Plattner Steven W (41 results)

Hardcover. Condition: Very Good. 1. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Used: Very Good. [FIRST EDITION] Pittsburgh, PA: University of Pittsburgh Press, 1999. Large square format hardcover in pictorial dust jacket. ISNB: 0822941112. 186 pages illustrated throughout with b&w plates. A collection of photographs and essays documenting the social upheaval and expansion that occurred in cities across the nation in the 1950s following years of depression and war. Light shelf-wear, else very good overall condition; no owner marking, NOT EX-LIBRARY. (PC).

Hardcover. Condition: Fine. Dust Jacket Condition: fine. First edition. Oversized, heavy hardcover. First edition, first printing. Fine in fine dust jacket. 185 pp. Illustrated with black and white photographs from the collection throughout. In 1949, photographer Roy Stryker was commissioned to document the rebirth nof the city of Pittsburgh through the medium of photography. The result was a collection of unforgettable black and white images capturing the city in a state of flux.

LG Hardcover, illus. Condition: New. Dust Jacket Condition: Fine. First Edition; First Printing. Book New. NOmarkings of ANY KIND. DJ with light wear at back and front flap sides, not affecting strength of DJ, not clipped. ; Very nice copy. (I wish my city Chicago had done this in the early '50's. ) ; Regional; 11 X 0.8 X 10.5 inches; 186 pages.

Trade Paperback. Condition: Near Fine. Dust Jacket Condition: No Dust Jacket. First Edition. A Near Fine copy of this 16-page large-format oblong paperback exhibition catalogue. Book.

Hardcover. Condition: new. New Copy. Customer Service Guaranteed.

Condition: New.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Hardcover without dustjacket, 144 pages, very good condition, except some shelfwear and smudges to cover boards; no internal marks.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: new. Hardcover. Initially commissioned to record the progress of Pittsburghs Renaissance I, these unforgettable black-and-white photographs of Roy Stryker's Pittsburgh Photographic Library (PPL) capture the city in a state of flux. They reveal a union of oppositesthe suited wonderment of the downtown businessman with the easy grace and competence of a shirtless construction worker balanced high over his head; the anonymity and isolation of planned housing with the belief in expansion and renewal; the energy and excitement of a city on the move with the traditions of the established elite; the juxtaposition between the growing optimism about the ability of technology to improve our lives; and the traditional steel and other heavy smokestack industries that still dominated the region. The Renaissance was seen as a way for Pittsburgh to keep abreast of modern urban life and to preserve its economic position, but the rapid development of a white suburban middle class was sapping the very essence of the personalized downtown neighborhoods. These photographers have captured the convergence of destruction and rejuvenation that is the essence of an urban renaissanceall the anxiety and hope of the decade is reflected in these poignant photographs.Constance Schulz's fascinating essay on the story of the PPL, in order to present a full picture of the political and civic goals, achievements, and failings of the project, provides a thorough discussion of the background of the Pittsburgh Photographic Library, putting into perspective the Allegheny Conference's purpose for initiating the PPL, Roy Stryker's own vision and work, as well as those of the photographers who worked for Stryker on the project, and the politics that undermined the full implementation of it. Clark M. Thomas's accompanying narrative offers an eclectic range of facts and fascinating bits of the city's history and neighborhood lore, as well as noting important political and economic episodes. It also provides a glimpse into the often underrepresented lives of minorities and women in the region's development. Anyone moved by the incredible social upheaval and expansion that occurred in cities across the nation in the 1950s following years of depression and war will want to have this collection. Initially commissioned to record the progress of Pittsburgh's Renaissance I, these black-and-white photographs of Roy Stryker's Pittsburgh Photographic Library (PPL) capture the city in a state of flux. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condition: New. Initially commissioned to record the progress of Pittsburgh's Renaissance I, these unforgettable black-and-white photographs of Roy Stryker's Pittsburgh Photographic Library (PPL) capture the city in a state of flux. They reveal a union of opposites-the suited wonderment of the downtown businessman with the easy grace and competence of a shirtless construction worker balanced high over his head; the anonymity and isolation of planned housing with the belief in expansion and renewal; the energy and excitement of a city on the move with the traditions of the established elite; the juxtaposition between the growing optimism about the ability of technology to improve our lives; and the traditional steel and other heavy smokestack industries that still dominated the region. The Renaissance was seen as a way for Pittsburgh to keep abreast of modern urban life and to preserve its economic position, but the rapid development of a white suburban middle class was sapping the very essence of the personalized downtown neighborhoods. These photographers have captured the convergence of destruction and rejuvenation that is the essence of an urban renaissance-all the anxiety and hope of the decade is reflected in these poignant photographs.Constance Schulz's fascinating essay on the story of the PPL, in order to present a full picture of the political and civic goals, achievements, and failings of the project, provides a thorough discussion of the background of the Pittsburgh Photographic Library, putting into perspective the Allegheny Conference's purpose for initiating the PPL, Roy Stryker's own vision and work, as well as those of the photographers who worked for Stryker on the project, and the politics that undermined the full implementation of it. Clark M. Thomas's accompanying narrative offers an eclectic range of facts and fascinating bits of the city's history and neighborhood lore, as well as noting important political and economic episodes. It also provides a glimpse into the often underrepresented lives of minorities and women in the region's development. Anyone moved by the incredible social upheaval and expansion that occurred in cities across the nation in the 1950s following years of depression and war will want to have this collection.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1700grams, ISBN:9780822941118.

Paperback. Condition: Brand New. 1st edition. 192 pages. 11.00x10.50x0.75 inches. In Stock.

hardcover. Condition: New. Special order direct from the distributor.

Hardcover. Condition: Very Good. Dust Jacket Condition: No Jacket Issued. The Standard Oil (New Jersey) Photography Project, featuring photographs by a number of noted photographers. White boards & backstrip lightly rubbed & toned. Internally very good. Size: 4to - over 9¾. Book.

Condition: BUONO USATO. IED. INGLESE Volume rilegato in cartonato rigido plastificato, copertina ben tenuta, lesionata lato dorso e leggermente annerita da polvere, illustrata in quarta da fotografia in bianco e nero. Buono lo stato di conservazione generale, fogli e tagli perfettamente tenuti, velati da tonalità avorio. Ricco percorso iconografico di CXXXII fotografie in bianco e nero, nel testo, di Bubley, Vachon, Libsohn, Corsini, Webb, Brooks, Lee, McMillan Roberts, Rotkin, Parks, Rosskam. Numero pagine 144.

White Boards (Hardcover). Condition: Very Good. No Jacket. First Edition. Near Fine. No Jacket as Issued 4to-over 9¾"-12" Tall. The Standard Oil (New Jersey) Photography Project, featuring photographs by a number of noted photographers. One tiny mark on top of front cover (barely noticeable). Interior pristine. 144pp. Guaranteed satisfaction; booksellers since 1982.

Pappband. First edition. Quart. 144 S. Pappband. Sprache: Englisch, Mit zahlr. schw.-w. Abb. Einband etwas berieben, kleiner Sammlerstempel auf Vorsatz, Papier minimal gebräunt, sonst gutes Exemplar.

Condition: New.

Decorated hard cover. Stated first edition. Illustrated. Important reference work. Very scarce in this condition. Fine copy. 111 pps.

Condition: As New. Unread book in perfect condition.

Condition: New. 1999. 1st Edition. hardcover. . . . . .

Hardback. Condition: New. Initially commissioned to record the progress of Pittsburgh's Renaissance I, these unforgettable black-and-white photographs of Roy Stryker's Pittsburgh Photographic Library (PPL) capture the city in a state of flux. They reveal a union of opposites-the suited wonderment of the downtown businessman with the easy grace and competence of a shirtless construction worker balanced high over his head; the anonymity and isolation of planned housing with the belief in expansion and renewal; the energy and excitement of a city on the move with the traditions of the established elite; the juxtaposition between the growing optimism about the ability of technology to improve our lives; and the traditional steel and other heavy smokestack industries that still dominated the region. The Renaissance was seen as a way for Pittsburgh to keep abreast of modern urban life and to preserve its economic position, but the rapid development of a white suburban middle class was sapping the very essence of the personalized downtown neighborhoods. These photographers have captured the convergence of destruction and rejuvenation that is the essence of an urban renaissance-all the anxiety and hope of the decade is reflected in these poignant photographs.Constance Schulz's fascinating essay on the story of the PPL, in order to present a full picture of the political and civic goals, achievements, and failings of the project, provides a thorough discussion of the background of the Pittsburgh Photographic Library, putting into perspective the Allegheny Conference's purpose for initiating the PPL, Roy Stryker's own vision and work, as well as those of the photographers who worked for Stryker on the project, and the politics that undermined the full implementation of it. Clark M. Thomas's accompanying narrative offers an eclectic range of facts and fascinating bits of the city's history and neighborhood lore, as well as noting important political and economic episodes. It also provides a glimpse into the often underrepresented lives of minorities and women in the region's development. Anyone moved by the incredible social upheaval and expansion that occurred in cities across the nation in the 1950s following years of depression and war will want to have this collection.

Condition: New. 1999. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.