Olivier Kaeppelin (213 results)

Condition: Very Good. 1990. hardcover. From the library of Michel Déon. Text in French. Clean copy in dust wrapper. DW sunned to spine and showing light shelf wear. Minor spotting and staining to endpapers, but remains a very good copy. . . . . Books ship from the US and Ireland.

Soft cover. Condition: Fine. 1st Edition. Catalog for exhibition held May 4 - June 10, 2000 at Galerie Xippas, Paris, France. French fold wraps, 48pp. Essay, color images. Text in French / English. Fine condition.

Paperback. Condition: Very Good. Stephen Dean (illustrator). Galerie Xippas [Published Date: 2000]. Soft cover, [44] pp (unnumbered). Text in French and English. Published to accompany an exhibition held at Galerie Xippas, Paris, May 4-June 10, 2000. In very good condition. Illustrated paper covers with French flaps have light bumping to edges and corners and light overall scuffing. Binding tight. Marcel Sitcoske Gallery label affixed to front free end paper. Otherwise pages are clean and unmarked. Contents include essay by Olivier Kaeppelin in both French and English (translated at back); full color illustrations of exhibited pieces, solo and group exhibitions, public collections, commissions. [Excerpt from essay "Grasping Surfaces"] It all begins with a passion for observation, a way of exiting the conversation, forgetting the headlines of the day or the intricacies of street names, understanding nothing more and leaving what the world usually writes behind. Silence is a passion, because it allows you to see - that is, to keep watch, to paradoxically penetrate or mingle with what you observe. Perception is a tool for thinking, for appropriating and transforming the material of the gaze. For those who use it, who give themselves over to it, it becomes a way of thinking that is incomparable with other modes of interpretation, for it establishes us as actors within a relation, an irremediably singular relation to the world. To place your bets on "seeing" is a way to clear the terrain, to attain solitude, in order to explore it. It all begins, for Stephen Dean, with a passion for everyday life. The life of the city, of wandering, of objects that circulate, newspapers that are opened by thousands of early-morning hands. In Brooklyn where he lives as in all the other cities that he crosses, inside New York or elsewhere -for Stephen Dean travels in order to satisfy this passion to "see," to live out this gap far from language, which sets off the experience of sight: sight that permits the dazzling encounter with beings or things, a key rack, for instance. It all begins with a passion for painting, the passion for the act of laying material down on a surface in order to transform it, to give it a new meaning. This power to bind and unbind, to engender relations from one space to another, in a word, to impose a rhythm which by its capacities of modification becomes a vision of the world. Painting, in his work, is color, to such a degree that it can abandon any pictorial substance, move through photography, installations, and still fully remain painting,thanks to the "act of color" projected upon the real and its objects. It is not a matter of the medium or the pictorial form, but rather a principle of coloration and of habitation in the world; not a matter of place but of circulation from one place to the next. It settles, gathers, passes, touching everything with its metamorphoses, and depositing in each work the unanswered question of its definition. Stephen Dean experiments with the relations between everyday life and vision. His work is the story of an appropriation of statements and measuring systems of reality (words, lexicons, graphics, abacuses, books) by an act that dispossesses them of their powers, to employ them for other ends. Through this play, this fluctuation of meaning, this displacement, they become loci of energy nourished by a sensual, transformative expenditure which is at the heart of his painting., "the body" of this vision at work, the body in action that he stages so masterfully in an immense "photograph-painting-sculpture", maliciously entitled Off Hand. What do we see? . . .

Condition: Very Good. 1990. hardcover. From the library of Michel D?on. Text in French. Clean copy in dust wrapper. DW sunned to spine and showing light shelf wear. Minor spotting and staining to endpapers, but remains a very good copy. . . . .

Paperback. Condition: Good. Stephen Dean (illustrator). paperback. reading wear and creases on covers. clean pages Tulsa's largest used bookstore. Located on South Mingo Road since 1991. No-hassle return policy if not completely satisfied.

Hardcover. Condition: Très bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: Very Good. Picture shown is for Illustration purposes only, please see below for further details CONDITION ? VERY GOOD light wear to boards, slight dents to edges. Pages in nice condition, shipped from the UK.

Softcover. Condition: Très bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Paperback. Condition: Good. Ex-library copy with usual markings.

Softcover. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2011. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2011. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condition: Très bon. Ancien livre de bibliothèque. Edition 2008. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2008. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condition: New.

Softcover. Condition: Très bon. Ancien livre de bibliothèque. Couverture différente. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Different cover. Ammareal gives back up to 15% of this item's net price to charity organizations.

Couverture souple. Condition: Bon. Art. Carte blanche à Olivier Kaeppelin "Ensu" Pat Bruder Tom Drahos Stephen Maas Ivan Messac. Illustrations. Sculpture. 22,5x29 cm. 32 p. Broché. Bon état. Couverture légèrement insolée. Intérieur en bon état. in-4°.

Condition: New.

Hardcover. Condition: New. Qto, Hardcover. The Text is in both English and French. A New copy in shrinkwrap as issued.

Paperback. Condition: New. Qto., 28 pages, illustrated in colour. A New copy.

Paperback. Condition: New.

Condition: new. Livraison rapide, bien emballé, service client soigné.Pour tout renseignement complémentaire, n'hésitez pas à nous contacter.

Stephen Dean (illustrator). Softcover, unpaginated; in English and French; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. Christo and Jeanne-Claude are renowned above all for their ephemeral yet monumental interventions in landscapes and cities. Fabric is a defining feature of their projects; they use it to wrap, conceal and otherwise manipulate our visual perception of the world. They have created numerous oil barrel sculptures and installations since the beginning of their careers, though these are less well known. This book is dedicated to these barrel creations, a niche portion of two great artists' ouevre.In the late 1950s, Christo started to wrap used oil drums which he had found on scrapyards or bought cheaply at recycling sites. Later, he began piling the untreated oil drums to form ever larger structures. The largest project of this kind to date is a giant sculpture made up of 410,000 oil barrels in the desert of the United Arab Emirates. The project has been developing since 1977; ever since the death of Jeanne-Claude in 2009, Christo has continued it on his own.This book, published to accompany a large exhibition at Fondation Maeght in the south of France, shows many photos as well as images of drawings and collages, some of which have never been published before. They offer a comprehensive insight into Christo and Jeanne-Claude's oil barrel projects. Significantly, it contains a detailed documentation of a sculpture specially created by Christo for the famous Giacometti courtyard at Fondation Maeght. Exhibition: 4 June - 27 November 2016, Fondation Maeght, Saint-Paul-de-Vence, France.

Condition: Neuf.

Condition: good. Photo non contractuelle. Envoi rapide et soigné.

Soft cover. Condition: Very Good. paperback, square 4to, 189pp, illustrated, clean and tight, no inscriptions, Very Good condition. ISBN: 2900923646.

Condition: Neuf.

Hardcover. Condition: new. Hardcover. Christo and Jeanne-Claude are renowned above all for their ephemeral yet monumental interventions in landscapes and cities. Fabric is a defining feature of their projects; they use it to wrap, conceal and otherwise manipulate our visual perception of the world. They have created numerous oil barrel sculptures and installations since the beginning of their careers, though these are less well known. This book is dedicated to these barrel creations, a niche portion of two great artists' ouevre. In the late 1950s, Christo started to wrap used oil drums which he had found on scrapyards or bought cheaply at recycling sites. Later, he began piling the untreated oil drums to form ever larger structures. The largest project of this kind to date is a giant sculpture made up of 410,000 oil barrels in the desert of the United Arab Emirates. The project has been developing since 1977; ever since the death of Jeanne-Claude in 2009, Christo has continued it on his own. This book, published to accompany a large exhibition at Fondation Maeght in the south of France, shows many photos as well as images of drawings and collages, some of which have never been published before. They offer a comprehensive insight into Christo and Jeanne-Claude's oil barrel projects. Significantly, it contains a detailed documentation of a sculpture specially created by Christo for the famous Giacometti courtyard at Fondation Maeght. SELLING POINTS: . Accompanies a large exhibition at Fondation Maeght in the south of France . Includes preperatory photos for the couple's large-scale installations, as well as drawings and collages, some of which have never before been published . Offers insight into a niche area of Christo and Jeanne-Claude's repertoire: their barrel projects 150 colour, 50 b/w Accompanies a large exhibition at Foundation Maeght in the south of France, and includes previously unpublished material offering an insight into a niche area of Christo and Jeanne-Claude's repertoire: their barrel projects. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.