Laurence Schmidlin (126 results)

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Hardback. Condition: New. Unexpected events in the present can in the long term affect our view of both the past and the future. Dealing with this fundamental uncertainty as an artist characterises the work of Silvie Defraoui, born 1935, and also determines her Archives du Futur, the platform for artistic reflection she initiated in 1975 together with her late partner Chérif (1932-94).This elegant book features some 40 works that Defraoui has created since 1994, using the media of video, painting, neon, and photography. Some of them have been newly created for her major solo exhibition at the MCBA in Lausanne in the spring 2023 and are published in this book for the first time. All of them bear witness to continuous change and impressively illustrate the metamorphosis of the Archives du Futur, which has now been in existence for almost five decades. Laurence Schmidlin's essay offers a new approach to Defraoui's artistic ideas and concepts.Text in English, French and German.…

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Hardcover. Condition: new. Hardcover. Since the mid-2000s, Swiss artist David Hominal has been one of the most original and vigorous voices of the contemporary art scene. Working primarily with paintingprincipally in serieshe also explores sculpture, drawing, film, printmaking, performance and installation. His multifaceted work is the offspring of an exceptionally intense relationship with the world. It is a place where images drawn from both personal and everyday sources interact; where disciplines such as dance, music and the visual arts converge.This first monograph on his oeuvre offers an overview of his practice, underlining his engagement in representation, expression of the self and the traditions of art and art history. As French art critic and curator Stephanie Moisdon states in her commissioned essay: "Hominal's oeuvre stands firm in the middle of the contemporary tumult, neither reveals nor conceals any hidden part. It stands there, in the entire coarseness of its appearance. No tongue-in-cheek humor, no false flooring, illusion or trickery. His painting expresses only what it shows, diverting the endeavors, as tiring as they are many, to clarify and reveal. In his work there is a constant oscillation between homage and dismantling, between too much and too little, between the elimination (of sources, of contexts) and the appropriation (of sensations, of intensities), from which bare forms arise." A second essay by Laurence Schmidlin, Musee Jenisch Deputy Director and Head of the Cabinet cantonal des estampes, analyzes Hominals practice and relationship to printmaking in the global context of his work.David Hominal was born in 1976 in Evian, France. He graduated from ECAL (Lausanne) and is now based in Berlin. He exhibited recently at Helmhaus, Zurich; Centre dart contemporain, Geneva; Kunsthalle Bern, Bern; and the Swiss Institute, New York. Recent exhibitions include a solo show at Le Consortium, Dijon, and at Musee Jenisch Vevey (on the occasion of which this volume is published). Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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