Herron Tom (74 results)

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Soft cover. Condition: Fine. 1st Edition. First Edition, First Printing of this Double Issue of 17 Short Stories. Featured are Borrowed Time by Doug Allyn, The Way It Is by Marilyn Todd, Real Life, Real Death by Ed Gorman and Ricky Sprague, What We Do by Mick Herron, Connected by Janice Law, Religious Experience by Tom Tolnay, Breaking the Box by Brendan DuBois, The Major Leaguer by Jerome Charyn, Tightrope Act by James Powell, Collector's Find by VS Kemanis, Ithaca 37 by Art Taylor, The Parson's Nose by Jon L Breen, Dialing in by Dana Cameron, In a Dark Manner by David Dean, Mummy Darling by Maurizio De Giovanni, A Case of Harassment by OA Tynan and Cereal Killer by Kevin Mims. In Fine Condition.

Soft cover. Condition: Near Fine. 1st Edition. First edition, first printing of this double issue of 20 short stories. Featured are The Black Chapel by Doug Allyn, El Tramegra by Margaret Maron, The Problem of the Shepherd's Ring by Edward D Hoch, Lost Luggage by Mick Herron, Jade Skirt by Simon Levack, Charlady's Choice by Neil Schofield, The Book of Truth by Nancy Pickard, C Seven H Fourteen O Two by Will Ryan, Ice Cube Trey by Terry Lerdall-Fitterer, Cry Before Midnight by Donald Olson, Cagebird by Margaret Lawrence, The Brick by Natasha Cooper, Karaoke Night by David Knadler, False Light by Margaret Murphy, The Right Call by Brendan DuBois, Whither Columbus by Gary Alexander, Body Shop by Terry Barbieri, The Last Calabresi by Jean Femling, There's a Girl for Me by Tom Tetzlaff and The Killer Who Disappeared by Richard Macker. A 1/4-inch closed-tear to the top edge of the front cover. Light reading creases to the spine and front cover. In Near Fine Condition.

Soft cover. Condition: Fine. 1st Edition. First Edition, First Printing of this Double Issue of 19 Short Stories. Featured are Murder at Montefugoni by Margaret Maron, The Boy Who Cried Wolf by Loren D Estleman, Between the Dark and the Daylight by Tom Piccirilli, Split/Brain by Joyce Carol Oates, Last Island South by John C Boland, An Object of Scandal and Concern by Robert Barnard, Storm Surge by Meenakshi Gigi Durham, The Girl From the Pleasure House by Simon Levack, What Happened to Mary? by Bill Pronzini, Proof of Love by Mick Herron, The Parson and the Highwayman by Judith Cutler, Event Risk by Mike Wiecek, The Peahen by Twist Phelan, The Rock by Edward D Hoch, After Babygirl by Jean Femling, The Wickern Boys by Stephen Ross, Diamond Ruby by Joseph Wallace, An Ill Wind by Amelia Symington and Nausicaa's Ball by Paul Halter. In Fine Condition.

Soft cover. Condition: Fine. 1st Edition. First Edition, First Printing of this Double Issue of 18 short stories. Featured are The Carville Ghost by Bill Pronzini, Pickpocket by Marcia Muller, The Erstwhile Groom by Laura Benedict, Remote Control by Mick Herron, A Rat's Tale by Donna Andrews, The Profane Angel by Loren Estleman, Limpopo by Sheila Kohler, The World in Primary Colors by Scott William Carter, Parson Pennywick and The Whirligig by Amy Myers, A Cozy for the Jack-o'-lanterns by James Powell, Moon Madness by Tom Tolnay, Ideas in my Head by Janice Law, The Thelft of the Ostracized Ostrich by Edward D. Hoch, Blues in the Kabul Night by Clark Howard, Scream Queen by Ed Gorman, A Chance to Get Even by Lawrence Block, Camera Guy by Mark Barsotti, and No Bones About it by Marc R Soto. In Fine Condition.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Wraps. Condition: Good to Very Good-. Vol. 133, Nos. 3 & 4 (Whole Nos. 805 & 806). Edited by Janet Hutchings. Cover art by Norman Saunders. Includes "Murder at Montefugoni" by Margaret Maron; "The Boy Who Cried Wolfe" by Loren D. Estleman; "Between the Dark and the Daylight" by Tom Piccirilli; "Split/Brain" by Joyce Carol Oates; "Last Island South" by John C. Boland; "An Object of Scandal and Concern" by Robert Barnard; "Storm Surge" by Meenakshi Gigi Durham; "The Girl from the Pleasure House" by Simon Levack; "What Happened to Mary?" by Bill Pronzini; "Proof of Love" by Mick Herron; "The Parson and the Highwayman" by Judith Cutler; "Event Risk" by Mike Wiecek; "The Peahen" by Twist Phelan; "The Rock" by Edward D. Hoch; "After Babygirl" by Jean Femling; "The Wickern Boys" by Stephen Ross; "Diamond Ruby" by Joseph Wallace; "An ill Wind" (First Story) by Amelia Symington; "Passport to Crime: Nausicaa's Ball" by Paul Halter. Standard features. Illustrated by Ron Bucalo, Jason Eckhardt, Mark Evans, Allen Davis, Laurie Harden, and Mark Evan Walker. Glue-shrink; creasing; edge and corner wear; scratch /scuff tear to front and following page. Magazine.

Wraps. Condition: Very Good+ to Near Fine. Vol. 133, Nos. 3 & 4 (Whole Nos. 805 & 806). Edited by Janet Hutchings. Cover art by Norman Saunders. Includes "Murder at Montefugoni" by Margaret Maron; "The Boy Who Cried Wolfe" by Loren D. Estleman; "Between the Dark and the Daylight" by Tom Piccirilli; "Split/Brain" by Joyce Carol Oates; "Last Island South" by John C. Boland; "An Object of Scandal and Concern" by Robert Barnard; "Storm Surge" by Meenakshi Gigi Durham; "The Girl from the Pleasure House" by Simon Levack; "What Happened to Mary?" by Bill Pronzini; "Proof of Love" by Mick Herron; "The Parson and the Highwayman" by Judith Cutler; "Event Risk" by Mike Wiecek; "The Peahen" by Twist Phelan; "The Rock" by Edward D. Hoch; "After Babygirl" by Jean Femling; "The Wickern Boys" by Stephen Ross; "Diamond Ruby" by Joseph Wallace; "An ill Wind" (First Story) by Amelia Symington; "Passport to Crime: Nausicaa's Ball" by Paul Halter. Standard features. Illustrated by Ron Bucalo, Jason Eckhardt, Mark Evans, Allen Davis, Laurie Harden, and Mark Evan Walker. Glue-shrink; rubs; edge and corner nicks and wear. No label, never was. Magazine.

Condition: Very Good. 2008. paperback. Clean copy with minor shelf wear. . . . . Books ship from the US and Ireland.

Condition: Very Good. 2008. paperback. Clean copy with minor shelf wear. . . . .

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Yale University Press, New Haven, CT. 1983. Hardcover. First Printing by Line Number. Book is tight, square, and unmarked. Book Condition: Fine. DJ: Near Fine; light bumping at head, tail, and tips from shelving. Gold cloth boards and spine with bright black lettering on the spine. 194 pp 8vo. How much medical information can a patient have? How much health care can he have? These ethical questions confront health care professionals every day. In this book the authors explore provocative problems of euthanasia, abortion, in vitro fertilization, health care and distributive justice, truth-telling and informed consent, determination of death, and genetic engineering. Their approach takes the reader behind the headlines and enables a person to make informed decisions/choices. A clean very presentable copy.

Rústica. Condition: New. Dust Jacket Condition: Nuevo. 1. After Bloody Sunday investigates the ways in which the events in Derry on January 30, 1972, have found representation in photography, film, theatre, poetry, television documentary, art installations, murals, music, commemorative events, legal discourse, eyewitness testimony, and pressure-group campaigns. Thirty-six years after the killing and wounding of twenty-six civil rights protestors in Derry, the new independent tribunal chaired by Lord Mark Saville of Newdigate is close to publishing its findings. The Report of the Bloody Sunday Inquiry promises to be the most comprehensive act of truth-recovery yet attempted in relation to the many atrocities that scarred the North of Ireland during the three decades of political conflict. Mark Saville has the formidable, and perhaps impossible, task of establishing the definitive truth of Bloody Sunday. His attempt comes in the wake of many other earlier versions of the events of 30th January 1972 that have also claimed to present the truth of what happened that day. LIBRO.

Paperback. Condition: As New. Never read, no marks in the text. Our copy is a new paperback showing a little shelfwear.

Condition: New. 2007. Illustrated. Hardcover. Investigates the ways in which the events in Derry on 30th January 1972 have found representation in photography, film, theatre, poetry, television documentary, art installations, murals, music, commemorative events, legal discourse, eyewitness testimony, and pressure-group campaigns. Num Pages: 152 pages. BIC Classification: 1DBKN; 3JJPL; HBJD1; HBLW3; JFCA. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 234 x 156. . . . . . . Books ship from the US and Ireland.

Condition: New. 2007. Illustrated. Hardcover. Investigates the ways in which the events in Derry on 30th January 1972 have found representation in photography, film, theatre, poetry, television documentary, art installations, murals, music, commemorative events, legal discourse, eyewitness testimony, and pressure-group campaigns. Num Pages: 152 pages. BIC Classification: 1DBKN; 3JJPL; HBJD1; HBLW3; JFCA. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 234 x 156. . . . . . .

Hardcover. Condition: new. Hardcover. Thirty-six years after the killing and wounding of twenty-six civil rights protestors in Derry, the new independent tribunal chaired by Lord Mark Saville of Newdigate is close to publishing its findings. "The Report of the Bloody Sunday Inquiry" promises to be the most comprehensive act of 'truth-recovery' yet attempted in relation to the many atrocities that scarred the North of Ireland during the three decades of political conflict. Mark Saville has the formidable, perhaps impossible, task of establishing the definitive truth of Bloody Sunday. His attempt comes in the wake of many other earlier versions of the events of 30th January 1972 that have also claimed to present the 'truth' of what happened that day. "After Bloody Sunday" examines the portrayals of the day and its devastating repercussions in photography, film, theatre, poetry, television documentary, art installations, murals, commemorative events, and legal discourse. The authors consider their veridicity, their mechanisms of authenticity, and their assumptions that a particular medium - be it film, or language, or visual art - can somehow articulate the 'truth' of Bloody Sunday.In the course of six thematically-organized chapters, the authors analyze productions ranging from high-profile 'popular' forms of entertainment - such as Paul Greengrass' feature film "Bloody Sunday" and Jimmy McGovern's made-for-television film, "Sunday" - through to lesser-known treatments in poetry (Thomas Kinsella's Butcher's "Dozen"), drama (Frank McGuinness' "Carthaginians" and Brian Friel's "The Freedom of the City"), and visual art (The Bogside Artists and Willie Doherty). They place special emphasis on the commemoration events held each year in Derry in which the families of the victims have - over many years - remembered their dead and injured, while at the same time building a highly-effective campaign that resulted, finally, in the new Inquiry. Drawing on their expertise in the fields of literature, cultural theory, media studies and visual art, the authors have produced a thoroughly interdisciplinary approach towards the many representations that claim, with varying degrees of confidence, to tell the story of 'what really happened' on the streets of the Bogside on the afternoon of 30th January 1972. Investigates the ways in which the events in Derry on 30th January 1972 have found representation in photography, film, theatre, poetry, television documentary, art installations, murals, music, commemorative events, legal discourse, eyewitness testimony, and pressure-group campaigns. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Paperback. Condition: New. The presence of Irish writers is almost invisible in literary studies of London. The Irish Writing London redresses the critical deficit. A range of experts on particular Irish writers reflect on the diverse experiences and impact this immigrant group has had on the city. Such sustained attention to a location and concern of Irish writing, long passed over, opens up new terrain to not only reveal but create a history of Irish-London writing. Alongside discussions of MacNeice, Boland and McGahern, the autobiography of Brendan Behan and identity of Irish-language writers in London is considered. Written by an internal array of scholars, these new essays on key figures challenge the deep-seated stereotype of what constitutes the proper domain of Irish writing, producing a study that is both culturally and critically alert and a dynamic contribution to literary criticism of the city.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New.

Condition: New. In.

Condition: New. In.

Condition: New.

Condition: New. Editor(s): Herron, Tom. Series: Bloomsbury Studies in the City. Num Pages: 184 pages, black & white illustrations. BIC Classification: 2AB; DSBH. Category: (G) General (US: Trade). Dimension: 239 x 173 x 11. Weight in Grams: 278. . 2014. Paperback. . . . .

Condition: New. Editor(s): Herron, Tom. Series: Bloomsbury Studies in the City. Num Pages: 184 pages, black & white illustrations. BIC Classification: 1DBKESL; 1DBR; 2AB; DSBH. Category: (G) General (US: Trade). Dimension: 232 x 163 x 11. Weight in Grams: 290. . 2014. Reprint. paperback. . . . .

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 140 pages. 9.25x6.25x0.75 inches. In Stock.

Condition: New. pp. 176.

Condition: New. pp. 192.

Condition: New. Editor(s): Herron, Tom. Series: Bloomsbury Studies in the City. Num Pages: 184 pages, black & white illustrations. BIC Classification: 2AB; DSBH. Category: (G) General (US: Trade). Dimension: 239 x 173 x 11. Weight in Grams: 278. . 2014. Paperback. . . . . Books ship from the US and Ireland.