Paula Dredge (22 results)

Condition: New. 2019. paperback. . . . . . Books ship from the US and Ireland.

Condition: New. 2019. paperback. . . . . .

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condition: new. Paperback. The newest addition to the Artists Materials series offers the first technical studyof one of Australias greatest modern painters. Sidney Nolan (19171992) is renowned for an oeuvre ranging from views of Melbournes seaside suburb St. Kilda to an iconic series on outlaw hero Ned Kelly. Working in factories from age fourteen, Nolan began his training spray painting signs on glass, which was followed by a job cutting and painting displays for Fayrefield Hats. Such employment offered him firsthand experience with commercial synthetic paints developed during the 1920s and 1930s. In 1939, having given up his job at Fayrefield in pursuit of an artistic career, Nolan became obsessed with European abstract paintings he saw reproduced in books and magazines. With little regard for the longevity of his work, he began to exploit materials such as boot polish, dyes, secondhand canvas, tissue paper, and old photographs, in addition to commercial and household paints. He continued to embrace new materials after moving to London in 1953. Oil-based Ripolin enamel is known to have been Nolans preferred paint, but this fascinating studycertain to appeal to conservators, conservation scientists, art historians, and general readers with an interest in modern artreveals his equally innovative use of nitrocellulose, alkyds, and other diverse materials. The newest addition to the Artist's Materials series offers the first technical study of one of Australia's greatest modern painters. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Paperback. Condition: New. Sidney Nolan (1917-1992) is renowned for an oeuvre ranging from views of Melbourne's seaside suburb St. Kilda to an iconic series on outlaw hero Ned Kelly. Working in factories from age fourteen, Nolan began his training spray painting signs on glass, which was followed by a job cutting and painting displays for Fayrefield Hats. Such employment offered him firsthand experience with commercial synthetic paints developed during the 1920s and 1930s.In 1939, having given up his job at Fayrefield in pursuit of an artistic career, Nolan became obsessed with European abstractpaintings he saw reproduced in books and magazines. With little regard for the longevity of his work, he began to exploit materials such as boot polish, dyes, secondhand canvas, tissue paper, and old photographs, in addition to commercial and household paints. He continued to embrace new materials after moving to London in 1953. Oil-based Ripolin enamel is known to have been Nolan's preferred paint, but this fascinating study-certain to appeal to conservators, conservation scientists, art historians, and general readers with an interest in modern art-reveals his equally innovative use of nitrocellulose, alkyds, and other diverse materials.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condition: Very Good. Sidney Nolan: The Artist's Materials by Paula Dredge is a standout resource. It combines scientific analysis with biographical insight, examining the contents of his studios in Wahroonga and Wales to uncover how his material choices shaped the longevity and appearance of his work. Soft Cover publication in very good clean condition.

Condition: new.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. reprint edition. 136 pages. 10.00x7.75x0.50 inches. In Stock.

Condition: New. pp. 144.

Paperback. Condition: Fine. Octavo, 56 pages, colour illustrated. Unused, a Fine copy.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Near fine in wraps. First Edition. 19 x 26cm 136pp near fine paperback divided into seven different chapters including: 'St. Kilda Reflections 1936-1941' and 'Wartime Wimmera 1942-1944' together with colour reproductions of Sir Sidney Robert Nolan's paintings. Nolan was one of the leading Australian artists of the 20th century. Working in a wide variety of media, his oeuvre is among the most diverse and prolific in all of modern art. He is best known for his series of paintings on legends from Australian history, most famously that of Ned Kelly, the bushranger and outlaw. Nolan's stylised depiction of Kelly's armour has become an icon of Australian art.

Paperback. Condition: new. Paperback. The newest addition to the Artists Materials series offers the first technical studyof one of Australias greatest modern painters. Sidney Nolan (19171992) is renowned for an oeuvre ranging from views of Melbournes seaside suburb St. Kilda to an iconic series on outlaw hero Ned Kelly. Working in factories from age fourteen, Nolan began his training spray painting signs on glass, which was followed by a job cutting and painting displays for Fayrefield Hats. Such employment offered him firsthand experience with commercial synthetic paints developed during the 1920s and 1930s. In 1939, having given up his job at Fayrefield in pursuit of an artistic career, Nolan became obsessed with European abstract paintings he saw reproduced in books and magazines. With little regard for the longevity of his work, he began to exploit materials such as boot polish, dyes, secondhand canvas, tissue paper, and old photographs, in addition to commercial and household paints. He continued to embrace new materials after moving to London in 1953. Oil-based Ripolin enamel is known to have been Nolans preferred paint, but this fascinating studycertain to appeal to conservators, conservation scientists, art historians, and general readers with an interest in modern artreveals his equally innovative use of nitrocellulose, alkyds, and other diverse materials. The newest addition to the Artist's Materials series offers the first technical study of one of Australia's greatest modern painters. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condition: new. Paperback. The newest addition to the Artists Materials series offers the first technical studyof one of Australias greatest modern painters. Sidney Nolan (19171992) is renowned for an oeuvre ranging from views of Melbournes seaside suburb St. Kilda to an iconic series on outlaw hero Ned Kelly. Working in factories from age fourteen, Nolan began his training spray painting signs on glass, which was followed by a job cutting and painting displays for Fayrefield Hats. Such employment offered him firsthand experience with commercial synthetic paints developed during the 1920s and 1930s. In 1939, having given up his job at Fayrefield in pursuit of an artistic career, Nolan became obsessed with European abstract paintings he saw reproduced in books and magazines. With little regard for the longevity of his work, he began to exploit materials such as boot polish, dyes, secondhand canvas, tissue paper, and old photographs, in addition to commercial and household paints. He continued to embrace new materials after moving to London in 1953. Oil-based Ripolin enamel is known to have been Nolans preferred paint, but this fascinating studycertain to appeal to conservators, conservation scientists, art historians, and general readers with an interest in modern artreveals his equally innovative use of nitrocellulose, alkyds, and other diverse materials. The newest addition to the Artist's Materials series offers the first technical study of one of Australia's greatest modern painters. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Card 8pp colour illus + sep 2pp.fine.

Paperback. Condition: New. Sidney Nolan (1917-1992) is renowned for an oeuvre ranging from views of Melbourne's seaside suburb St. Kilda to an iconic series on outlaw hero Ned Kelly. Working in factories from age fourteen, Nolan began his training spray painting signs on glass, which was followed by a job cutting and painting displays for Fayrefield Hats. Such employment offered him firsthand experience with commercial synthetic paints developed during the 1920s and 1930s.In 1939, having given up his job at Fayrefield in pursuit of an artistic career, Nolan became obsessed with European abstractpaintings he saw reproduced in books and magazines. With little regard for the longevity of his work, he began to exploit materials such as boot polish, dyes, secondhand canvas, tissue paper, and old photographs, in addition to commercial and household paints. He continued to embrace new materials after moving to London in 1953. Oil-based Ripolin enamel is known to have been Nolan's preferred paint, but this fascinating study-certain to appeal to conservators, conservation scientists, art historians, and general readers with an interest in modern art-reveals his equally innovative use of nitrocellulose, alkyds, and other diverse materials.

Los Angeles : The Getty Conservation Institute, 2020. Octavo, illustrated wrappers, pp. viii; 136, illustrated with73 colour and 23 black and white illustrations, 3 charts. New copy. Sidney Nolan (1917?1992) is renowned for an oeuvre ranging from views of Melbourne?s seaside suburb St. Kilda to an iconic series on outlaw hero Ned Kelly. Working in factories from age fourteen, Nolan began his training spray painting signs on glass, which was followed by a job cutting and painting displays for Fayrefield Hats. Such employment offered him firsthand experience with commercial synthetic paints developed during the 1920s and 1930s. In 1939, having given up his job at Fayrefield in pursuit of an artistic career, Nolan became obsessed with European abstract paintings he saw reproduced in books and magazines. With little regard for the longevity of his work, he began to exploit materials such as boot polish, dyes, secondhand canvas, tissue paper, and old photographs, in addition to commercial and household paints. He continued to embrace new materials after moving to London in 1953. Oil-based Ripolin enamel is known to have been Nolan?s preferred paint, but this fascinating study certain to appeal to conservators, conservation scientists, art historians, and general readers with an interest in modern art?reveals his equally innovative use of nitrocellulose, alkyds, and other diverse materials. Paula Dredge is head of paintings conservation at the Art Gallery of New South Wales in Sydney, Australia.