Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Soft cover. Condition: Fair. Cover and spine worn but text block clear and binding intact. WR.
Condition: New.
Paperback. Condition: New. Critique is a form of thinking and acting. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as concepts such as the break, marginalization, tearing, and opening indicate. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated that generate critical statements less through traditional argument and more through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects, and instruments, visibly enters the critical scene. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice.
Condition: As New. Unread book in perfect condition.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Condition: new.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Condition: New. 2020. Paperback. . . . . .
Condition: New. pp. 375.
Language: English
Published by Diaphanes AG, Zurich, 2020
ISBN 10: 3035802408 ISBN 13: 9783035802405
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. Critique is a form of thinking and acting. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as concepts such as the break, marginalization, tearing, and opening indicate. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated that generate critical statements less through traditional argument and more through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects, and instruments, visibly enters the critical scene. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Paperback. Condition: Brand New. 256 pages. 7.50x4.75x1.00 inches. In Stock.
Condition: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.
Condition: New. pp. 375.
Unknown. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Condition: New.
Seller: ACADEMIA Antiquariat an der Universität, Freiburg, Germany
Association Member: BOEV
Condition: Sehr gut. 96 Seiten. 31 cm. Kartoniert. Sehr gut. Sprache: Englisch Gewicht in Gramm: 450.
Condition: As New. Unread book in perfect condition.
Language: German
Published by Circon Verlag GmbH; 3. Edition (1. April 2021), 2021
ISBN 10: 3817429827 ISBN 13: 9783817429820
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Hardback. Condition: New.
Language: German
Published by Circon Verlag GmbH 2021-04-01, 2021
ISBN 10: 3817429827 ISBN 13: 9783817429820
Seller: Chiron Media, Wallingford, United Kingdom
£ 14.39
Quantity: Over 20 available
Add to basketHardcover. Condition: New.
Published by Brunnen Verlag, 1982
ISBN 10: 3765531561 ISBN 13: 9783765531569
Seller: Sigrun Wuertele buchgenie_de, Altenburg, Germany
First Edition
Condition: Gut - gebraucht. 1. Aufl. Taschenbuch Guter Zustand Zustand: 3, Gut - gebraucht, Taschenbuch Brunnen Verlag 1. Aufl, 1982 , Die mich suchen. In der Arena. Beide Bücher in einem Band, Isabel Kuhn.
Hardcover. Condition: Brand New. German language. 11.22x8.74x0.79 inches. In Stock.
Seller: winni´s antiquariat, St. Georgen am Ybbsfelde, Austria
Condition: Wie Neu!!! Wie Neu!!!
Condition: New. Critique is a form of thinking and acting. It is determined by its objects, yet never accesses them immediately but is always mediated through its own forms of (re)presentation. Since the end of the 18th century, there has been a dynamization and fluidiz.
Kartoniert / Broschiert. Condition: New. Politische Anthropologie und Kulturanthropologie des Politischen haben sich in den turbulenten Zeiten der Konstituierung der europaeischen Nachkriegsdemokratien als empirische Untersuchungsfelder herausgebildet. Unter dem Eindruck aktueller gesellschaftspoli.
Taschenbuch. Condition: Neu. Neuware - Critique is a form of thinking and acting. It is determined by its objects, yet never accesses them immediately but is always mediated through its own forms of (re)presentation. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as topoi such as the break, the marginalization, the tearing and opening indicate. However, these multifarious attempts to 'build on the structure through demolition' (Benjamin) testify to the dependence of all articulation on the forms of (re)presentation ['Darstellung']. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated which generate their critical statements less argumentatively than through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects and instruments, visibly enters the critical scene-whereas the theatrical scene as a stage of critique has been contested intensively during the 20th century. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice.
Taschenbuch. Condition: Neu. Critique: The Stakes of Form | Critical Stances | Beate Söntgen | Taschenbuch | 352 S. | Englisch | 2020 | DIAPHANES AG | EAN 9783035802405 | Verantwortliche Person für die EU: diaphanes verlag, Dresdener Str. 118, 10999 Berlin, vertrieb[at]diaphanes[dot]net | Anbieter: preigu.
Language: English
Published by Diaphanes AG, Zurich, 2020
ISBN 10: 3035802408 ISBN 13: 9783035802405
Seller: AussieBookSeller, Truganina, VIC, Australia
Paperback. Condition: new. Paperback. Critique is a form of thinking and acting. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as concepts such as the break, marginalization, tearing, and opening indicate. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated that generate critical statements less through traditional argument and more through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects, and instruments, visibly enters the critical scene. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Paperback. Condition: New. Critique is a form of thinking and acting. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as concepts such as the break, marginalization, tearing, and opening indicate. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated that generate critical statements less through traditional argument and more through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects, and instruments, visibly enters the critical scene. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice.
Language: German
Published by Zürich, Edition Howeg Verlag, 2005
ISBN 10: 3857362405 ISBN 13: 9783857362408
Seller: Bookstore-Online, Mattsies, Germany
Leineneinband. Condition: Sehr gut. Auflage aus dem Buch nicht ersichtlich. 81 Seiten Das Buch befindet sich in einem gebrauchten sehr guten Zustand. Es ist gebraucht und hat nur geringe Gebrauchsspuren, wie Verfärbung der Schnittkanten, leichter Abrieb an den Kanten vom Einband. Der Schutzumschlag ist an der hinteren oberen Ecke etwas geknickt. Im Buch keine Einträge oder Beschriftungen. Nichtraucherbuch. Rik281505SK Sprache: Deutsch Gewicht in Gramm: 700.