Mitcheson Katrina (54 results)

Paperback. Condition: New. Demonstrates how visual art can work as a powerful technology of the selfAsks how we can know a decentred and partly unconscious self, and shows how particular artworks can help us to address this challengeIllustrates how both artists and audience members can use artworks as a means of cultivating or controlling specific aspects of the selfDraws on the work of artists including Francisco de Goya y Lucientes, Francis Bacon and Louise BourgeoisDemonstrates the specific contribution that visual art makes to projects of the self by discussing a variety of mediums and contemporary developments in artistic practiceStarting from criticisms of a simple, given self found in Nietzsche, Freud and Foucault, Katrina Mitcheson addresses the problem of how a complex self is constructed, and how a hermeneutics of the self can avoid reproducing a subjugated self.Critically examining Ricoeur's narrative account of self-construction, Mitcheson makes the case that the narrative model overlooks the variety of processes that can contribute to forming a self and neglects the materiality of these processes. She develops an alternative account of a plural and corporeal hermeneutics of the self: exploring how visual art can operate as a critical technology of the self. Art not only exposes practices that contribute to our subjugation, but can also discover, explore and affect bodily processes, enabling experimentation in self-construction.…

Paperback. Condition: new. Paperback. Starting from Nietzsche, Freud and Foucault's criticisms of a simple, given self, Katrina Mitcheson addresses the problem of how a complex self is constructed, and how a hermeneutics of the self can avoid reproducing a subjugated self. Critically examining Ricoeurs narrative account of self-construction, Mitcheson makes the case that the narrative model overlooks the variety of processes that can contribute to forming a self and neglects the materiality of these processes. She develops an alternative account of a plural and corporeal hermeneutics of the self: exploring how visual art can operate as a critical technology of the self. Art not only exposes practices that contribute to our subjugation, but can also discover, explore and affect bodily processes, enabling experimentation in self-construction. Drawing on the work of a range of visual artists including Francisco de Goya y Lucientes, Francis Bacon and Louise Bourgeois, Katrina Mitcheson explores how visual art can help us to know ourselves, when the self is complex, decentred and partially unconscious. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

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Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

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Paperback. Condition: New. Demonstrates how visual art can work as a powerful technology of the selfAsks how we can know a decentred and partly unconscious self, and shows how particular artworks can help us to address this challengeIllustrates how both artists and audience members can use artworks as a means of cultivating or controlling specific aspects of the selfDraws on the work of artists including Francisco de Goya y Lucientes, Francis Bacon and Louise BourgeoisDemonstrates the specific contribution that visual art makes to projects of the self by discussing a variety of mediums and contemporary developments in artistic practiceStarting from criticisms of a simple, given self found in Nietzsche, Freud and Foucault, Katrina Mitcheson addresses the problem of how a complex self is constructed, and how a hermeneutics of the self can avoid reproducing a subjugated self.Critically examining Ricoeur's narrative account of self-construction, Mitcheson makes the case that the narrative model overlooks the variety of processes that can contribute to forming a self and neglects the materiality of these processes. She develops an alternative account of a plural and corporeal hermeneutics of the self: exploring how visual art can operate as a critical technology of the self. Art not only exposes practices that contribute to our subjugation, but can also discover, explore and affect bodily processes, enabling experimentation in self-construction.…

Condition: New.

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Condition: New. 1st edition NO-PA16APR2015-KAP.

Condition: New. 2023. Paperback. . . . . .

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New.

Condition: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Condition: New.

Paperback. Condition: Brand New. 176 pages. 9.21x6.14x0.37 inches. In Stock.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Softcover. Condition: Near Fine. Unread copy. Unmarked beneath an undamaged cover. Some negligible storage/transit wear, but essentially as new. ix, 188pp.

Condition: New. Providing a novel interpretation of Nietzsche's philosophical method, Nietzsche, Truth and Transformation addresses the philosophical problem of on what basis, if knowledge is always from a perspective, one can criticise modern humanity and culture, and how such critique can be actively responded to. Num Pages: 197 pages, biography. BIC Classification: HPC; HPCF3. Category: (G) General (US: Trade). Dimension: 216 x 140. . . 2013. Paperback. . . . .…

Taschenbuch. Condition: Neu. Neuware - Starting from Nietzsche, Freud and Foucault's criticisms of a simple, given self, Katrina Mitcheson addresses the problem of how a complex self is constructed, and how a hermeneutics of the self can avoid reproducing a subjugated self. Critically examining Ricoeur's narrative account of self-construction, Mitcheson makes the case that the narrative model overlooks the variety of processes that can contribute to forming a self and neglects the materiality of these processes. She develops an alternative account of a plural and corporeal hermeneutics of the self: exploring how visual art can operate as a critical technology of the self. Art not only exposes practices that contribute to our subjugation, but can also discover, explore and affect bodily processes, enabling experimentation in self-construction.…

Paperback. Condition: New. Demonstrates how visual art can work as a powerful technology of the selfAsks how we can know a decentred and partly unconscious self, and shows how particular artworks can help us to address this challengeIllustrates how both artists and audience members can use artworks as a means of cultivating or controlling specific aspects of the selfDraws on the work of artists including Francisco de Goya y Lucientes, Francis Bacon and Louise BourgeoisDemonstrates the specific contribution that visual art makes to projects of the self by discussing a variety of mediums and contemporary developments in artistic practiceStarting from criticisms of a simple, given self found in Nietzsche, Freud and Foucault, Katrina Mitcheson addresses the problem of how a complex self is constructed, and how a hermeneutics of the self can avoid reproducing a subjugated self.Critically examining Ricoeur's narrative account of self-construction, Mitcheson makes the case that the narrative model overlooks the variety of processes that can contribute to forming a self and neglects the materiality of these processes. She develops an alternative account of a plural and corporeal hermeneutics of the self: exploring how visual art can operate as a critical technology of the self. Art not only exposes practices that contribute to our subjugation, but can also discover, explore and affect bodily processes, enabling experimentation in self-construction.…

Kartoniert / Broschiert. Condition: New. &Uumlber den AutorKatrina Mitcheson is Senior Lecturer in Philosophy at the University of the West of England. She is the author of Nietzsche, Truth and Transformation (Palgrave, 2013).Klappentext.

Paperback. Condition: new. Paperback. Starting from Nietzsche, Freud and Foucault's criticisms of a simple, given self, Katrina Mitcheson addresses the problem of how a complex self is constructed, and how a hermeneutics of the self can avoid reproducing a subjugated self. Critically examining Ricoeur's narrative account of self-construction, Mitcheson makes the case that the narrative model overlooks the variety of processes that can contribute to forming a self and neglects the materiality of these processes. She develops an alternative account of a plural and corporeal hermeneutics of the self: exploring how visual art can operate as a critical technology of the self. Art not only exposes practices that contribute to our subjugation, but can also discover, explore and affect bodily processes, enabling experimentation in self-construction. Drawing on the work of a range of visual artists including Francisco de Goya y Lucientes, Francis Bacon and Louise Bourgeois, Katrina Mitcheson explores how visual art can help us to know ourselves, when the self is complex, decentred and partially unconscious. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. 224.