Kuhn Isabel (42 results)

Paperback. Condition: Very Good. Paperback, in Very Good condition, there are no stamps writing or marks, paper is tanning with age, a little bit of edge wear, good binding, clean unmarked pages, nice shape for an older book, Moody Pocket Books #53.

Soft cover. Condition: Fair. Cover and spine worn but text block clear and binding intact. WR.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: new.

Condition: New.

Paperback. Condition: New. Critique is a form of thinking and acting. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as concepts such as the break, marginalization, tearing, and opening indicate. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated that generate critical statements less through traditional argument and more through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects, and instruments, visibly enters the critical scene. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice.…

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. 2020. Paperback. . . . . .

Condition: New. pp. 375.

Paperback. Condition: new. Paperback. Critique is a form of thinking and acting. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as concepts such as the break, marginalization, tearing, and opening indicate. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated that generate critical statements less through traditional argument and more through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects, and instruments, visibly enters the critical scene. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condition: Brand New. 256 pages. 7.50x4.75x1.00 inches. In Stock.

Condition: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.

Condition: New. In English.

Condition: New.

Condition: New. pp. 375.

Condition: As New. Unread book in perfect condition.

Taschenbuch. Condition: Neu. Neuware - Critique is a form of thinking and acting. It is determined by its objects, yet never accesses them immediately but is always mediated through its own forms of (re)presentation. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as topoi such as the break, the marginalization, the tearing and opening indicate. However, these multifarious attempts to 'build on the structure through demolition' (Benjamin) testify to the dependence of all articulation on the forms of (re)presentation ['Darstellung']. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated which generate their critical statements less argumentatively than through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects and instruments, visibly enters the critical scene-whereas the theatrical scene as a stage of critique has been contested intensively during the 20th century. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice.…

Hardback. Condition: New.

Condition: Gut - gebraucht. 1. Aufl. Taschenbuch Guter Zustand Zustand: 3, Gut - gebraucht, Taschenbuch Brunnen Verlag 1. Aufl, 1982 , Die mich suchen. In der Arena. Beide Bücher in einem Band, Isabel Kuhn.

Softcover. Condition: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery Good, writing inside cover, no stamps, no labels.

Condition: Wie Neu!!. Wie Neu!!.

Condition: New. Critique is a form of thinking and acting. It is determined by its objects, yet never accesses them immediately but is always mediated through its own forms of (re)presentation. Since the end of the 18th century, there has been a dynamization and fluidiz.

Condition: Sehr gut. 96 Seiten. 31 cm. Kartoniert. Sehr gut. Sprache: Englisch Gewicht in Gramm: 450.

Hardcover. Condition: Brand New. German language. 11.22x8.74x0.79 inches. In Stock.