Nancy Rexroth (39 results)

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

First Edition. First edition. Softcover. 95 pages. Includes black and white images by: Michael Becotte, Harry Bowers, Curtis Bunyan, Mark Cohen,Steve Collins, Robert Di Franco, Jim Dobbins, Ingeborg Gerdes, Ford Gilbreath, Craig Hickman, Richard Hobbs, Bob Iyall, John Levins, Richard Margolis, Julie Mihaly, David Pearson, Abigail Perlmutter, Donna-Lee Phillips, Christopher Rauschenberg, Nancy Rexroth, Kirk Thompson, Stewart Tilger, Terry Toedtemeier, and Ken White. A clean near fine copy in wrappers. Over 80 B/w Photographs (illustrator).…

Soft cover. Condition: Near Fine. No Dust Jacket. PHOTOGRAPHY. 34pp. Many formulas. Large 4to. Cloth spine.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Hardback. Condition: New. In the early 1970s, Nancy Rexroth began photographing the rural landscapes, children, white frame houses, and domestic interiors of southeastern Ohio with a plastic toy camera called the Diana. Working with the camera's properties of soft focus and vignetting, and further manipulating the photographs by deliberately blurring or sometimes overlaying them, Rexroth created dreamlike, poetic images of "my own private landscape, a state of mind." She called this state IOWA because the photographs seemed to reference her childhood summer visits to relatives in Iowa. Rexroth self-published her evocative images in 1977 in the book IOWA, and the photographic community responded immediately and strongly to the work. Aperture published a portfolio of IOWA images in a special issue, The Snapshot, alongside the work of Robert Frank, Garry Winogrand, Lee Friedlander, and Emmet Gowin. The International Center for Photography, the Corcoran Gallery of Art, and the Smithsonian Institution included IOWA images in group exhibitions.Forty years after its original publication, IOWA has become a classic of fine art photography, a renowned demonstration of Rexroth's ability to fashion a world of surprising aesthetic possibilities using a simple, low-tech dollar camera. Long out of print and highly prized by photographers and photobook collectors, IOWA is now available in a hardcover edition that includes twenty-two previously unpublished images. Accompanying the photographs are a new foreword by Magnum photographer and book maker Alec Soth and an essay by internationally acclaimed curator Anne Wilkes Tucker, who affirms the continuing power and importance of IOWA within the photobook genre. New postscripts by Nancy Rexroth and Mark L. Power, who wrote the essay in the first edition, complete the volume.…

First Edition. First edition. Softcover. Exhibition catalog for a show that ran April 1-30, 1976. Introduction by Jean S. Tucker. Includes brief comments about each photographer, a checklist and quotes from them along with a single image. Included in the show are: Robert Adams, Thomas Barrow, Paul Caponigro, William Eggleston, Lee Friedlander, Benno Friedman, Laura Gilpin, Emmet Gowin, Betty Hahn, Robert Heinecken, Duane Michals, Bea Nettles, Eliot Porter, Doug Prince, Nancy Rexroth, Stephen Shore, Keith Smith, George Tice, Garry Winogrand. A clean near fine copy in stapled wrappers. Uncommon.…

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. VG plus large octavo softcover. Illustrated wraps. Light general wear. No names or markings to text. First edition. Photos. 95p. Over 80 B/w Photographs (illustrator).

Hardcover. Explores the relationship between contemporary photography and the family album photograph with portfolios of work by Richard Albertine, Robert Frank, Lee Friedlander, Emmet Gowin, Gus Kayafas, Wendy Snyder MacNeil, Joel Meyerowitz, Tod Papageorge, Nancy Rexroth, Henry Wessel, Jr., Garry Winogrand, and Bill Zulpo-Dane; plus text illustrations. Texts by Walker Evans, Steven Halpern, John A. Kouwenhoven, Lisette Model, Tod Papageorge, Paul Strand, and Judith Wechsler; edited with an introduction by Jonathan Green. First edition, first printing. 126 pages; b&w photographs throughout; 9.25 x 10.75 inches. Contributors biographies. Errata sheet laid in. Also issued as Aperture, Vol. 19, No. 1; this is the trade hardcover edition. Condition: Near Fine clothbound hardcover with crisp silver title to front and spine with a bump to two tips, a touch of wear to the extremities, and a photographer's bookplate to the front paste down in a Very Good+ dust jacket with a touch of wear at the extremities, sunning to the spine (as is common with this title), and a small tear/chip at the crown. Overall, a nice copy. All dust jackets are protected by a clear mylar cover. Ships the next business day, wrapped in padding, in a box.…

Hardcover. Condition: new. Hardcover. In the early 1970s, Nancy Rexroth began photographing the rural landscapes, children, white frame houses, and domestic interiors of southeastern Ohio with a plastic toy camera called the Diana. Working with the camera's properties of soft focus and vignetting, and further manipulating the photographs by deliberately blurring or sometimes overlaying them, Rexroth created dreamlike, poetic images of "my own private landscape, a state of mind." She called this state IOWA because the photographs seemed to reference her childhood summer visits to relatives in Iowa. Rexroth self-published her evocative images in 1977 in the book IOWA, and the photographic community responded immediately and strongly to the work. Aperture published a portfolio of IOWA images in a special issue, The Snapshot, alongside the work of Robert Frank, Garry Winogrand, Lee Friedlander, and Emmet Gowin. The International Center for Photography, the Corcoran Gallery of Art, and the Smithsonian Institution included IOWA images in group exhibitions.Forty years after its original publication, IOWA has become a classic of fine art photography, a renowned demonstration of Rexroth's ability to fashion a world of surprising aesthetic possibilities using a simple, low-tech dollar camera. Long out of print and highly prized by photographers and photobook collectors, IOWA is now available in a hardcover edition that includes twenty-two previously unpublished images. Accompanying the photographs are a new foreword by Magnum photographer and book maker Alec Soth and an essay by internationally acclaimed curator Anne Wilkes Tucker, who affirms the continuing power and importance of IOWA within the photobook genre. New postscripts by Nancy Rexroth and Mark L. Power, who wrote the essay in the first edition, complete the volume. Long out of print and now reissued on the fortieth anniversary of its first publication, IOWA is the preeminent exemplar of Diana camera work and a cult classic highly prized by photobook collectors and photographers. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Hardcover. Condition: New.

Condition: new.

Condition: New. Num Pages: 168 pages. BIC Classification: 1KBB; AJB. Category: (G) General (US: Trade). Dimension: 6466 x 6466. Weight in Grams: 681. . 2017. Hardcover. . . . .

Condition: New.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Very Good. 1st Edition. Oversized softcover, 11 X 11 inches. Edge wear, spine wear, some discoloration to the upper corner of the front cover. Binding is tight and square. Unpaginated. Introductions by Mark Power and Nancy Rexroth. From Rexroth's Introduction: "The series Iowa has now occupied a total six years of my life. The book is conceived of as a kind of psychic journey from one emotional mood to the next - a maturation process." Rexroth used a plastic, 1960s toy Diana camera, embracing the camera's technical flaws to create surreal, dreamlike imagery from the rural, Midwestern subjects she encountered. Hailed as a seminal fine-art book now, this original publication had a small print run and was finally reprinted in a remastered edition by the University of Texas in 2017. B50.…

Hardcover. Condition: Brand New. 158 pages. 10.00x10.00x1.00 inches. In Stock.

Condition: New. Num Pages: 168 pages. BIC Classification: 1KBB; AJB. Category: (G) General (US: Trade). Dimension: 6466 x 6466. Weight in Grams: 681. . 2017. Hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Condition: Brand New. 224 pages. 9.50x2.00x11.00 inches. In Stock.

Condition: NEW.

Hardcover. Condition: new. New Copy. Customer Service Guaranteed.

Condition: New. Long out of print and now reissued on the fortieth anniversary of its first publication, IOWA is the preeminent exemplar of Diana camera work and a cult classic highly prized by photobook collectors and photographers.&Uumlber den Autor.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Second revised edition, 2017. 168 pages. Book measures 10.25 x 10.15 inches. In the early 1970s, Nancy Rexroth began photographing the rural landscapes, children, white frame houses, and domestic interiors of southeastern Ohio with a plastic toy camera called the Diana. Working with the camera s properties of soft focus and vignetting, and further manipulating the photographs by deliberately blurring or sometimes overlaying them, Rexroth created dreamlike, poetic images of my own private landscape, a state of mind. She called this state IOWA because the photographs seemed to reference her childhood summer visits to relatives in Iowa. Rexroth self-published her evocative images in 1977 in the book IOWA, and the photographic community responded immediately and strongly to the work. Aperture published a portfolio of IOWA images in a special issue, The Snapshot, alongside the work of Robert Frank, Garry Winogrand, Lee Friedlander, and Emmet Gowin. The International Center for Photography, the Corcoran Gallery of Art, and the Smithsonian Institution included IOWA images in group exhibitions. Fine in Fine dust jacket.…

Buch. Condition: Neu. Neuware - In the early 1970s, Nancy Rexroth began photographing the rural landscapes, children, white frame houses, and domestic interiors of southeastern Ohio with a plastic toy camera called the Diana. Working with the camera's properties of soft focus and vignetting, and further manipulating the photographs by deliberately blurring or sometimes overlaying them, Rexroth created dreamlike, poetic images of "my own private landscape, a state of mind." She called this state IOWA because the photographs seemed to reference her childhood summer visits to relatives in Iowa. Rexroth self-published her evocative images in 1977 in the book IOWA, and the photographic community responded immediately and strongly to the work. Aperture published a portfolio of IOWA images in a special issue, The Snapshot, alongside the work of Robert Frank, Garry Winogrand, Lee Friedlander, and Emmet Gowin. The International Center for Photography, the Corcoran Gallery of Art, and the Smithsonian Institution included IOWA images in group exhibitions.Forty years after its original publication, IOWA has become a classic of fine art photography, a renowned demonstration of Rexroth's ability to fashion a world of surprising aesthetic possibilities using a simple, low-tech dollar camera. Long out of print and highly prized by photographers and photobook collectors, IOWA is now available in a hardcover edition that includes twenty-two previously unpublished images. Accompanying the photographs are a new foreword by Magnum photographer and book maker Alec Soth and an essay by internationally acclaimed curator Anne Wilkes Tucker, who affirms the continuing power and importance of IOWA within the photobook genre. New postscripts by Nancy Rexroth and Mark L. Power, who wrote the essay in the first edition, complete the volume.…

Hardcover. Condition: new. Hardcover. In the early 1970s, Nancy Rexroth began photographing the rural landscapes, children, white frame houses, and domestic interiors of southeastern Ohio with a plastic toy camera called the Diana. Working with the camera's properties of soft focus and vignetting, and further manipulating the photographs by deliberately blurring or sometimes overlaying them, Rexroth created dreamlike, poetic images of "my own private landscape, a state of mind." She called this state IOWA because the photographs seemed to reference her childhood summer visits to relatives in Iowa. Rexroth self-published her evocative images in 1977 in the book IOWA, and the photographic community responded immediately and strongly to the work. Aperture published a portfolio of IOWA images in a special issue, The Snapshot, alongside the work of Robert Frank, Garry Winogrand, Lee Friedlander, and Emmet Gowin. The International Center for Photography, the Corcoran Gallery of Art, and the Smithsonian Institution included IOWA images in group exhibitions.Forty years after its original publication, IOWA has become a classic of fine art photography, a renowned demonstration of Rexroth's ability to fashion a world of surprising aesthetic possibilities using a simple, low-tech dollar camera. Long out of print and highly prized by photographers and photobook collectors, IOWA is now available in a hardcover edition that includes twenty-two previously unpublished images. Accompanying the photographs are a new foreword by Magnum photographer and book maker Alec Soth and an essay by internationally acclaimed curator Anne Wilkes Tucker, who affirms the continuing power and importance of IOWA within the photobook genre. New postscripts by Nancy Rexroth and Mark L. Power, who wrote the essay in the first edition, complete the volume. Long out of print and now reissued on the fortieth anniversary of its first publication, IOWA is the preeminent exemplar of Diana camera work and a cult classic highly prized by photobook collectors and photographers. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Hardback. Condition: New. In the early 1970s, Nancy Rexroth began photographing the rural landscapes, children, white frame houses, and domestic interiors of southeastern Ohio with a plastic toy camera called the Diana. Working with the camera's properties of soft focus and vignetting, and further manipulating the photographs by deliberately blurring or sometimes overlaying them, Rexroth created dreamlike, poetic images of "my own private landscape, a state of mind." She called this state IOWA because the photographs seemed to reference her childhood summer visits to relatives in Iowa. Rexroth self-published her evocative images in 1977 in the book IOWA, and the photographic community responded immediately and strongly to the work. Aperture published a portfolio of IOWA images in a special issue, The Snapshot, alongside the work of Robert Frank, Garry Winogrand, Lee Friedlander, and Emmet Gowin. The International Center for Photography, the Corcoran Gallery of Art, and the Smithsonian Institution included IOWA images in group exhibitions.Forty years after its original publication, IOWA has become a classic of fine art photography, a renowned demonstration of Rexroth's ability to fashion a world of surprising aesthetic possibilities using a simple, low-tech dollar camera. Long out of print and highly prized by photographers and photobook collectors, IOWA is now available in a hardcover edition that includes twenty-two previously unpublished images. Accompanying the photographs are a new foreword by Magnum photographer and book maker Alec Soth and an essay by internationally acclaimed curator Anne Wilkes Tucker, who affirms the continuing power and importance of IOWA within the photobook genre. New postscripts by Nancy Rexroth and Mark L. Power, who wrote the essay in the first edition, complete the volume.…

Buch. Condition: Neu. IOWA | Nancy Rexroth | Buch | Einband - fest (Hardcover) | Englisch | 2017 | University of Texas Press | EAN 9781477310410 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Paperback. Light purple wraps with black lettering; 117 unnumbered pp.; richly illustrated. "Rexroth's most notable work, Iowa, is a series of dream-like and poetic images.Each seemingly candid and liquid composition includes a soft focus and vignette, characteristic qualities of Diana camera images. [.] The Iowa series subconsciously expresses Rexroth's childhood memories of visiting family in Iowa. Growing up in the suburbs of Arlington, Virginia, she was captivated by the exotic summer landscapes of Iowa. Although the influence of her memories is present, Rexroth refers to Iowa as a hallucinatory state of mind rather than a concrete geographic location of personal sentiment. She describes Iowa as 'conceived of as a kind of psychic journey from one emotional mood to the next-- a maturation process. It all happens in a place which is very exotic.' In the introduction to the book, Mark L. Power describes this work as 'Sunny Iowa was transformed by memory into a dark Iowa with "a real feeling of melancholy." [.]" -- WorldCat. Good (Ex-Library with small white sticker on the front cover; wraps are lightly sunned/edgeworn/scuffed/smudged; textblock edges are lightly toned/scuffed/foxed/smudged; interior is clean with very light toning; binding is solid.).…