Ilaria Ciseri (87 results)

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condition: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

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Condition: Very Good. Reprint. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Condition: Very Good. Dust Jacket Condition: Very Good. A nice copy. No writing or highlighting. Clean pages, shows very minimal signs of wear from use. Shipped with care in a bubble mailer. Feel free to inquire for photos or more details.

Condition: New.

Condition: New.

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Condition: As New. Unread book in perfect condition.

Paperback. Condition: new. Paperback. The French city of Limoges was world famous for the production of champleve enamels during the Middle Ages. During the Renaissance a revival of Limoges enamels took place, but the technique employed was that of painted enamel. Triptychs with a sacred subject, conceived as a painting but shining like jewellery and built with durable materials, became popular. The three works held at the Bargello National Museum in Florence are attributable to Nardon Penicaud (14701542), a primary artist with an active workshop. The three enamel paintings came from the famous collection of Louis Carrand, a Lyon antiquarian, who donated them to the Bargello in the 19th century. Their story is told in Ilaria Ciseri's essay. Paola Venturelli analyses the historical and artistic aspects of the works and places them in the context of contemporary enamel production. The final contributions from the Opificio delle Pietre Dure address the conservation of the three delicate enamels and analyses materials and pigments. AUTHORS: Ilaria Ciseri is an art historian, since 2014 she has been curator at the Bargello National Museum in Florence and she has worked on numerous scientific publications. Paola Venturelli teaches History of Lombard Art at the University of Como. She has published essays on the history of goldsmithing and the sumptuary arts of Lombardy. SELLING POINTS: . The tryptichs, that for the occasion have undergone extensive conservation work, will be housed from June 2022 in a new air-conditioned showcase 6 b/w illustrations The book illustrates three enamel triptychs with a sacred subject, conceived as a painting but shining like jewellery, produced in Limoges in the 16th century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Boards. Condition: Fine. First American edition. Large square 4to, 399 pp., color plates throughout. LARGE BOOK: Extra shipping charges may apply.

Hardcover. Condition: As New.

Paperback. Condition: New. The French city of Limoges was world famous for the production of champlevé enamels during the Middle Ages. During the Renaissance a revival of Limoges enamels took place, but the technique employed was that of painted enamel. Triptychs with a sacred subject, conceived as a painting but shining like jewellery and built with durable materials, became popular. The three works held at the Bargello National Museum in Florence are attributable to Nardon Pénicaud (1470-1542), a primary artist with an active workshop. The three enamel paintings came from the famous collection of Louis Carrand, a Lyon antiquarian, who donated them to the Bargello in the 19th century. Their story is told in Ilaria Ciseri's essay. Paola Venturelli analyses the historical and artistic aspects of the works and places them in the context of contemporary enamel production. The final contributions from the Opificio delle Pietre Dure address the conservation of the three delicate enamels and analyses materials and pigments.…

paperback. Condition: Very Good.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. FIRST U. S. EDITION hardcover, sewn-bound in glossy light blue boards, is in NF condition, having slight smudging at bottom right corner of closed page edges; light smudge in border of p. 34. Dust jacket, enclosed in protective mylar (mylar not pictured), is in NF condition also. Illustrated with more than 450 color images. An exquisitely illustrated volume concerning the movement in painting termed romanticism. Beautiful reproductions of the work of romantic artists. Art. 18th-19th centuries. Painting. Due to its great weight (100.5 oz) extra shipping cost may apply. LL.…

Condition: New. 2023. paperback. . . . . .

Paperback. Condition: Brand New. 80 pages. 9.75x7.75x0.50 inches. In Stock.

Condition: Neuf.

Condition: New. In English.

Paperback. Condition: Brand New. 80 pages. 9.75x7.75x0.50 inches. In Stock.

Condition: As New. Unread book in perfect condition.

paperback. Condition: New. Special order direct from the distributor.

Condition: New. 2023. paperback. . . . . . Books ship from the US and Ireland.

Condition: New.

large glossy light blue hardcover ~ 2º (folio ~ 12"x12"). large "coffee table" book, international or priority shipping will cost extra. dustwrapper in protective plastic book jacket cover. very fine cond. binding square & tight. covers clean. bottom corners shelf rubbed a little. edges clean. contents free of markings. dustwrapper in very fine cond. not worn or torn or price clipped. very nice clean copy. looks new. no library markings, store stamps, stickers, bookplates, no names, inking, underlining, remainder markings etc~. first edition. first printing (#1 in # line). color decorative endpapers. 3 glossy full color double page illustrations at front. full color frontis. 399p. glossy pages throughout. 450 full color illustrations. references. biographies. bibliography. index of names and places. photographic references. ~ "To say Romanticism is to say modern art ~ that is, intimacy, spirituality, color, aspiration toward the infinite, expressed with all the means available to the arts." With these words Charles Baudelaire, in 1846, summarized the essence of the fascinating cultural, spiritual, and artistic movement that took hold of Europe during the late eighteenth century and had a profound impact on every field of the arts, from music to painting to literature. A phenomenon of revolutionary import, Romanticism ~ so~named for the importance it gave to the emotions ~ spread across the continent of Europe and arrived in the young United States. It was a new concept of art and artists, Rejecting the rigid canons of classicism and the limitations imposed by traditional rules, and in open revolt against rationalism, it saw art as the result of absolute creative freedom and the artist as a supreme ~ even heroic ~ individual with the right to express him~ or herself in a the most personal way, drawing inspiration from imagination and driven by the demands of creativity, This volume, illustrated with more than 450 splendid images, presents the history of Romanticism in a highly original way, offering an enthralling panorama of this all~important period in the history of art. By dividing the vast subject into twenty basic themes the author explores the various "souls" of Romanticism, from the myth of Napoleon to the Gothic revival, from religious images to the allure of the East and exoticism. There are chapters on landscape, dreams and the psyche, the concept of the sublime, along with insights into melodrama, Gothic romances, and the ballet, taking the reader up to the very threshold of the modern age and first signs of realism. This historical and artistic story is illustrated with works by the greatest artists of the period ~ such as Caspar David Friedrich, Ingres, Delacroix, Gericoult, Fuseli, Bloke, and Turner in Europe; and John Trumbull, Thomas Cole, and George Catlin in America ~ along with works by minor artists who made important contributions. The volume includes a chronological table to guide the reader through one of the most turbulent and dramatic periods of history; brief biographies of the artists; a bibliography; and an index. Together these resources make this exceptionally comprehensive volume on essential introduction to one of the most fascinating periods in art history, a period that still influences the way we look at art and life. …

Condition: NEW.

Brossura. Condition: new. A cura di Marini M. e Ciseri I. Testo Italiano e Inglese. Firenze, 2015; br., pp. 160, ill. b/n e col., cm 21x28. Sfogliare un album di antiche fotografie, immagini monocrome provenienti da un passato ormai lontano, desta sempre un sentimento di grande curiosità e di mistero, cui la stessa essenza del colore pone un limite di conoscenza. E il fascino si accresce quanto attraverso quelle foto si scopre il volto scomparso di un centro urbano o gli interni dei suoi edifici, come appunto un grande museo. E' dunque con grande piacere che, nella ricorrenza dei 150 anni dalla sua fondazione, si presenta questo contributo sul Museo Nazionale del Bargello, una raccolta di immagini storiche corredata da didascalie che guidano il lettere alla scoperta delle origini e dell'evoluzione del museo. Libro.…

Hardcover. Condition: Fine. The Florentine author Ilaria Ciseri published the 2003 Werk Il Romanticismo. 1760-1860: La Nascità di una nuova Sensibilità, which has now been presented in German language under the simpler title "Die Kunst der Romantik," 400 pages heavy, printed art paper in format 30 x 30 cm, in a dark canvas cover with golden stamping font. German edition to more than 500 pictures, which slightly overdriven color actually has a "shining panorama of this fascinating artistic epoch" (blurb). The image selection offers the presentation rarely seen works from Italian museums, from Russian or French-owned, but they could hardly be made on quality: with preference for works of late romantic history painters including Francisco Hayez, Francesco Podesti and Giuseppe Sabatelli. The early Romantics presented include Pierre Antoine and Jacques Cathelineau and works from the Musée Ancien Evêché in Evreux and Musée d'Orsay. Size: 11¾" - 12½". book.…

Hardcover. Condition: French language. As new. Large Square Quarto. Hardcover. Bound in paper with paper jacket. Patterned end papers. 399 pages : illustrations en couleur. Cet ouvrage de référence, superbement illustré de plus de 450 reproductions, présente un panorama très complet du mouvement romantique dans la peinture européenne, du préromantisme â l'éclosion du réalisme.…