Key Jo Lee (28 results)

Hardcover. First Edition; First Printing. Fine in fine dust jacket in mylar cover.

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Hardcover. Condition: new. Hardcover. A powerful reframing of the study of Black art and the historical and contemporary status of Black livesPerceptual Drift offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Arts collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the limits of canonic art history, rooted as it is in social and racial inequities. The opening essay by Key Jo Lee introduces the concept of perceptual drift: a means of exploring the matter of Blackness, or Blackness as matter in art and scholarship. Christina Sharpe examines Rho I (1977) by Jack Whitten; Lee explores Lorna Simpsons Cure/Heal (1992); Robin Coste Lewis analyzes Ellen Gallaghers Bouffant Pride (2003); and Erica Moiah James considers Simone Leighs Las Meninas (2019). This approach seeks to transform how art history is written, introduce readers to complex objects and theoretical frameworks, illuminate meanings and untold histories, and simultaneously celebrate and open new entry points into Black art. A powerful reframing of the study of Black art and the historical and contemporary status of Black lives Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. 2022. Hardcover. . . . . .

Hardback. Condition: New. A powerful reframing of the study of Black art and the historical and contemporary status of Black livesPerceptual Drift offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Art's collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the limits of canonic art history, rooted as it is in social and racial inequities. The opening essay by Key Jo Lee introduces the concept of "perceptual drift": a means of exploring the matter of Blackness, or Blackness as matter in art and scholarship. Christina Sharpe examines Rho I (1977) by Jack Whitten; Lee explores Lorna Simpson's Cure/Heal (1992); Robin Coste Lewis analyzes Ellen Gallagher's Bouffant Pride (2003); and Erica Moiah James considers Simone Leigh's Las Meninas (2019). This approach seeks to transform how art history is written, introduce readers to complex objects and theoretical frameworks, illuminate meanings and untold histories, and simultaneously celebrate and open new entry points into Black art.Distributed for the Cleveland Museum of Art.…

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HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.

Condition: New.

Hardback. Condition: New. A powerful reframing of the study of Black art and the historical and contemporary status of Black livesPerceptual Drift offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Art's collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the limits of canonic art history, rooted as it is in social and racial inequities. The opening essay by Key Jo Lee introduces the concept of "perceptual drift": a means of exploring the matter of Blackness, or Blackness as matter in art and scholarship. Christina Sharpe examines Rho I (1977) by Jack Whitten; Lee explores Lorna Simpson's Cure/Heal (1992); Robin Coste Lewis analyzes Ellen Gallagher's Bouffant Pride (2003); and Erica Moiah James considers Simone Leigh's Las Meninas (2019). This approach seeks to transform how art history is written, introduce readers to complex objects and theoretical frameworks, illuminate meanings and untold histories, and simultaneously celebrate and open new entry points into Black art.Distributed for the Cleveland Museum of Art.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: New.

Condition: New. In English.

Hardcover. Condition: Brand New. 80 pages. 11.50x8.50x0.50 inches. In Stock.

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Condition: New.

Condition: New.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condition: new. Hardcover. A powerful reframing of the study of Black art and the historical and contemporary status of Black livesPerceptual Drift offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Arts collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the limits of canonic art history, rooted as it is in social and racial inequities. The opening essay by Key Jo Lee introduces the concept of perceptual drift: a means of exploring the matter of Blackness, or Blackness as matter in art and scholarship. Christina Sharpe examines Rho I (1977) by Jack Whitten; Lee explores Lorna Simpsons Cure/Heal (1992); Robin Coste Lewis analyzes Ellen Gallaghers Bouffant Pride (2003); and Erica Moiah James considers Simone Leighs Las Meninas (2019). This approach seeks to transform how art history is written, introduce readers to complex objects and theoretical frameworks, illuminate meanings and untold histories, and simultaneously celebrate and open new entry points into Black art. A powerful reframing of the study of Black art and the historical and contemporary status of Black lives Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condition: new. Hardcover. A powerful reframing of the study of Black art and the historical and contemporary status of Black livesPerceptual Drift offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Arts collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the limits of canonic art history, rooted as it is in social and racial inequities. The opening essay by Key Jo Lee introduces the concept of perceptual drift: a means of exploring the matter of Blackness, or Blackness as matter in art and scholarship. Christina Sharpe examines Rho I (1977) by Jack Whitten; Lee explores Lorna Simpsons Cure/Heal (1992); Robin Coste Lewis analyzes Ellen Gallaghers Bouffant Pride (2003); and Erica Moiah James considers Simone Leighs Las Meninas (2019). This approach seeks to transform how art history is written, introduce readers to complex objects and theoretical frameworks, illuminate meanings and untold histories, and simultaneously celebrate and open new entry points into Black art. A powerful reframing of the study of Black art and the historical and contemporary status of Black lives Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Leinen (Buchleinen). Condition: New. A powerful reframing of the study of Black art and the historical and contemporary status of Black lives&Uumlber den AutorKey Jo Lee is director of academic affairs and associate curator of special projects at the Cleveland M.

Hardback. Condition: New. A powerful reframing of the study of Black art and the historical and contemporary status of Black livesPerceptual Drift offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Art's collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the limits of canonic art history, rooted as it is in social and racial inequities. The opening essay by Key Jo Lee introduces the concept of "perceptual drift": a means of exploring the matter of Blackness, or Blackness as matter in art and scholarship. Christina Sharpe examines Rho I (1977) by Jack Whitten; Lee explores Lorna Simpson's Cure/Heal (1992); Robin Coste Lewis analyzes Ellen Gallagher's Bouffant Pride (2003); and Erica Moiah James considers Simone Leigh's Las Meninas (2019). This approach seeks to transform how art history is written, introduce readers to complex objects and theoretical frameworks, illuminate meanings and untold histories, and simultaneously celebrate and open new entry points into Black art.Distributed for the Cleveland Museum of Art.…

Buch. Condition: Neu. Neuware - A powerful reframing of the study of Black art and the historical and contemporary status of Black lives Perceptual Drift offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Art's collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the limits of canonic art history, rooted as it is in social and racial inequities. The opening essay by Key Jo Lee introduces the concept of 'perceptual drift' a means of exploring the matter of Blackness, or Blackness as matter in art and scholarship. Christina Sharpe examines Rho I (1977) by Jack Whitten; Lee explores Lorna Simpson's Cure/Heal (1992); Robin Coste Lewis analyzes Ellen Gallagher's Bouffant Pride (2003); and Erica Moiah James considers Simone Leigh's Las Meninas (2019). This approach seeks to transform how art history is written, introduce readers to complex objects and theoretical frameworks, illuminate meanings and untold histories, and simultaneously celebrate and open new entry points into Black art. Distributed for the Cleveland Museum of Art.…

Hardback. Condition: New. A powerful reframing of the study of Black art and the historical and contemporary status of Black livesPerceptual Drift offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Art's collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the limits of canonic art history, rooted as it is in social and racial inequities. The opening essay by Key Jo Lee introduces the concept of "perceptual drift": a means of exploring the matter of Blackness, or Blackness as matter in art and scholarship. Christina Sharpe examines Rho I (1977) by Jack Whitten; Lee explores Lorna Simpson's Cure/Heal (1992); Robin Coste Lewis analyzes Ellen Gallagher's Bouffant Pride (2003); and Erica Moiah James considers Simone Leigh's Las Meninas (2019). This approach seeks to transform how art history is written, introduce readers to complex objects and theoretical frameworks, illuminate meanings and untold histories, and simultaneously celebrate and open new entry points into Black art.Distributed for the Cleveland Museum of Art.…

Buch. Condition: Neu. Perceptual Drift | Black Art and an Ethics of Looking | Key Jo Lee | Buch | Gebunden | Englisch | 2022 | Yale University Press | EAN 9780300263923 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.