Matthias Wittmann (84 results)
- Softcover
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- Softcover
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Paperback. Condition: New. Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspectiveEstablishes a new framework of understanding the tensions between hegemonial and excluded aesthetics and rhetorics, between censorship and resistance, carving out resistant points of remembering within and outside st…ate-controlled cinemaExposes silenced experiences and suppressed struggles that nevertheless articulate themselves in cinematic formsLooks for ruptures, frictions and sudden re-distributions within the trauma- and memoryscapes of Iranian CinemaIntroduces new readings of Iranian films and thus suggest a theory of trauma and memory inspired by cinematic procedures and orientated towards specific materialsFar?d ad-D?n-e ?A???r's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called S?morgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema.
- Softcover
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- Softcover
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Paperback. Condition: new. Paperback. Fard ad-Dn-e Ar's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called Smorgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their ow…n existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema. Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspective. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Softcover
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- Softcover
Seller: Brook Bookstore On Demand, Napoli, NA, ItalyBrook Bookstore On Demand
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- Softcover
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Paperback. Condition: New. Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspectiveEstablishes a new framework of understanding the tensions between hegemonial and excluded aesthetics and rhetorics, between censorship and resistance, carving out resistant points of remembering within and outside st…ate-controlled cinemaExposes silenced experiences and suppressed struggles that nevertheless articulate themselves in cinematic formsLooks for ruptures, frictions and sudden re-distributions within the trauma- and memoryscapes of Iranian CinemaIntroduces new readings of Iranian films and thus suggest a theory of trauma and memory inspired by cinematic procedures and orientated towards specific materialsFar?d ad-D?n-e ?A???r's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called S?morgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema.
- Softcover
Seller: Majestic Books, Hounslow, United KingdomMajestic Books
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- Softcover
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- Softcover
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- Softcover
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Condition: New. 2023. Paperback. . . . . .
- Softcover
Seller: Books Puddle, New York, NY, U.S.A.Books Puddle
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Condition: New. 1st edition NO-PA16APR2015-KAP.
- Softcover
Seller: Biblios, frankfurt am main, HESSE, GermanyBiblios
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- Softcover
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Condition: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.
- Softcover
Seller: THE SAINT BOOKSTORE, Southport, United KingdomTHE SAINT BOOKSTORE
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Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
Strategy Design Innovation: How to create business success using a systematic toolbox
Michael J�nger, Robert G. Wittmann, Matthias Reuter, Norbert Alexy
- Softcover
Seller: Chiron Media, Wallingford, United KingdomChiron Media
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Perfect Paperback. Condition: New.
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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Paperback. Condition: Brand New. gld edition. 272 pages. 9.21x6.14x0.57 inches. In Stock.
Strategy Design Innovation: How to create business success using a systematic toolbox
Jünger, Michael/ Wittmann, Robert G./ Reuter, Matthias/ Alexy, Norbert
- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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Paperback. Condition: Brand New. 260 pages. 8.31x5.87x0.87 inches. In Stock.
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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- Softcover
Seller: BuchZeichen-Versandhandel, Freiburg, GermanyBuchZeichen-Versandhandel
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Condition: Gebraucht - Gut. Taschenbuch - 2016 - Wittmann - h4.
Data Mining. Entwicklung und Einsatz robuster Verfahren für betriebswirtschaftliche Anwendungen. Informationsmanagement und strategische Unternehmensführung. Hrsgg. von Prof. Dr. Franz Schober und Prof. Dr. Johannes Ruhland. 2.
Wittmann, Thomas; Hunscher, Matthias; Kischka, Peter; Ruhland, Johannes:
Published by Frankfurt a Main: Peter Lang, 2000
- Softcover
Seller: Gloria Mortzeck, Karlsdorf, GermanyGloria Mortzeck
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221 S. 8°, Brosch., fester Kartonumschlag. Guter und sauberer Zustand. 1000 gr.
- Softcover
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Paperback. Condition: new. Paperback. Fard ad-Dn-e Ar's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called Smorgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their ow…n existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema. Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspective. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Language: German
Published by Wallstein Erfolgstitel - Belletristik und Sachbuch, 2025
- Softcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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Paperback. Condition: New. 2.
- Softcover
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
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Paperback. Condition: New. Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspectiveEstablishes a new framework of understanding the tensions between hegemonial and excluded aesthetics and rhetorics, between censorship and resistance, carving out resistant points of remembering within and outside st…ate-controlled cinemaExposes silenced experiences and suppressed struggles that nevertheless articulate themselves in cinematic formsLooks for ruptures, frictions and sudden re-distributions within the trauma- and memoryscapes of Iranian CinemaIntroduces new readings of Iranian films and thus suggest a theory of trauma and memory inspired by cinematic procedures and orientated towards specific materialsFar?d ad-D?n-e ?A???r's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called S?morgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema.
- Softcover
Seller: moluna, Greven, Germanymoluna
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Condition: New. This book offers a new and systematic approach about how to engage and excel in the practice of designing innovative business.The new and revised 6th edition of this comprehensive book explores the concept of Strategy Design as an innovative approach to.
- Softcover
Seller: SKULIMA Wiss. Versandbuchhandlung, Westhofen, GermanySKULIMA Wiss. Versandbuchhandlung
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Condition: Wie Neu. Zustandsbeschreibung: leichte Lagerspuren. Wittmann beleuchtet blinde Flecken unserer Gesellschaft und etabliert mit dem Kraken eine Gestalt unserer krisenhaften Gegenwart sowie eine Figur der Störung menschlicher Wissensordnungen. Der skelettlose Krake ist ein Virtuose der Veruneindeutigung. Die Figur des Te…ntakels dient in diesem außergewöhnlichen Essay sowohl der Analyse und Kritik des Bestehenden als auch dem Gegenentwurf eines Noch-Nicht. Im sich entspinnenden Dialog zwischen den Krakengestalten in Zoologie und Mythologie, Medien und Kulturtheorie, Phänomenologie und politischer Philosophie sowie Film-, Literatur- und Kunstgeschichte kommt es zu überraschenden Wendungen, aus deren Zugriff sich der Krake immer wieder entwindet, um Formen eines epistemischen Ungehorsams durchzuspielen, die schließlich bei einem neuen Gesellschaftsvertrag ankommen, basierend auf der Anerkennung von Schutzlosigkeit und Verletzlichkeit. 255 Seiten, broschiert (Fröhliche Wissenschaft; Band 185/Matthes & Seitz Berlin 2021). Statt EUR 15,00. Gewicht: 214 g - Softcover/Taschenbuch.
- Softcover
- First Edition
Seller: Bunt Buchhandlung GmbH, Köln, GermanyBunt Buchhandlung GmbH
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Condition: Used - Fine
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Condition: Sehr gut. 1. Auflage. 255 S. Als Mängelexemplar gekennzeichnet, Lagerspuren vorhanden. Sprache: Deutsch Gewicht in Gramm: 150.
- Softcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
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Taschenbuch. Condition: Neu. Neuware - Farid ad-Din-e ?A??ar's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called Simorgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of…their own existence. But what about those other birds that were not able to become part of the final representation This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema. Matthias Wittmann is a researcher on media (especially ?lm), curator, and writer. He was Research Associate and Chief Assistant at the Seminar for Media Studies (University of Basel) and Visiting Professor in Vienna. He has just ?nished a book about the Octopus (Die Gesellschaft des Tentakels, 2021) and is currently writing a book on Martyrographies in Iranian Cinema. Ute Holl is Professor for Media Aesthetics at the Seminar for Media Studies, University of Basel.
- Softcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
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Paperback. Condition: New. Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspectiveEstablishes a new framework of understanding the tensions between hegemonial and excluded aesthetics and rhetorics, between censorship and resistance, carving out resistant points of remembering within and outside st…ate-controlled cinemaExposes silenced experiences and suppressed struggles that nevertheless articulate themselves in cinematic formsLooks for ruptures, frictions and sudden re-distributions within the trauma- and memoryscapes of Iranian CinemaIntroduces new readings of Iranian films and thus suggest a theory of trauma and memory inspired by cinematic procedures and orientated towards specific materialsFar?d ad-D?n-e ?A???r's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called S?morgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema.
