Molineux Catherine (25 results)

Softcover. Condition: Very Good with no dust jacket. Sound binding. Wrapper has light handling wear, remnant of mailing label on back. Pages clean, bright. Contents: Roundtable. Greene, Colonial history and national history: reflections on a continuing problem. Armitage, From colonial history to postcolonial history: a turn too far? Gould, The question of home rule. Zuckerman, Exceptionalism after all; or ,the perils of postcolonialism. Yokota, Postcolonialism and material culture in the early United States. Rothman, Beware the weak state. Einhorn, the nation is already there. Greene, elaborations. Edling, "So immense a power in the affairs of war": Alexander Hamilton and the Restoration of public credit. Molineux, Pleasures of the smoke: "black Virginians" in Georgian London's tobacco shops. McClain and Ellefson, A letter from DCarolina, 1688: French Huguenots in the New World. Roper, The 1701 "act for the better ordering of slaves": reconsidering the history of slavery in proprietary South Carolina. Reviews. 9.25" tall; 213 pages.…

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. 341 pps, hardbound, presumed 1st, 8vo, F/F, like new -- no folds, no markings, no soiling, no creasing -- NOT EXLIB, mylar protected.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: New. Though blacks were not often seen on the streets of seventeenth-century London, they were already capturing the British imagination. For two hundred years, as Britain shipped over three million Africans to the New World, popular images of blacks as slaves and servants proliferated in London art, both highbrow and low. Catherine Molineux assembles a surprising array of sources in her exploration of this emerging black presence, from shop signs, tea trays, trading cards, board games, playing cards, and song ballads to more familiar objects such as William Hogarth's graphic satires. By idealizing black servitude and obscuring the brutalities of slavery, these images of black people became symbols of empire to a general populace that had little contact with the realities of slave life in the distant Americas and Caribbean.The earliest images advertised the opulence of the British Empire by depicting black slaves and servants as minor, exotic characters who gazed adoringly at their masters. Later images showed Britons and Africans in friendly gatherings, smoking tobacco together, for example. By 1807, when Britain abolished the slave trade and thousands of people of African descent were living in London as free men and women, depictions of black laborers in local coffee houses, taverns, or kitchens took center stage.Molineux's well-crafted account provides rich evidence for the role that human traffic played in the popular consciousness and culture of Britain during the seventeenth and eighteenth centuries and deepens our understanding of how Britons imagined their burgeoning empire.…

Condition: New.

Hardcover. Condition: As New. Dust Jacket Included. 1st Edition. First printing. 8vo. xiii, 341 pp. Illustrated in B & W. Original red cloth binding. This is a tight, fine book in a bright, fine DJ.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: new. Hardcover. Though blacks were not often seen on the streets of seventeenth-century London, they were already capturing the British imagination. For two hundred years, as Britain shipped over three million Africans to the New World, popular images of blacks as slaves and servants proliferated in London art, both highbrow and low. Catherine Molineux assembles a surprising array of sources in her exploration of this emerging black presence, from shop signs, tea trays, trading cards, board games, playing cards, and song ballads to more familiar objects such as William Hogarth's graphic satires. By idealizing black servitude and obscuring the brutalities of slavery, these images of black people became symbols of empire to a general populace that had little contact with the realities of slave life in the distant Americas and Caribbean.The earliest images advertised the opulence of the British Empire by depicting black slaves and servants as minor, exotic characters who gazed adoringly at their masters. Later images showed Britons and Africans in friendly gatherings, smoking tobacco together, for example. By 1807, when Britain abolished the slave trade and thousands of people of African descent were living in London as free men and women, depictions of black laborers in local coffee houses, taverns, or kitchens took center stage.Molineux's well-crafted account provides rich evidence for the role that human traffic played in the popular consciousness and culture of Britain during the seventeenth and eighteenth centuries and deepens our understanding of how Britons imagined their burgeoning empire. Though blacks were not often seen on the streets of seventeenth-century London, they were already capturing the British imagination. In her exploration of this emerging black presence, Molineux assembles evidence ranging from shop signs, tea trays, trading cards, board games, and playing cards to song ballads and William Hogarths graphic satires. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: new.

Hardcover. Condition: New.

Condition: New.

Condition: New. Though blacks were not often seen on the streets of seventeenth-century London, they were already capturing the British imagination. In her exploration of this emerging black presence, Molineux assembles evidence ranging from shop signs, tea trays, trading cards, board games, and playing cards to song ballads and William Hogarth's graphic satires. Series: Harvard Historical Studies. Num Pages: 374 pages, 17 color illustrations, 69 halftones. BIC Classification: 1QDB; 3J; HBJD1; HBLH; HBLL; HBTS. Category: (G) General (US: Trade). Dimension: 244 x 167 x 27. Weight in Grams: 722. . 2012. Hardcover. . . . .…

Condition: As New. Unread book in perfect condition.

Condition: New. In English.

Hardcover. Condition: Brand New. 341 pages. 9.50x6.50x1.25 inches. In Stock.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. Though blacks were not often seen on the streets of seventeenth-century London, they were already capturing the British imagination. In her exploration of this emerging black presence, Molineux assembles evidence ranging from shop signs, tea trays, trading cards, board games, and playing cards to song ballads and William Hogarth's graphic satires. Series: Harvard Historical Studies. Num Pages: 374 pages, 17 color illustrations, 69 halftones. BIC Classification: 1QDB; 3J; HBJD1; HBLH; HBLL; HBTS. Category: (G) General (US: Trade). Dimension: 244 x 167 x 27. Weight in Grams: 722. . 2012. Hardcover. . . . . Books ship from the US and Ireland.…

Condition: New. xiii 341 16 of lates.

Condition: NEW.

Condition: New. Though blacks were not often seen on the streets of seventeenth-century London, they were already capturing the British imagination. In her exploration of this emerging black presence, Molineux assembles evidence ranging from shop signs, tea trays, trading .

Hardback. Condition: New. Though blacks were not often seen on the streets of seventeenth-century London, they were already capturing the British imagination. For two hundred years, as Britain shipped over three million Africans to the New World, popular images of blacks as slaves and servants proliferated in London art, both highbrow and low. Catherine Molineux assembles a surprising array of sources in her exploration of this emerging black presence, from shop signs, tea trays, trading cards, board games, playing cards, and song ballads to more familiar objects such as William Hogarth's graphic satires. By idealizing black servitude and obscuring the brutalities of slavery, these images of black people became symbols of empire to a general populace that had little contact with the realities of slave life in the distant Americas and Caribbean.The earliest images advertised the opulence of the British Empire by depicting black slaves and servants as minor, exotic characters who gazed adoringly at their masters. Later images showed Britons and Africans in friendly gatherings, smoking tobacco together, for example. By 1807, when Britain abolished the slave trade and thousands of people of African descent were living in London as free men and women, depictions of black laborers in local coffee houses, taverns, or kitchens took center stage.Molineux's well-crafted account provides rich evidence for the role that human traffic played in the popular consciousness and culture of Britain during the seventeenth and eighteenth centuries and deepens our understanding of how Britons imagined their burgeoning empire.…

Hardcover. Condition: new. Hardcover. Though blacks were not often seen on the streets of seventeenth-century London, they were already capturing the British imagination. For two hundred years, as Britain shipped over three million Africans to the New World, popular images of blacks as slaves and servants proliferated in London art, both highbrow and low. Catherine Molineux assembles a surprising array of sources in her exploration of this emerging black presence, from shop signs, tea trays, trading cards, board games, playing cards, and song ballads to more familiar objects such as William Hogarth's graphic satires. By idealizing black servitude and obscuring the brutalities of slavery, these images of black people became symbols of empire to a general populace that had little contact with the realities of slave life in the distant Americas and Caribbean.The earliest images advertised the opulence of the British Empire by depicting black slaves and servants as minor, exotic characters who gazed adoringly at their masters. Later images showed Britons and Africans in friendly gatherings, smoking tobacco together, for example. By 1807, when Britain abolished the slave trade and thousands of people of African descent were living in London as free men and women, depictions of black laborers in local coffee houses, taverns, or kitchens took center stage.Molineux's well-crafted account provides rich evidence for the role that human traffic played in the popular consciousness and culture of Britain during the seventeenth and eighteenth centuries and deepens our understanding of how Britons imagined their burgeoning empire. Though blacks were not often seen on the streets of seventeenth-century London, they were already capturing the British imagination. In her exploration of this emerging black presence, Molineux assembles evidence ranging from shop signs, tea trays, trading cards, board games, and playing cards to song ballads and William Hogarths graphic satires. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Buch. Condition: Neu. Neuware - Though blacks were not often seen on the streets of seventeenth-century London, they were already capturing the British imagination. For two hundred years, as Britain shipped over three million Africans to the New World, popular images of blacks as slaves and servants proliferated in London art, both highbrow and low. Catherine Molineux assembles a surprising array of sources in her exploration of this emerging black presence, from shop signs, tea trays, trading cards, board games, playing cards, and song ballads to more familiar objects such as William Hogarth's graphic satires. By idealizing black servitude and obscuring the brutalities of slavery, these images of black people became symbols of empire to a general populace that had little contact with the realities of slave life in the distant Americas and Caribbean.The earliest images advertised the opulence of the British Empire by depicting black slaves and servants as minor, exotic characters who gazed adoringly at their masters. Later images showed Britons and Africans in friendly gatherings, smoking tobacco together, for example. By 1807, when Britain abolished the slave trade and thousands of people of African descent were living in London as free men and women, depictions of black laborers in local coffee houses, taverns, or kitchens took center stage.Molineux's well-crafted account provides rich evidence for the role that human traffic played in the popular consciousness and culture of Britain during the seventeenth and eighteenth centuries and deepens our understanding of how Britons imagined their burgeoning empire.…

Buch. Condition: Neu. Faces of Perfect Ebony | Encountering Atlantic Slavery in Imperial Britain | Catherine Molineux | Buch | Harvard Historical Studies | Einband - fest (Hardcover) | Englisch | 2012 | Harvard University Press | EAN 9780674050082 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. …

Hardcover. Condition: New. Harvard Historical Studies; Though blacks were not often seen on the streets of seventeenth-century London, they were already capturing the British imagination. For two hundred years, as Britain shipped over three million Africans to the New World, popular images of blacks as slaves and servants proliferated in London art, both highbrow and low. Catherine Molineux assembles a surprising array of sources in her exploration of this emerging black presence, from shop signs, tea trays, trading cards, board games, playing cards, and song ballads to more familiar objects such as William Hogarth?s graphic satires. By idealizing black servitude and obscuring the brutalities of slavery, these images of black people became symbols of empire to a general populace that had little contact with the realities of slave life in the distant Americas and Caribbean.The earliest images advertised the opulence of the British Empire by depicting black slaves and servants as minor, exotic characters who gazed adoringly at their masters. Later images showed Britons and Africans in friendly gatherings, smoking tobacco together, for example. By 1807, when Britain abolished the slave trade and thousands of people of African descent were living in London as free men and women, depictions of black laborers in local coffee houses, taverns, or kitchens took center stage.Molineux?s well-crafted account provides rich evidence for the role that human traffic played in the popular consciousness and culture of Britain during the seventeenth and eighteenth centuries and deepens our understanding of how Britons imagined their burgeoning empire.…