Peter Niklas Wilson (51 results)

Condition: As New. Unread book in perfect condition.

Unknown. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: as new. Wie neu/Like new.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condition: Brand New. 176 pages. 7.99x5.51x0.67 inches. In Stock.

2001, paperback, goed exemplaar, lichte gebruikssporen aan kaft / light wear on cover , , goed exemplaar, lichte gebruikssporen aan kaft / light wear on cover , , goed exemplaar, lichte gebruikssporen aan kaft / light wear on cover.

Condition: New.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Broschiert, 191 Seiten, das Buch ist tadellos erhalten. Shipping to abroad insured with tracking number.

Condition: As New. Unread book in perfect condition.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condition: Fine. Leichte Kratzer / Abnutzungen / Druckstellen; Leichte Rillen / Abschürfungen / Risse / Knicke; Farbtonänderung.

paperback, Condition: Very Good, Berkeley Hills Books, c.1999, 1st.trade paperbk.prtg., 244pp., NF $.

Taschenbuch. Condition: Neu. Neuware -No music swung as erratically between extremes as his: folk song, march or acoustic apocalypse - anything was possible in the cosmos of Albert Ayler's soundscapes. With his furious instrumental glossolalia and his pathos-laden ballads, the musician from Cleveland, Ohio quickly became the most radical of the Sixties free jazz expressionists. In his hands the saxophone became a different instrument and even John Coltrane's late work was unmistakably shaped by the influence of his younger colleague. He had little time to proclaim his message of a new spiritual music: in 1970, at just 34 years of age, Albert Ayler died in mysterious circumstances.Peter Niklas Wilson spent six months in the USA following in Albert Ayler's footsteps. Through conversations with numerous contemporary witnesses (including Ayler's father and brother, as well as drummers Sunny Murray and Milford Graves, violinist Michael Samson, multi-instrumentalist Howard Johnson, bassists Gary Peacock and Steve Tintweiss) and analysis of both Ayler's published and unpublished recordings, he reconstructs the biography and erratic musical path of this prophet of the 'new thing'. 176 pp. Englisch.

Taschenbuch. Condition: Neu. Neuware -No music swung as erratically between extremes as his: folk song, march or acoustic apocalypse - anything was possible in the cosmos of Albert Ayler's soundscapes. With his furious instrumental glossolalia and his pathos-laden ballads, the musician from Cleveland, Ohio quickly became the most radical of the Sixties free jazz expressionists. In his hands the saxophone became a different instrument and even John Coltrane's late work was unmistakably shaped by the influence of his younger colleague. He had little time to proclaim his message of a new spiritual music: in 1970, at just 34 years of age, Albert Ayler died in mysterious circumstances.Peter Niklas Wilson spent six months in the USA following in Albert Ayler's footsteps. Through conversations with numerous contemporary witnesses (including Ayler's father and brother, as well as drummers Sunny Murray and Milford Graves, violinist Michael Samson, multi-instrumentalist Howard Johnson, bassists Gary Peacock and Steve Tintweiss) and analysis of both Ayler's published and unpublished recordings, he reconstructs the biography and erratic musical path of this prophet of the 'new thing'. 176 pp. Englisch.

Taschenbuch. Condition: Neu. Neuware -No music swung as erratically between extremes as his: folk song, march or acoustic apocalypse - anything was possible in the cosmos of Albert Ayler's soundscapes. With his furious instrumental glossolalia and his pathos-laden ballads, the musician from Cleveland, Ohio quickly became the most radical of the Sixties free jazz expressionists. In his hands the saxophone became a different instrument and even John Coltrane's late work was unmistakably shaped by the influence of his younger colleague. He had little time to proclaim his message of a new spiritual music: in 1970, at just 34 years of age, Albert Ayler died in mysterious circumstances.Peter Niklas Wilson spent six months in the USA following in Albert Ayler's footsteps. Through conversations with numerous contemporary witnesses (including Ayler's father and brother, as well as drummers Sunny Murray and Milford Graves, violinist Michael Samson, multi-instrumentalist Howard Johnson, bassists Gary Peacock and Steve Tintweiss) and analysis of both Ayler's published and unpublished recordings, he reconstructs the biography and erratic musical path of this prophet of the 'new thing'.

Condition: New.

Hardcover. Condition: Fine. Leichte Rillen / Abschürfungen / Risse / Knicke. German.

Hardcover. Condition: As New. ,Am liebsten wurde man naturlich jetzt beschwingt vom Buch erzahlen, vom Abwegigen zum Kern springen und zuruck, Theorien paraphrasieren, Einfalle darunterruhren, glanzen und stolpern, sich wiederholen und einen Gedanken verlieren. Einfach so, improvisieren. Doch schon das Tippen bremst den Schwung. Dazu kommt: Das Buch von Peter Niklas Wilson ist zu dicht, zu konzentriert, in seinen musikalischen Aspekten zu weit gestreut, um es adaquat aus dem Augenblick heraus zu rezensieren. Oder, mit anderen Worten: ,Hear and Now - Gedanken zur improvisierten Musik' zahlt schon jetzt zu den Standardwerken zum Thema. In deutscher Sprache ohnehin konkurrenzlos, sieht man von der lange vergriffenen deutschen Ausgabe des Buches des englischen Gitarristen Derek Bailey ab, ,Improvisation - Kunst ohne Werk' .".(Konrad Heidkamp).

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

kart. Condition: Sehr gut. 191 S. : Ill., Noten ; 21 cm Exemplar mit Gebrauchsspuren (das kann heißen: das Buch KANN normale Leseverformung wie Knicke am Buchrücken, oder leichte Nachdunklung o. ä. haben oder auch, obwohl unbeschädigt, als Mängelexemplar gekennzeichnet sein, ferner können auch Notizen oder Unterstreichungen im Text vorhanden sein. Alles dies zählt zur Kategorie des GUT ERHALTENEN). In jedem Falle aber dem Preis und der Zustandsnote entsprechend GUT ERHALTEN. und ACHTUNG: Die Covers können vom abgebildeten Cover und die Auflagen können von den genannten abweichen AUSSER bei meinen eigenen Bildern (die mit den aufrechtstehenden Büchern vor schwarzem Hintergrund, wie auf einer Bühne) MEINE EIGENEN BILDER SIND MASSGEBEND FÜR AUFLAGE, AUSGABE UND COVER s-151b-0824 KEIN VERSANDKOSTENRABATT !!! Sprache: Deutsch Gewicht in Gramm: 450.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

gebundene Ausgabe. Condition: Gut. 139 S. : Ill., Noten ; + 1 CD Das Buch ist in einem neuwertigen Zustand. Sprache: Deutsch Gewicht in Gramm: 410.

Condition: New. No music swung as erratically between extremes as his: folk song, march or acoustic apocalypse - anything was possible in the cosmos of Albert Ayler s soundscapes. With his furious instrumental glossolalia and his pathos-laden ballads, the musician from Cle.

Taschenbuch. Condition: Neu. Neuware -No music swung as erratically between extremes as his: folk song, march or acoustic apocalypse - anything was possible in the cosmos of Albert Ayler's soundscapes. With his furious instrumental glossolalia and his pathos-laden ballads, the musician from Cleveland, Ohio quickly became the most radical of the Sixties free jazz expressionists. In his hands the saxophone became a different instrument and even John Coltrane's late work was unmistakably shaped by the influence of his younger colleague. He had little time to proclaim his message of a new spiritual music: in 1970, at just 34 years of age, Albert Ayler died in mysterious circumstances.Peter Niklas Wilson spent six months in the USA following in Albert Ayler's footsteps. Through conversations with numerous contemporary witnesses (including Ayler's father and brother, as well as drummers Sunny Murray and Milford Graves, violinist Michael Samson, multi-instrumentalist Howard Johnson, bassists Gary Peacock and Steve Tintweiss) and analysis of both Ayler's published and unpublished recordings, he reconstructs the biography and erratic musical path of this prophet of the 'new thing'.Wolke Verlagsges. Mbh, Wickerer Weg 19, 65719 Hofheim 176 pp. Englisch.

Taschenbuch. Condition: Neu. Neuware - No music swung as erratically between extremes as his: folk song, march or acoustic apocalypse - anything was possible in the cosmos of Albert Ayler's soundscapes. With his furious instrumental glossolalia and his pathos-laden ballads, the musician from Cleveland, Ohio quickly became the most radical of the Sixties free jazz expressionists. In his hands the saxophone became a different instrument and even John Coltrane's late work was unmistakably shaped by the influence of his younger colleague. He had little time to proclaim his message of a new spiritual music: in 1970, at just 34 years of age, Albert Ayler died in mysterious circumstances.Peter Niklas Wilson spent six months in the USA following in Albert Ayler's footsteps. Through conversations with numerous contemporary witnesses (including Ayler's father and brother, as well as drummers Sunny Murray and Milford Graves, violinist Michael Samson, multi-instrumentalist Howard Johnson, bassists Gary Peacock and Steve Tintweiss) and analysis of both Ayler's published and unpublished recordings, he reconstructs the biography and erratic musical path of this prophet of the 'new thing'.

sonst. Bücher. Condition: Neu. Neuware - Stringpops Suite. Stringsets (sc & pts).