collaborative research processes. 280 pp. Englisch.…

Taschenbuch. Condition: Neu. Neuware -How can exhibitions not only stage existing knowledge, but also raise questions that lead to new research This question has become ever more relevant due to the museum sector's growing interest in the development of thematic exhibitions that combine narratives and objects from art, science, cultural history, and everyday life. Using theories from interdisciplinarity studies, Henriette Pleiger identifies different ways of producing knowledge during the exhibition-making process, as well as the mechanisms that are necessary for an exhibition to be considered interdisciplinary. The development of such exhibitions can be understood as collaborative research processes.…

Taschenbuch. Condition: Neu. Neuware - How can exhibitions not only stage existing knowledge, but also raise questions that lead to new research This question has become ever more relevant due to the museum sector's growing interest in the development of thematic exhibitions that combine narratives and objects from art, science, cultural history, and everyday life. Using theories from interdisciplinarity studies, Henriette Pleiger identifies different ways of producing knowledge during the exhibition-making process, as well as the mechanisms that are necessary for an exhibition to be considered interdisciplinary. The development of such exhibitions can be understood as collaborative research processes.…

Condition: New. How can exhibitions not only stage existing knowledge, but also raise questions that might eventually lead to new research? This question has become ever more relevant due to the museum sector s growing interest in the development of thematic exhibitions th.

paperback. Condition: New.

Paperback. Condition: Brand New. 280 pages. 8.85x5.82x8.78 inches. In Stock.

Taschenbuch. Condition: Neu. Interdisciplinary Exhibitions and the Production of Knowledge | Perspectives from Curatorial Practice | Henriette Pleiger | Taschenbuch | Edition Museum | 244 S. | Englisch | 2024 | Transcript Verlag | EAN 9783837674200 | Verantwortliche Person für die EU: transcript Verlag, Gero Wierichs, Hermannstr. 26, 33602 Bielefeld, live[at]transcript-verlag[dot]de | Anbieter: preigu.…

Taschenbuch. Condition: Neu. Neuware -How can exhibitions not only stage existing knowledge, but also raise questions that lead to new research This question has become ever more relevant due to the museum sector's growing interest in the development of thematic exhibitions that combine narratives and objects from art, science, cultural history, and everyday life. Using theories from interdisciplinarity studies, Henriette Pleiger identifies different ways of producing knowledge during the exhibition-making process, as well as the mechanisms that are necessary for an exhibition to be considered interdisciplinary. The development of such exhibitions can be understood as collaborative research processes.transcript Verlag, Hermannstraße 26, 33602 Bielefeld 280 pp. Englisch.…

Pappe. Condition: Gut. 224 S.: Ill., graph. Darst.; 25 cm Zustand: sehr gut --- Inhalt: illustriert. Beiträge Teil 1 Die Erforschung der Kaisergräber des chinesischen Altertums; Teil 2 Der Schatz des Famen-Tempels - Politik und Religionin der Zeit der Seidenstraße (Tang-Dynastie 618 - 907) GRÜ1-7 ISBN: 9783805336048 Sprache: Deutsch Gewicht in Gramm: 900.…

Paperback. Condition: New. New Book, Direct from Publisher.

Paperback. Condition: new. Paperback. How can exhibitions not only stage existing knowledge, but also raise questions that lead to new research? This question has become ever more relevant due to the museum sector's growing interest in the development of thematic exhibitions that combine narratives and objects from art, science, cultural history, and everyday life. Using theories from interdisciplinarity studies, Henriette Pleiger identifies different ways of producing knowledge during the exhibition-making process, as well as the mechanisms that are necessary for an exhibition to be considered interdisciplinary. The development of such exhibitions can be understood as collaborative research processes. What does interdisciplinarity really mean in the context of exhibition-making and museum practice? Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condition: New. How can exhibitions not only stage existing knowledge, but also raise questions that lead to new research? This question has become ever more relevant due to the museum sector's growing interest in the development of thematic exhibitions that combine narratives and objects from art, science, cultural history, and everyday life. Using theories from interdisciplinarity studies, Henriette Pleiger identifies different ways of producing knowledge during the exhibition-making process, as well as the mechanisms that are necessary for an exhibition to be considered interdisciplinary. The development of such exhibitions can be understood as collaborative research processes.…

Verlag Philipp von Zabern 2006, 224 Seiten : Illustr., graph. Darst. ; 25 cm, gebunden, illustriertes Hardcover ; sehr guter Zustand.

Taschenbuch. Condition: Neu. Neuware -How can exhibitions not only stage existing knowledge, but also raise questions that lead to new research This question has become ever more relevant due to the museum sector's growing interest in the development of thematic exhibitions that combine narratives and objects from art, science, cultural history, and everyday life. Using theories from interdisciplinarity studies, Henriette Pleiger identifies different ways of producing knowledge during the exhibition-making process, as well as the mechanisms that are necessary for an exhibition to be considered interdisciplinary. The development of such exhibitions can be understood as collaborative research processes. 280 pp. Englisch.…