Legendre George (26 results)

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: New.

Paperback. Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. John Pickering has been described as a modern-day alchemist who hews his sculptures from pure mathematical principles. His technique is to conjugate a numerical sequence and to cast its form in space. As the form unfolds, it invites us to explore surfaces as sculpture, and to interpret volumes and spaces as architecture. Because of the mathematical rigour that underpins the form, it is already potent, engineered, rational and ultimately, buildable. "The Inversion Principle" conveys, through photographs, the full impact of Pickering's sculptures. But equally it describes the meticulous process of making them. It defines the inspirations behind the works (which include Naum Gabo, space probes, satellites and Stockhausen). It dicusses their engineering implications. Finally, it places them within the architectural tradition of the visionary form. This title conveys the full impact of John Pickering's sculptures and describes the meticulous process of making them. It defines the inspirations behind the works. It dicusses their engineering implications. Finally, it places them within the architectural tradition of the visionary form. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: Fine. No Jacket. 1st Edition. Thames & Hudson hardcover, 2011-1st edition, cover price $29.95; unused/unmarked, light surface rub to glossy covers else as New. We will bubble wrap the book and ship it in a New BOX- Not a plastic bag like the zombie sellers.

Paperback / softback. Condition: New. New copy - Usually dispatched within 3 working days.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:1902902378.

Hardcover. Condition: new. New Copy. Customer Service Guaranteed.

Paperback. Condition: new. Paperback. John Pickering has been described as a modern-day alchemist who hews his sculptures from pure mathematical principles. His technique is to conjugate a numerical sequence and to cast its form in space. As the form unfolds, it invites us to explore surfaces as sculpture, and to interpret volumes and spaces as architecture. Because of the mathematical rigour that underpins the form, it is already potent, engineered, rational and ultimately, buildable. "The Inversion Principle" conveys, through photographs, the full impact of Pickering's sculptures. But equally it describes the meticulous process of making them. It defines the inspirations behind the works (which include Naum Gabo, space probes, satellites and Stockhausen). It dicusses their engineering implications. Finally, it places them within the architectural tradition of the visionary form. This title conveys the full impact of John Pickering's sculptures and describes the meticulous process of making them. It defines the inspirations behind the works. It dicusses their engineering implications. Finally, it places them within the architectural tradition of the visionary form. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condition: Good. Ex-Library copy with typical marks and stamps. Boards bumped at corners. Pages clean and tightly bound.

Condition: as new. Wie neu/Like new.

Paperback. Condition: New.

Paperback. Condition: Very good. Condition: Zeer goed. Binding: Paperback. Year: 2011. Language: Engels. Description: Lichte sporen omslag verder als nieuw.

Hardcover. Condition: Very Good. Book is in very good condition. 208pp with colour photographs.

Hardcover. Condition: Brand New. illustrated edition. 208 pages. 9.25x7.75x1.00 inches. In Stock.

Hardcover. Condition: Good. No Jacket. Ex-Library copy with typical library marks and stamps. Shelf and handling wear to cover and binding, with general signs of previous use. Binding and pages are intact. All pages are free from any markings. Light scuffing and bumping visible to boards. Secure packaging for safe delivery.

Paperback. Condition: New.

Condition: Very Good. Very Good; Hardcover; Light wear to the covers; Unblemished textblock edges; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Medium Format (8.5" - 9.75" tall); 2.2 lbs; Black and gold covers with title in white lettering; 2011, Thames & Hudson Publishing; 208 pages; "Pasta by Design," by George L. Legendre.

Condition: Good. Good+; Hardcover; Light-to-moderate shelfwear to the covers; Unblemished textblock edges; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Medium Format (8.5" - 9.75" tall); 2.2 lbs; Black and gold covers with title in white lettering; 2011, Thames & Hudson Publishing; 208 pages; "Pasta by Design," by George L. Legendre.

Hardcover. Condition: New.

Condition: Good.

PARIS, Albert Quantin, Éditeur [5, rue Saint-Benoît /// May & Montteroz, Lib.-Imp. réunies, 7, rue Saint-Benoît] - 1896 - R.25,5x19x4,3 cm - L'ENSEMBLE DES 60 LIVRAISONS DU 1er SEMESTRE DE L'ANNÉE 1896, sous reliure éditeur, pleine percaline verte Art Nouveau (Fernandez & Cie), premier plat et dos illustrés en noir, plats biseautés; tranche de tête dorée; 960 pages en pagination continue (16 pages par livraison); importante iconographie illustrée ou photographique en noir; texte sur 2 colonnes. (Collection Le Monde Moderne - Revue mensuelle illustrée - 2e Année - Tome III - Janvier-Juin 1896 - L'Éditeur-Gérant: A. Quantin). Percaline passée et frottée; mors faibles, coupure sur 3 cm (1er plat) et 5 cm (2e plat); mouillure au dos. Ensemble solide et très correct. LE PREMIER SEMESTRE COMPLET DU TOME III (1896). ASINA. (p. 7 à 31 - G. Bergeret, 5 illustrations de Roux). *****___***** LA MOISSON. (p. 32 à 38 - F. Fabié, 7 illustrations de Gusman). *****___***** LES FEMMES D'ESPAGNE. (p. 39 à 54 - L. Garcia-Ramon, 12 illustrations de L. M. Vauzanges). *****___***** EN ÉRYTHRÉE. (p. 65 à 75 - L. Lanier, 6 illustrations de P. Steck). *****___***** L'ÉCOLE D'APPLICATION DE CAVALERIE DE SAUMUR. (p. 76 à 88 - L. d'Or, 14 illustrations de F. Régamay). *****___***** L'EXPOSITION DE 1900. (p. 97 à 117 - A. Robida, 26 illustrations de l'auteur). *****___***** LA MODE DU MOIS. (p. 150 à 151, 312 à 313, 474 à 475, 632 à 633, 792 à 793, 950 à 951 - B. de Présilly, illustrations). *****___***** ROUSSOT ET BLANCAS. (p. 161 à 176 - J. Rameau, 5 illustrations de F. Courboin). *****___***** POUR L'HISTOIRE DE L'ARMURE. (p. 177 à 187 - F. Maindron, 13 illustrations). *****___***** AUX ABATTOIRS DE LA VILETTE. (p. 188 à 196 - T. Bourrier, 10 illustrations de A. Lemaistre). *****___***** UNE MAISON DU VIEUX COLOGNE. (p. 197 à 205 - J. Adeline, 8 illustrations de l'auteur). *****___***** EXCURSIONS DANS LES ASILES DE NUIT d'hommes et de femmes à Paris. (p. 286 à 297 - P. Gsell, 15 illustrations de Seguin). *****___***** LE VOL. (p. 321 à 331 - G. Beaume, 5 illustrations de Etcheverry). *****___***** VIEILLARDS. (p. 347 à 350 - Edgy, 1 illustration de Mucha). *****___***** LE MÉTROPOLITAIN DE PARIS. (p. 353 à 368 - G. Cadoux, 11 illustrations et photographies). *****___***** LES CHIENS COURANTS. (p. 440 à 450 - P. Mégnin, 7 illustrations de C. Weisser). *****___***** MÈRE DES DOULEURS. (p. 481 à 497 - C. Lemonnier, 5 illustrations de Mucha). *****___***** DANS LE BEFFROI. (p. 526 à 176 - J. Doucet, 3 illustrations de A. Robida). *****___***** LES AFFICHES ILLUSTRÉES ÉTRANGÈRES. (p. 537 à 546 - J. Adeline, 10 reproductions). *****___***** THÉÂTRE DU CHAT NOIR. (p. 563 à 579 - P. Eudel, 18 illustrations dont 3 de Robida). *****___***** LES COURSES DE TAUREAUX. (p. 580 à 497 - P. Vrignault, 15 illustrations de D. Serlach). *****___***** L'ARTILLERIE EN CAMPAGNE. (p. 591 à 602 - E. Manceau, 9 illustrations de A. Lalauze). *****___***** REVUE DU MOIS. (p. 639 - 9 illustrations par Moloch). *****___***** LES PASSANTS. (p. 641 à 651 - A. Hermant, 5 illustrations de R. Lelong). *****___***** LES FÊTES FORAINES DE PARIS. (p. 652 à 660 - P. Vauthier, 8 illustrations de l'auteur). *****___***** HANOÏ ET SES ENVIRONS. (p. 676 à 602 - E. Jung, 7 illustrations de A. Montader). *****___***** LA MONNAIE. (p. 685 à 602 - C. de Néronde, 23 illustrations et photographies). *****___***** PROFIL DE COMÉDIENS DE SALON. (p. 709 à 718 - P. Bilhaud, 6 illustrations de E. Bayard). *****___***** UN COUVENT CATHOLIQUE A LONDRES. (p. 731 à 736 - L. P., 11 illustrations de G. Lambert). *****___***** UNE EXCURSION AU TRANSVAAL. (p. 737 à 753 - L. de Launay, 18 illustrations et photographies). *****___***** LE MOIS COMIQUE. (p. 799 - 9 illustrations par Moloch). *****___***** LES DEUX FILS FARCOT. (p. 801 à 817 - Masson-Forestier, 5 illustrations de C. Vaugneray). *****___***** CHANTEURS COMIQUES. (p. 926 à 932 - P. Frimm, 12 portraits illustrés de P. Frimm). *****___***** LE MOIS COM.