Kragelund Patrick (60 results)

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. Prophecy, Populism, Propaganda in the 'Octavia'.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. 1982. Paperback. Series: Opuscula Graecolatina S. Num Pages: 88 pages. BIC Classification: 2ADL; DSBB; DSG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 205 x 134 x 6. Weight in Grams: 120. . . . . .

Condition: New. 1982. Paperback. Series: Opuscula Graecolatina S. Num Pages: 88 pages. BIC Classification: 2ADL; DSBB; DSG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 205 x 134 x 6. Weight in Grams: 120. . . . . . Books ship from the US and Ireland.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: Very Good. Hardback with printed boards. Bump on top of spine but inside pages are clean and unmarked.

hardcover. Condition: Very Good. Pages clean and bright, no markings, light wear to edges. Binding tight. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

hardcover. Condition: Very Good. no dust jacket as issued, books 1 and 2 together, Danish edition No dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9788763545945.

Separatum. Condition: Gut. pp. 181-224. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Author's name and year of publication handwritten on cover, otherwise a perfect copy. - From the text: The latter half of the eighteenth century witnessed a decisive change in the appreciation of Homer. Even long after the conclusion of the Querelle entre les Anciens et les Modernes an influential figure like Voltaire would consider Virgil, and not Homer, to be the uncontested master of world literature.1 Half a century later, however, there were, at least in North-West Europe, few who did not reserve this place for Homer. This rapid reassessment of two of the founding heroes of European culture also had an impact on the visual arts. A count of the Iliad motifs in European art has shown, for example, that of a total of about three hundred works, two hundred are concentrated within the period 1750 1825, the remainder being more or less equally distributed throughout the centuries before and after this central period. The period in question also witnessed a remarkable growth in the quantity of commonly-known Homeric motifs: while the standard repertoire seems to have numbered around a dozen prior t.o 1750, it increased gradually during the subsequent decades to more than forty. - Wikipedia: Nicolai Abraham Abildgaard (11 September 1743 4 June 1809) was a Danish neoclassical and royal history painter, sculptor, architect, and professor of painting, mythology, and anatomy at the New Royal Danish Academy of Art in Copenhagen, Denmark. Many of his works were in the royal Christiansborg Palace (some destroyed by fire 1794), Fredensborg Palace, and Levetzau Palace at Amalienborg. Sprache: Englisch Gewicht in Gramm: 550.…

Brossura. Condition: new. New edition.Roma, 2021; br., pp. 364, ill. b/n e col., cm 15x18.(Analecta Romana Instituti Danici. Supplementa. 55). This is the first publication in English of a material of crucial historical importance. With its more than 220 Latin inscriptions, all transcribed, translated and, when deemed necessary, annotated, this handbook offers readers a work of reference and, at the same time, a walking or reading guide to a cross-section of Florentine history, from the mid-thirteenth century to the end of the Medici dynasty in the mid-eighteenth century, which also saw the demise of Latin as the preferred medium for addressing posterity. The emphasis is on monuments that carry crucial information about the city, its art and its key personalities in the truly golden periods of its history. For historians and art historians as well as for actual (no less than armchair) visitors, be it in groups or on their own, this anthology aims to inform, inspire, clarify and contextualise.Among the early highlights are inscriptions commemorating the father of Dante's Beatrice and the building of Ponte Vecchio, of the Bargello and the Duomo. The book opens new perspectives by unravelling how the humanist study of classical epigraphy from the 1430s onwards made a lasting impact on the composition of Florentine inscriptions. This is a hitherto little acknowledged aspect of the so-called civic humanism. While moving away from a framework based upon Scripture and Christian values, civic humanism looked to ancient Rome for inspiration and models.Another focus is the way the rise to power of the Medici is mirrored in centralised efforts to give official epigraphy the suitably Augustan and imperial (as opposed to republican) formats. From 1537 onwards, Cosimo, the second Duke and, eventually, the first Grand Duke, literally inscribed what was now his city of residence, its walls, bridges, churches, mercati, squares and monuments - and this in a manner underlining his monarchical ambitions. When the decline of the Grand Duchy set in, this was mirrored in a decline of the dynasty's epigraphical self-promotion, memorials in the end often focusing on past glories.What survived Florence's transition from merchant republic to monarchy was the pervasive and highly patriotic cult of uomini illustri. Monuments to men of letters and art are numerous, this trend reaching its nadir with the memorials for the divine Michelangelo. In contrast, honours for the period's greatest scientist, Galilei Galileo, was at first vehemently opposed by the Church, his belated rehabilitation only taking place almost a century after the Inquisition had condemned his teachings. Libro. …

Condition: New.

Condition: As New. Unread book in perfect condition.

Taschenbuch. Condition: Neu. Neuware - Prophecy, Populism, Propaganda in the 'Octavia&apos.

Condition: New.

Condition: New. KlappentextrnrnProphecy, Populism, Propaganda in the &aposOctavia&apos.

Condition: New.

Paperback. Condition: New. New Book, Direct from Publisher.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. Prophecy, Populism, Propaganda in the 'Octavia'.

Soft cover. Condition: Good. 88 pages. Series: Opuscula graecolatina, 25.

Condition: New.

Softcover. Condition: Sehr gut. 224 Seiten Das Werk bietet eine Analyse von Homer\'s Einfluss auf die bildende Kunst im 18. Jahrhundert, fokussiert auf den Künstler Abildgaard und seine Arbeiten, die von den alten Mythen inspiriert wurden. Zustand: Einband mit stärkeren Gebrauchsspuren, Seiten geringfügig gebräunt, insgesamt GUTER Zustand. HC1-545-3/8-00603115 Sprache: Englisch Gewicht in Gramm: 185.…

Condition: New. Brand New.