Ladina Lambert (26 results)

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Why do certain works of art make it into the canon while others just enjoy a brief moment of recognition, if at all? How do moments produce monuments, and why are monuments erased from our cultural memory in only a moment? - Taking into account these cultural processes of creating, storing, remembering and forgetting that are omnipresent and have an immense influence on how we perceive artefacts and cultural events, the articles in this collection analyze the phenomenon of cultural production, transmission and reception from various angles, drawing on approaches from both literary and cultural studies. With its transdisciplinary approach, this book uniquely responds to an everyday cultural phenomenon that so far has not received such wide-ranging attention.…

Condition: New. Editor(s): Lambert, Ladina Bezzola; Ochsner, Andrea. Num Pages: 228 pages, 6 colour illus. BIC Classification: AM. Category: (G) General (US: Trade). Dimension: 136 x 227 x 16. Weight in Grams: 336. . 2009. Paperback. . . . .

Condition: New.

Condition: New. In English.

Paperback. Condition: Brand New. illustrated edition. 227 pages. 8.75x5.25x0.75 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Original publisher's sewn paperback, pictorial frontcover, large 8vo: 182pp., 6 essays, 4 illustrations, footnotes, bibliography, index. Contents: 1. How Metaphors Matter: Astolfo's Lunar Journey in the Orlando furioso. 2. Images Proposed in Jest: Galileo's Sidereus nuncius and the Dialogue. 3. The Stuff that Dreams are Made of: Kepler's Somnium. 4. Worlds of Words: Cyrano de Bergerac's Lune and Soleil. 5. Metaphors as Systems of Thought: Fontenelle, Cyrano, Wilkins and Huygens. 6. Representing the Unimaginability of the Imaginable: Italo Calvino's Castello dei destini incrociati and Le città invisibili. Very fine copy - as new. Volume 58: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft. How is it possible to imagine what is unknown and therefore unimaginable? How can the unimaginable be represented? On what materials do such representations rely? These questions lie at the heart of this book. Copernican theory redefined the role and importance of the imagination even as it implied the moment of its crisis. Based on this claim, Ladina Bezzola Lambert analyzes seventeenth-century astronomical texts - particularly descriptions of the moon and treatises written in support of the theory of the plurality of worlds - to show how early modern astronomers questioned the role of the imagination as a tool to visualize the unknown, but also how, pressed by the need to support their theories with convincing descriptions of other potential worlds, they sought to overcome the limitations of the imagination with a sophisticated rhetoric and techniques more commonly associated with poetic writing. The limitations of the imagination are at once a problem that all of the texts discussed struggle with and their recurrent theme. In the first and last chapter, the focus shifts to a more explicitly literary context: Ariosto's Orlando furioso and the work of Italo Calvino. The change of focus from science to literature and from the narratives of the past to contemporary ones serves to emphasize that the issues relating to the imagination, its limitations and creative means, are basically the same both in science and literature and that they are still relevant today.…

Condition: New. Editor(s): Lambert, Ladina Bezzola; Ochsner, Andrea. Num Pages: 228 pages, 6 colour illus. BIC Classification: AM. Category: (G) General (US: Trade). Dimension: 136 x 227 x 16. Weight in Grams: 336. . 2009. Paperback. . . . . Books ship from the US and Ireland.

Condition: NEW.

Kartoniert / Broschiert. Condition: New. Why do certain works of art make it into the canon while others just enjoy a brief moment of recognition, if at all? How do moments produce monuments, and why are monuments erased from our cultural memory in only a moment? - Taking into account these cultur.

Taschenbuch. Condition: Neu. Neuware - Why do certain works of art make it into the canon while others just enjoy a brief moment of recognition, if at all How do moments produce monuments, and why are monuments erased from our cultural memory in only a moment - Taking into account these cultural processes of creating, storing, remembering and forgetting that are omnipresent and have an immense influence on how we perceive artefacts and cultural events, the articles in this collection analyze the phenomenon of cultural production, transmission and reception from various angles, drawing on approaches from both literary and cultural studies. With its transdisciplinary approach, this book uniquely responds to an everyday cultural phenomenon that so far has not received such wide-ranging attention.…

Taschenbuch. Condition: Neu. Neuware - Von der grammatischen Form bis zur Erzählkonstruktion. Über das »Ich« in der Literatur.Das Ich als Fluchtpunkt und Ursprung in Rede und Schrift, diesem Thema gehen die Autoren nach: dem Ich-Sagen und Ich-Schreiben. Dabei steht das subjektive lyrische Ich neben Niklas Luhmanns These, wonach nur die Gesellschaft »ich« sage, niemals aber das Individuum. Wie »ich« gesagt oder unterdrückt wird, sagt oft mehr aus über die gesellschaftlichen Veranschlagungen von Identität als über die alte Kernfrage des King Lear: »Who is it that can tell me who I am «Inhalt:Brigitte Kronauer: . wir ahnen endlose GebieteSibylle Lewitscharoff: Ich versus Wider-IchMichel Mettler: Auf dem Babystrich der IndividuationChristian Haller: Feldtheorie des IchBrigitte Helbling: Ich, Penthesilea!Markus Koller: Das Ich als Wir. Die Subjektanalyse bei LuhmannLadina Bezzola Lambert: »Von uns selber schweigen wir«. Francis Bacon auf der Schwelle zum modernen WissenschaftsverständnisGerd Folkers: Die Transformation des Ich im LaboratoriumHarald Atmanspacher: Die erste Person Singular in der WissenschaftAndreas Langenbacher: PapageieneierMichael Braun: Das lyrische Ich - ein wilder Begriff. Anmerkungen zu einer totgesagten KategorieRoman Bucheli: Über die Melancholie des literarischen Ich. Die Wiedergeburt des Autors aus dem Geist des JournalsMichel Mettler: Das politische Ich. Max Frisch im Dialog mit dem Phantom der ÖffentlichkeitWojciech Simson: Der geträumte Schmetterling. Was es bedeutete, im alten China »ich« zu sagenHoo Nam Seelmann: Atmende Leere und das Ma-um im Fluss. Das Ich und die koreanische KulturFuminari Niimoto: Inszenierung der Ich-Fiktion auf der Bühne der japanischsprachigen Robert Walser-AusgabeZsuzsanna Gahse: Das Ich ist ein Fürwort, für wen auch immer.…

Paperback. Condition: New. Why do certain works of art make it into the canon while others just enjoy a brief moment of recognition, if at all? How do moments produce monuments, and why are monuments erased from our cultural memory in only a moment? - Taking into account these cultural processes of creating, storing, remembering and forgetting that are omnipresent and have an immense influence on how we perceive artefacts and cultural events, the articles in this collection analyze the phenomenon of cultural production, transmission and reception from various angles, drawing on approaches from both literary and cultural studies. With its transdisciplinary approach, this book uniquely responds to an everyday cultural phenomenon that so far has not received such wide-ranging attention.…

Condition: New.

Condition: New.

Taschenbuch. Condition: Neu. Neuware - How is it possible to imagine what is unknown and therefore unimaginable How can the unimaginable be represented On what materials do such representations rely These questions lie at the heart of this book. Copernican theory redefined the role and importance of the imagination even as it implied the moment of its crisis. Based on this claim, Ladina Bezzola Lambert analyzes seventeenth-century astronomical texts - particularly descriptions of the moon and treatises written in support of the theory of the plurality of worlds - to show how early modern astronomers questioned the role of the imagination as a tool to visualize the unknown, but also how, pressed by the need to support their theories with convincing descriptions of other potential worlds, they sought to overcome the limitations of the imagination with a sophisticated rhetoric and techniques more commonly associated with poetic writing. The limitations of the imagination are at once a problem that all of the texts discussed struggle with and their recurrent theme. In the first and last chapter, the focus shifts to a more explicitly literary context: Ariosto's Orlando furioso and the work of Italo Calvino. The change of focus from science to literature and from the narratives of the past to contemporary ones serves to emphasize that the issues relating to the imagination, its limitations and creative means, are basically the same both in science and literature and that they are still relevant today.…

Softcover. Condition: Sehr gut. sehr gut, wie ungelesen, 182 seiten Language: DEU.

Taschenbuch. Condition: Neu. Ortlose Mitte | Das Ich als kulturelle Hervorbringung | Ladina Bezzola Lambert (u. a.) | Taschenbuch | 236 S. | Deutsch | 2013 | Wallstein | EAN 9783835313293 | Verantwortliche Person für die EU: Wallstein Verlag GmbH, Geiststr. 11, 37073 Göttingen, info[at]wallstein-verlag[dot]de | Anbieter: preigu. …

Broschur : sehr guter Zustand, 237 Seiten, Ill. Literaturangaben ; 22 x 14 cm 450 g. Sprache: Deutsch.

Condition: new. Questo è un articolo print on demand.