Michael Lynch David Bogen (40 results)
Language: English
Published by Duke University Press, 1996
- Softcover
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Language: English
Published by Duke University Press, 1996
- Softcover
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Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780822317388.
Spectacle of History : Speech, Text, and Memory at the Iran-Contra Hearings
Lynch, Michael; Bogen, David; Fish, Stanley Eugene (EDT); Jameson, Fredric (EDT)
Language: English
Published by Duke University Press, 1996
- Softcover
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Language: English
Published by Duke University Press, US, 1996
- Softcover
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Paperback. Condition: New. How is history produced? How do individuals write-or rewrite-their parts while engaged in the production of history? Michael Lynch and David Bogen take the example of the Iran-contra hearings to explore these questions. These hearings, held in 1987 by the Joint House-Senate Select Committee on Secret M…ilitary Assistance to Iran and the Nicaragua Opposition, provided the nation with a media spectacle and a rare chance to see a struggle over the writing of history. There was Oliver North, prime suspect and designated scapegoat, turning into a hero of the American Right before the very eyes of the nation. How this transformation occurred, with the complicity of the press and the public, becomes disturbingly clear in The Spectacle of History. Lynch and Bogen detail the practices through which the historical agents at the center of the hearings composed, confirmed, used, erased, and denied the historical record. They show how partisan skirmishes over the disclosure of records and testimony led to a divided and irresolute outcome, an outcome further facilitated by the "applied deconstruction" deployed by North and his allies. The Spectacle of History immerses the reader in a crowded field of texts, utterances, visual displays, and media commentaries, but, more than a case study, it develops unique insight into problems at the heart of society and social theory-lying and credibility, the production of civic spectacle, the relationship between testimony and history, the uses of memory, and the interplay between speech and writing. Drawing on themes from sociology, literary theory, and ethnomethodology and challenging prevailing concepts held by contemporary communication and cultural studies, Lynch and Bogen extract valuable theoretical lessons from this specific and troubling historical episode.
Spectacle of History : Speech, Text, and Memory at the Iran-Contra Hearings
Lynch, Michael; Bogen, David; Fish, Stanley Eugene (EDT); Jameson, Fredric (EDT)
Language: English
Published by Duke University Press, 1996
- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Language: English
Published by MD - Duke University Press, 1996
- Softcover
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Language: English
Published by Duke University Press, 1996
- Softcover
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Condition: new.
Language: English
Published by Duke University Press, 1996
- Softcover
Seller: Majestic Books, Hounslow, United KingdomMajestic Books
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Condition: New. pp. 368.
Spectacle of History : Speech, Text, and Memory at the Iran-Contra Hearings
Lynch, Michael; Bogen, David; Fish, Stanley Eugene (EDT); Jameson, Fredric (EDT)
Language: English
Published by Duke University Press, 1996
- Softcover
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Condition: New.
Language: English
Published by Duke University Press, 1996
- Softcover
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Condition: New. 1996. Paperback. . . . . .
Language: English
Published by Duke University Press, 1996
- Softcover
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Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
Published by Duke University Press, 1996, 1996
- Hardcover
- First Edition
Seller: Jackson Street Booksellers, Omaha, NE, U.S.A.Jackson Street Booksellers
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Add to basketHardcover. Condition: Very Good. No Jacket. 1st Edition. About 20% of the pages have ink marks in the margins but no underlining. The book is otherwise Fine in Black cloth.
Language: English
Published by Duke University Press, US, 1996
- Softcover
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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Paperback. Condition: New. How is history produced? How do individuals write-or rewrite-their parts while engaged in the production of history? Michael Lynch and David Bogen take the example of the Iran-contra hearings to explore these questions. These hearings, held in 1987 by the Joint House-Senate Select Committee on Secret M…ilitary Assistance to Iran and the Nicaragua Opposition, provided the nation with a media spectacle and a rare chance to see a struggle over the writing of history. There was Oliver North, prime suspect and designated scapegoat, turning into a hero of the American Right before the very eyes of the nation. How this transformation occurred, with the complicity of the press and the public, becomes disturbingly clear in The Spectacle of History. Lynch and Bogen detail the practices through which the historical agents at the center of the hearings composed, confirmed, used, erased, and denied the historical record. They show how partisan skirmishes over the disclosure of records and testimony led to a divided and irresolute outcome, an outcome further facilitated by the "applied deconstruction" deployed by North and his allies. The Spectacle of History immerses the reader in a crowded field of texts, utterances, visual displays, and media commentaries, but, more than a case study, it develops unique insight into problems at the heart of society and social theory-lying and credibility, the production of civic spectacle, the relationship between testimony and history, the uses of memory, and the interplay between speech and writing. Drawing on themes from sociology, literary theory, and ethnomethodology and challenging prevailing concepts held by contemporary communication and cultural studies, Lynch and Bogen extract valuable theoretical lessons from this specific and troubling historical episode.
Spectacle of History : Speech, Text, and Memory at the Iran-Contra Hearings
Lynch, Michael; Bogen, David; Fish, Stanley Eugene (EDT); Jameson, Fredric (EDT)
Language: English
Published by Duke University Press, 1996
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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Condition: As New. Unread book in perfect condition.
Language: English
Published by Duke University Press, 1996
- Softcover
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Condition: New. 1996. Paperback. . . . . . Books ship from the US and Ireland.
Language: English
Published by Duke University Press, 1996
- Softcover
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Condition: New. pp. 368.
Language: English
Published by Duke Univ Pr, 1996
- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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Paperback. Condition: Brand New. 368 pages. 9.25x6.25x1.00 inches. In Stock.
Language: English
Published by DUKE UNIV PR, 1996
- Softcover
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Kartoniert / Broschiert. Condition: New. How is history produced? How do individuals write or rewrite their parts while engaged in the production of history? This book takes the example of the Iran-contra hearings to explore these questions.Über den AutorMichael Lynch .
Language: English
Published by Duke University Press, US, 1996
- Softcover
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
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Paperback. Condition: New. How is history produced? How do individuals write-or rewrite-their parts while engaged in the production of history? Michael Lynch and David Bogen take the example of the Iran-contra hearings to explore these questions. These hearings, held in 1987 by the Joint House-Senate Select Committee on Secret M…ilitary Assistance to Iran and the Nicaragua Opposition, provided the nation with a media spectacle and a rare chance to see a struggle over the writing of history. There was Oliver North, prime suspect and designated scapegoat, turning into a hero of the American Right before the very eyes of the nation. How this transformation occurred, with the complicity of the press and the public, becomes disturbingly clear in The Spectacle of History. Lynch and Bogen detail the practices through which the historical agents at the center of the hearings composed, confirmed, used, erased, and denied the historical record. They show how partisan skirmishes over the disclosure of records and testimony led to a divided and irresolute outcome, an outcome further facilitated by the "applied deconstruction" deployed by North and his allies. The Spectacle of History immerses the reader in a crowded field of texts, utterances, visual displays, and media commentaries, but, more than a case study, it develops unique insight into problems at the heart of society and social theory-lying and credibility, the production of civic spectacle, the relationship between testimony and history, the uses of memory, and the interplay between speech and writing. Drawing on themes from sociology, literary theory, and ethnomethodology and challenging prevailing concepts held by contemporary communication and cultural studies, Lynch and Bogen extract valuable theoretical lessons from this specific and troubling historical episode.
Language: English
Published by Duke University Press, US, 1996
- Softcover
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Paperback. Condition: New. How is history produced? How do individuals write-or rewrite-their parts while engaged in the production of history? Michael Lynch and David Bogen take the example of the Iran-contra hearings to explore these questions. These hearings, held in 1987 by the Joint House-Senate Select Committee on Secret M…ilitary Assistance to Iran and the Nicaragua Opposition, provided the nation with a media spectacle and a rare chance to see a struggle over the writing of history. There was Oliver North, prime suspect and designated scapegoat, turning into a hero of the American Right before the very eyes of the nation. How this transformation occurred, with the complicity of the press and the public, becomes disturbingly clear in The Spectacle of History. Lynch and Bogen detail the practices through which the historical agents at the center of the hearings composed, confirmed, used, erased, and denied the historical record. They show how partisan skirmishes over the disclosure of records and testimony led to a divided and irresolute outcome, an outcome further facilitated by the "applied deconstruction" deployed by North and his allies. The Spectacle of History immerses the reader in a crowded field of texts, utterances, visual displays, and media commentaries, but, more than a case study, it develops unique insight into problems at the heart of society and social theory-lying and credibility, the production of civic spectacle, the relationship between testimony and history, the uses of memory, and the interplay between speech and writing. Drawing on themes from sociology, literary theory, and ethnomethodology and challenging prevailing concepts held by contemporary communication and cultural studies, Lynch and Bogen extract valuable theoretical lessons from this specific and troubling historical episode.
Language: English
Published by Duke University Press Apr 1996, 1996
- Softcover
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Taschenbuch. Condition: Neu. Neuware - How is history produced How do individuals write-or rewrite-their parts while engaged in the production of history Michael Lynch and David Bogen take the example of the Iran-contra hearings to explore these questions. These hearings, held in 1987 by the Joint House-Senate Select Committee o…n Secret Military Assistance to Iran and the Nicaragua Opposition, provided the nation with a media spectacle and a rare chance to see a struggle over the writing of history. There was Oliver North, prime suspect and designated scapegoat, turning into a hero of the American Right before the very eyes of the nation. How this transformation occurred, with the complicity of the press and the public, becomes disturbingly clear in The Spectacle of History. Lynch and Bogen detail the practices through which the historical agents at the center of the hearings composed, confirmed, used, erased, and denied the historical record. They show how partisan skirmishes over the disclosure of records and testimony led to a divided and irresolute outcome, an outcome further facilitated by the "applied deconstruction" deployed by North and his allies. The Spectacle of History immerses the reader in a crowded field of texts, utterances, visual displays, and media commentaries, but, more than a case study, it develops unique insight into problems at the heart of society and social theory-lying and credibility, the production of civic spectacle, the relationship between testimony and history, the uses of memory, and the interplay between speech and writing. Drawing on themes from sociology, literary theory, and ethnomethodology and challenging prevailing concepts held by contemporary communication and cultural studies, Lynch and Bogen extract valuable theoretical lessons from this specific and troubling historical episode.
Language: English
Published by MD - Duke University Press, 1996
- Hardcover
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Language: English
Published by Duke University Press, 1996
- Hardcover
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Condition: New.
Language: English
Published by Duke University Press, US, 1996
- Hardcover
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Hardback. Condition: New. How is history produced? How do individuals write-or rewrite-their parts while engaged in the production of history? Michael Lynch and David Bogen take the example of the Iran-contra hearings to explore these questions. These hearings, held in 1987 by the Joint House-Senate Select Committee on Secret Mi…litary Assistance to Iran and the Nicaragua Opposition, provided the nation with a media spectacle and a rare chance to see a struggle over the writing of history. There was Oliver North, prime suspect and designated scapegoat, turning into a hero of the American Right before the very eyes of the nation. How this transformation occurred, with the complicity of the press and the public, becomes disturbingly clear in The Spectacle of History. Lynch and Bogen detail the practices through which the historical agents at the center of the hearings composed, confirmed, used, erased, and denied the historical record. They show how partisan skirmishes over the disclosure of records and testimony led to a divided and irresolute outcome, an outcome further facilitated by the "applied deconstruction" deployed by North and his allies. The Spectacle of History immerses the reader in a crowded field of texts, utterances, visual displays, and media commentaries, but, more than a case study, it develops unique insight into problems at the heart of society and social theory-lying and credibility, the production of civic spectacle, the relationship between testimony and history, the uses of memory, and the interplay between speech and writing. Drawing on themes from sociology, literary theory, and ethnomethodology and challenging prevailing concepts held by contemporary communication and cultural studies, Lynch and Bogen extract valuable theoretical lessons from this specific and troubling historical episode.
Language: English
Published by Duke University Press, 1996
- Hardcover
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Condition: new.
Language: English
Published by Duke University Press, 1996
- Hardcover
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Condition: New.
Language: English
Published by Duke University Press, 1996
- Hardcover
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Condition: As New. Unread book in perfect condition.
Language: English
Published by Duke University Press, 1996
- Hardcover
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Condition: New. pp. 368.
Language: English
Published by Duke University Press, 1996
- Hardcover
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Language: English
Published by Duke University Press, 1996
- Hardcover
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Condition: New. 1996. Hardcover. . . . . .
