Philipp Erchinger (53 results)

Paperback. Condition: new. Paperback. Reads Victorian literature and science as artful practices that surpass the theories and discourses supposed to contain themWhat is the connection between Victorian writing and experiment? Artful Experiments seeks to answer this question by approaching the field of literature and science in a way that is not so much centred on discourses of established knowledge as it is on practices of investigating what is no longer or not yet knowledge. The book assembles various modes of writing, from poetry and sensation fiction to natural history and philosophical debate, reading them as ways of knowing or structures in the making, rather than as containers of accomplished arguments or story worlds. Entwining innovative readings of the works of George Eliot, Robert Browning, Mary Elizabeth Braddon, Wilkie Collins and William Morris, alongside in-depth studies of philosophical and scientific texts by writers such as John S. Mill, William Whewell, Thomas H. Huxley, George H. Lewes, F. Max Mller and Edward B. Tylor, Artful Experiments explicates and re-conceives the relations between the arts and the sciences, experience and language as well as practice and theory. For many Victorians, the book argues, experimentation was just as integral to the making of literature as writing was integral to the making of science. Key FeaturesExemplifies and expounds an approach to Victorian writing, drawn from practice theory (Pickering, Latour, de Certeau, Schatzki) and social anthropology (Ingold), that is centred on practices rather than discoursesStudies activities of knowledge-making in literature and science in order to show why it is appropriate to speak of Victorian poetry and fiction as a mode of experimentationExplicates and re-conceives the relations between the arts and the sciences, experience and language as well as practice and theory What is the connection between Victorian writing and experiment? Artful Experiments seeks to approach the field of literature and science in a way that is not so much centred on discourses of established knowledge as it is on practices of investigating what is no longer or not yet knowledge. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Reads Victorian literature and science as artful practices that surpass the theories and discourses supposed to contain them What is the connection between Victorian writing and experiment? Artful Experiments seeks to answer this question by approaching the field of literature and science in a way that is not so much centred on discourses of established knowledge as it is on practices of investigating what is no longer or not yet knowledge. The book assembles various modes of writing, from poetry and sensation fiction to natural history and philosophical debate, reading them as ways of knowing or structures in the making, rather than as containers of accomplished arguments or story worlds. Entwining innovative readings of the works of George Eliot, Robert Browning, Mary Elizabeth Braddon, Wilkie Collins and William Morris, alongside in-depth studies of philosophical and scientific texts by writers such as John S. Mill, William Whewell, Thomas H. Huxley, George H. Lewes, F. Max Müller and Edward B. Tylor, Artful Experiments explicates and re-conceives the relations between the arts and the sciences, experience and language as well as practice and theory. For many Victorians, the book argues, experimentation was just as integral to the making of literature as writing was integral to the making of science. Key FeaturesExemplifies and expounds an approach to Victorian writing, drawn from practice theory (Pickering, Latour, de Certeau, Schatzki) and social anthropology (Ingold), that is centred on practices rather than discoursesStudies activities of knowledge-making in literature and science in order to show why it is appropriate to speak of Victorian poetry and fiction as a mode of experimentationExplicates and re-conceives the relations between the arts and the sciences, experience and language as well as practice and theory.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

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Paperback. Condition: New. Reads Victorian literature and science as artful practices that surpass the theories and discourses supposed to contain them What is the connection between Victorian writing and experiment? Artful Experiments seeks to answer this question by approaching the field of literature and science in a way that is not so much centred on discourses of established knowledge as it is on practices of investigating what is no longer or not yet knowledge. The book assembles various modes of writing, from poetry and sensation fiction to natural history and philosophical debate, reading them as ways of knowing or structures in the making, rather than as containers of accomplished arguments or story worlds. Entwining innovative readings of the works of George Eliot, Robert Browning, Mary Elizabeth Braddon, Wilkie Collins and William Morris, alongside in-depth studies of philosophical and scientific texts by writers such as John S. Mill, William Whewell, Thomas H. Huxley, George H. Lewes, F. Max Müller and Edward B. Tylor, Artful Experiments explicates and re-conceives the relations between the arts and the sciences, experience and language as well as practice and theory. For many Victorians, the book argues, experimentation was just as integral to the making of literature as writing was integral to the making of science. Key FeaturesExemplifies and expounds an approach to Victorian writing, drawn from practice theory (Pickering, Latour, de Certeau, Schatzki) and social anthropology (Ingold), that is centred on practices rather than discoursesStudies activities of knowledge-making in literature and science in order to show why it is appropriate to speak of Victorian poetry and fiction as a mode of experimentationExplicates and re-conceives the relations between the arts and the sciences, experience and language as well as practice and theory.

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Paperback. Condition: Brand New. 320 pages. 9.21x6.14x0.91 inches. In Stock.

Paperback. Condition: new. Paperback. Reads Victorian literature and science as artful practices that surpass the theories and discourses supposed to contain themWhat is the connection between Victorian writing and experiment? Artful Experiments seeks to answer this question by approaching the field of literature and science in a way that is not so much centred on discourses of established knowledge as it is on practices of investigating what is no longer or not yet knowledge. The book assembles various modes of writing, from poetry and sensation fiction to natural history and philosophical debate, reading them as ways of knowing or structures in the making, rather than as containers of accomplished arguments or story worlds. Entwining innovative readings of the works of George Eliot, Robert Browning, Mary Elizabeth Braddon, Wilkie Collins and William Morris, alongside in-depth studies of philosophical and scientific texts by writers such as John S. Mill, William Whewell, Thomas H. Huxley, George H. Lewes, F. Max Mller and Edward B. Tylor, Artful Experiments explicates and re-conceives the relations between the arts and the sciences, experience and language as well as practice and theory. For many Victorians, the book argues, experimentation was just as integral to the making of literature as writing was integral to the making of science. Key FeaturesExemplifies and expounds an approach to Victorian writing, drawn from practice theory (Pickering, Latour, de Certeau, Schatzki) and social anthropology (Ingold), that is centred on practices rather than discoursesStudies activities of knowledge-making in literature and science in order to show why it is appropriate to speak of Victorian poetry and fiction as a mode of experimentationExplicates and re-conceives the relations between the arts and the sciences, experience and language as well as practice and theory What is the connection between Victorian writing and experiment? Artful Experiments seeks to approach the field of literature and science in a way that is not so much centred on discourses of established knowledge as it is on practices of investigating what is no longer or not yet knowledge. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condition: New. What is the connection between Victorian writing and experiment? Artful Experiments seeks to approach the field of literature and science in a way that is not so much centred on discourses of established knowledge as it is on practices of investigating what.

Paperback. Condition: New. Reads Victorian literature and science as artful practices that surpass the theories and discourses supposed to contain them What is the connection between Victorian writing and experiment? Artful Experiments seeks to answer this question by approaching the field of literature and science in a way that is not so much centred on discourses of established knowledge as it is on practices of investigating what is no longer or not yet knowledge. The book assembles various modes of writing, from poetry and sensation fiction to natural history and philosophical debate, reading them as ways of knowing or structures in the making, rather than as containers of accomplished arguments or story worlds. Entwining innovative readings of the works of George Eliot, Robert Browning, Mary Elizabeth Braddon, Wilkie Collins and William Morris, alongside in-depth studies of philosophical and scientific texts by writers such as John S. Mill, William Whewell, Thomas H. Huxley, George H. Lewes, F. Max Müller and Edward B. Tylor, Artful Experiments explicates and re-conceives the relations between the arts and the sciences, experience and language as well as practice and theory. For many Victorians, the book argues, experimentation was just as integral to the making of literature as writing was integral to the making of science. Key FeaturesExemplifies and expounds an approach to Victorian writing, drawn from practice theory (Pickering, Latour, de Certeau, Schatzki) and social anthropology (Ingold), that is centred on practices rather than discoursesStudies activities of knowledge-making in literature and science in order to show why it is appropriate to speak of Victorian poetry and fiction as a mode of experimentationExplicates and re-conceives the relations between the arts and the sciences, experience and language as well as practice and theory.

Paperback. Condition: New. Reads Victorian literature and science as artful practices that surpass the theories and discourses supposed to contain them What is the connection between Victorian writing and experiment? Artful Experiments seeks to answer this question by approaching the field of literature and science in a way that is not so much centred on discourses of established knowledge as it is on practices of investigating what is no longer or not yet knowledge. The book assembles various modes of writing, from poetry and sensation fiction to natural history and philosophical debate, reading them as ways of knowing or structures in the making, rather than as containers of accomplished arguments or story worlds. Entwining innovative readings of the works of George Eliot, Robert Browning, Mary Elizabeth Braddon, Wilkie Collins and William Morris, alongside in-depth studies of philosophical and scientific texts by writers such as John S. Mill, William Whewell, Thomas H. Huxley, George H. Lewes, F. Max Müller and Edward B. Tylor, Artful Experiments explicates and re-conceives the relations between the arts and the sciences, experience and language as well as practice and theory. For many Victorians, the book argues, experimentation was just as integral to the making of literature as writing was integral to the making of science. Key FeaturesExemplifies and expounds an approach to Victorian writing, drawn from practice theory (Pickering, Latour, de Certeau, Schatzki) and social anthropology (Ingold), that is centred on practices rather than discoursesStudies activities of knowledge-making in literature and science in order to show why it is appropriate to speak of Victorian poetry and fiction as a mode of experimentationExplicates and re-conceives the relations between the arts and the sciences, experience and language as well as practice and theory.

Condition: New.

Taschenbuch. Condition: Neu. Neuware - Reads Victorian literature and science as artful practices that surpass the theories and discourses supposed to contain them What is the connection between Victorian writing and experiment Artful Experiments seeks to answer this question by approaching the field of literature and science in a way that is not so much centred on discourses of established knowledge as it is on practices of investigating what is no longer or not yet knowledge. The book assembles various modes of writing, from poetry and sensation fiction to natural history and philosophical debate, reading them as ways of knowing or structures in the making, rather than as containers of accomplished arguments or story worlds. Entwining innovative readings of the works of George Eliot, Robert Browning, Mary Elizabeth Braddon, Wilkie Collins and William Morris, alongside in-depth studies of philosophical and scientific texts by writers such as John S. Mill, William Whewell, Thomas H. Huxley, George H. Lewes, F. Max Müller and Edward B. Tylor, Artful Experiments explicates and re-conceives the relations between the arts and the sciences, experience and language as well as practice and theory. For many Victorians, the book argues, experimentation was just as integral to the making of literature as writing was integral to the making of science. Key Features- Exemplifies and expounds an approach to Victorian writing, drawn from practice theory (Pickering, Latour, de Certeau, Schatzki) and social anthropology (Ingold), that is centred on practices rather than discourses- Studies activities of knowledge-making in literature and science in order to show why it is appropriate to speak of Victorian poetry and fiction as a mode of experimentation- Explicates and re-conceives the relations between the arts and the sciences, experience and language as well as practice and theory.

Broschiert. Condition: Sehr gut. Bd. 9. 332 S. Gebraucht, aber gut erhalten. - Anhand detaillierter, historisch informierter Lektüren von Nashes Unfortunate Traveller (1594), Sternes Tristram Shandy (1760-67), Byrons Don Juan (1819-24) sowie Joyces Ulysses (1922) und Becketts Ping (1966) wird gezeigt, wie das Problem der Kontingenz in überraschender Vielfältigkeit immer wieder als etwas anderes zur Anschauung kommt und doch nie vollständig davon repräsentiert wird. Die Texte stellen dar, was sie selber sind: Kontingenzformen. Mit diesem neuartigen Analyseansatz leistet der Band einen wichtigen erzähltheoretischen Beitrag zur Diskussion um den Kontingenzbegriff. Dabei wird an den Texten deutlich, wie Literatur Kultur und Kultur Literatur erzeugen kann, ohne dass sich das eine auf das andere reduzieren lässt. ISBN 9783826039812 Sprache: Deutsch Gewicht in Gramm: 550.

Condition: Wie Neu. Zustandsbeschreibung: leichte Lagerspuren. Realisierungsweisen des fiktionalen Erzählens bei Nashe, Sterne und Byron. Das Buch plädiert dafür, das fiktionale Erzählen prinzipiell nicht als eine diskursive Aktualisierung von Ordnung zu denken, sondern von Kontingenz. Das erweist sich besonders dann als produktiv, wenn die Texte die Zufälligkeit ihrer darstellenden Verfahren augenscheinlich nicht hinter einer dargestellten Abfolge verbergen, sondern sich offensiv von der Möglichkeit leiten lassen, zu jedem Zeitpunkt auch anders oder gar nicht mehr fortfahren zu können. Anhand detaillierter, historisch informierter Lektüren von Nashes "Unfortunate Traveller", Sternes "Tristram Shandy", Byrons "Don Juan" sowie Joyces "Ulysses" und Becketts "Ping" wird gezeigt, wie das Problem der Kontingenz in überraschender Vielfältigkeit immer wieder als etwas anderes zur Anschauung kommt und doch nie vollständig davon repräsentiert werden kann. Die Texte stellen dar, was sie selber sind: Kontingenzformen. Mit diesem Analyseansatz leistet der Band nicht nur einen wichtigen erzähltheoretischen Beitrag zur Diskussion um den Kontingenzbegriff, sondern führt an den Texten vor, wie Literatur Kultur und Kultur Literatur erzeugen kann, ohne dass sich das eine auf das andere reduzieren ließe. 332 Seiten, broschiert (ZAA Monograph Series; Band 9/Königshausen & Neumann 2009). Früher EUR 49,80. Gewicht: 544 g - Softcover/Taschenbuch.

Condition: new.

Condition: Sehr gut. Zustand: Sehr gut | Seiten: 320 | Sprache: Englisch | Produktart: Bücher | Reads Victorian literature and science as artful practices that surpass the theories and discourses supposed to contain themWhat is the connection between Victorian writing and experiment? Artful Experiments seeks to answer this question by approaching the field of literature and science in a way that is not so much centred on discourses of established knowledge as it is on practices of investigating what is no longer or not yet knowledge. The book assembles various modes of writing, from poetry and sensation fiction to natural history and philosophical debate, reading them as ways of knowing or structures in the making, rather than as containers of accomplished arguments or story worlds.Offering innovative interpretations of works by George Eliot, Robert Browning, Mary Elizabeth Braddon and others, alongside in-depth studies of philosophical and scientific texts by writers such as John S. Mill, Thomas H. Huxley, George H. Lewes and F. Max Müller, Artful Experiments explicates and re-conceives the relations between the arts and the sciences, experience and language as well as practice and theory. For many Victorians, the book argues, experimentation was just as integral to the making of literature as writing was integral to the making of science.Philipp Erchinger is Senior Lecturer in the English Department at the University of Düsseldorf.

Condition: New.

Condition: As New. Unread book in perfect condition.