Osadtschy (38 results)

Paperback. Condition: Fine.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. Some 40 carefully chosen juxtapositions of masterpieces by both artists trace a dialogue that ranks among the most fascinating in art history. This publication brings Pablo Picasso's (1881-1973) encounter with the Cretan-born old master Doménikos Theotokópoulos, better known as El Greco (1541-1614), vividly to life. El Greco's unmistakable painting style won him considerable fame in his day. Soon after his death, however, his work was largely forgotten. It was only around 1900 that an El Greco revival was launched, with Picasso serving on the front lines. His engagement with the Greek-Spanish master not only went far deeper than has previously been assumed but also lasted much longer. From his first encounter with El Greco's works shortly before 1900 until the end of his life, Picasso not only referenced but engaged in a fascinating artistic dialogue with the old master.

Condition: New.

Hardcover. Condition: new. Hardcover. This catalogue dedicated to the pioneer of Minimal Art accompanies the exhibition at the Kunstmuseum Basel.Dan Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called 'situations', he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works; the space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting.Dan Flavin: Dedications in Lights is a lavishly illustrated catalogue, in which longer research essays are complemented by more focused introductions to selected core loans and topics. It places emphasis on looking at Flavin's oeuvre in a less familiar setting; his pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists - as in the work 'untitled'. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: As New. Unread book in perfect condition.

Condition: New.

Buch. Condition: Neu. Neuware -an Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called 'situations', he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting. The catalogue places emphasis on looking at Flavin's oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists - as in the work untitled.Text: Text: Aden Kumler, Simon Baier, Elena Degen, Jules Pelta Feldman, Josef Helfenstein, Aden Kumler, Daniel Kurjakovic, Arthur Fink, Olga Osadtschy, Mechtild Widrich. 245 pp. Englisch.

Buch. Condition: Neu. Neuware -an Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called 'situations', he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting. The catalogue places emphasis on looking at Flavin's oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists - as in the work untitled.Text: Text: Aden Kumler, Simon Baier, Elena Degen, Jules Pelta Feldman, Josef Helfenstein, Aden Kumler, Daniel Kurjakovic, Arthur Fink, Olga Osadtschy, Mechtild Widrich. 245 pp. Englisch.

Condition: New.

Buch. Condition: Neu. Neuware -an Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called 'situations', he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting. The catalogue places emphasis on looking at Flavin's oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists - as in the work untitled.Text: Text: Aden Kumler, Simon Baier, Elena Degen, Jules Pelta Feldman, Josef Helfenstein, Aden Kumler, Daniel Kurjakovic, Arthur Fink, Olga Osadtschy, Mechtild Widrich.

Koln, Walther Konig. DAN FLAVIN: Dedications in Lights. 256 pages, including 150 color plates. 4to, cloth. Koln, Walther Konig, 2024. This catalog looks at Flavin's oeuvre in a less familiar setting: the indoor and outdoor spaces of the Kunstmuseum Basel.

Hardcover. Condition: Brand New. 256 pages. 11.25x8.75x11.46 inches. In Stock.

Hardcover. Condition: new. Hardcover. This catalogue dedicated to the pioneer of Minimal Art accompanies the exhibition at the Kunstmuseum Basel.Dan Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called 'situations', he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works; the space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting.Dan Flavin: Dedications in Lights is a lavishly illustrated catalogue, in which longer research essays are complemented by more focused introductions to selected core loans and topics. It places emphasis on looking at Flavin's oeuvre in a less familiar setting; his pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists - as in the work 'untitled'. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover without dustjacket as issued, 360 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: New. Klappentextan Flavin began work with fluorescent light tubes from the early 1960s on arranged in so-called situations , he would then further develop them into series and large-scale installations. The colours and dimensions of the mat.

Hardcover. Condition: new. Hardcover. This catalogue dedicated to the pioneer of Minimal Art accompanies the exhibition at the Kunstmuseum Basel.Dan Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called 'situations', he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works; the space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting.Dan Flavin: Dedications in Lights is a lavishly illustrated catalogue, in which longer research essays are complemented by more focused introductions to selected core loans and topics. It places emphasis on looking at Flavin's oeuvre in a less familiar setting; his pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists - as in the work 'untitled'. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Buch. Condition: Neu. Neuware -an Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called 'situations', he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting. The catalogue places emphasis on looking at Flavin's oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists - as in the work untitled.Text: Text: Aden Kumler, Simon Baier, Elena Degen, Jules Pelta Feldman, Josef Helfenstein, Aden Kumler, Daniel Kurjakovic, Arthur Fink, Olga Osadtschy, Mechtild Widrich.König, Walther, Dieselstraße 2, 50996 Köln 245 pp. Englisch.

Buch. Condition: Neu. Neuware - an Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called 'situations', he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting. The catalogue places emphasis on looking at Flavin's oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists - as in the work untitled.Text: Text: Aden Kumler, Simon Baier, Elena Degen, Jules Pelta Feldman, Josef Helfenstein, Aden Kumler, Daniel Kurjakovic, Arthur Fink, Olga Osadtschy, Mechtild Widrich.

Buch. Condition: Neu. Dan Flavin. Dedications in Lights (English) | Kunstmuseum Basel | Josef Helfenstein (u. a.) | Buch | 256 S. | Englisch | 2024 | König, Walther | EAN 9783753306094 | Verantwortliche Person für die EU: Verlag der Buchhandlung Walther König, Ehrenstr. 4, 50672 Köln, eva[dot]moeller[at]buchhandlung-walther-koenig[dot]de | Anbieter: preigu.

Hardback. Condition: New. Some 40 carefully chosen juxtapositions of masterpieces by both artists trace a dialogue that ranks among the most fascinating in art history. This publication brings Pablo Picasso's (1881-1973) encounter with the Cretan-born old master Doménikos Theotokópoulos, better known as El Greco (1541-1614), vividly to life. El Greco's unmistakable painting style won him considerable fame in his day. Soon after his death, however, his work was largely forgotten. It was only around 1900 that an El Greco revival was launched, with Picasso serving on the front lines. His engagement with the Greek-Spanish master not only went far deeper than has previously been assumed but also lasted much longer. From his first encounter with El Greco's works shortly before 1900 until the end of his life, Picasso not only referenced but engaged in a fascinating artistic dialogue with the old master.

Buch. Condition: Neu. Neuware -an Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called 'situations', he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting. The catalogue places emphasis on looking at Flavin's oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists - as in the work untitled.Text: Text: Aden Kumler, Simon Baier, Elena Degen, Jules Pelta Feldman, Josef Helfenstein, Aden Kumler, Daniel Kurjakovic, Arthur Fink, Olga Osadtschy, Mechtild Widrich. 245 pp. Englisch.

Condition: New.