Graham Judd (30 results)

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardcover. Condition: Good. Cover and edges may have some wear. No dust jacket.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Cream-colored boards and spine with brown lettering. Bright white pages and end papers. Square and tight. Very nice copy. No remainder marks. A nice gift for a botanist, who is a fan of J.R.R. (John Ronald Reuel) Tolkien.

Condition: New.

Condition: As New. Unread book in perfect condition.

Soft Cover. Condition: Brand New. 264 + pp. Copy in pristine state. Over-sized and/or over weight book; extra postage required. Please note that large and/or heavy items may incur an additional shipping charge. Pictures of actual copy -not displayed here!- available upon request. Lot 32 (Opposite); Lot 75 (Front Cover); Lot 71 (Back Cover); Lot 74 ©Richard Prince (Inside Front Cover); Lot 44 (Inside Back Cover); Lot 118 (Opposite Specialists Page); Lot 70 (Session Divider) (illustrator). …

Hardback. Condition: New. The book considers the importance of plants in Tolkien's conception of Middle-earth. It develops the theme that Middle-earth is our own world - and will awaken the reader to the connection between the plants of Tolkien's legendarium and those growing in our gardens and local natural areas of the Northern Hemisphere. It also demonstrates the connection between the various plant communities of Middle-earth and the elven and human cultures that occupy them, including those environments degraded by warfare, industrialization or pollution. The heart of the book is an alphabetical listing, arranged by common names, of all of the plants mentioned in Tolkien's legendarium; for each of these plants the treatment will include: 1) common and scientific name, along with an indication of the family to which the plant belongs, 2) a brief quote from one of Tolkien's works in which the plant is referenced, 3) a discussion of the significance of the plant in the context of Tolkien's legendarium, 4) the etymology relating to both English common name and the scientific name, and where relevant, the name in one or more of the languages of Middle-earth, 5) a brief statement of the plant's distribution and ecology (along with mention of major species), 6) economic uses, both traditional and current, and 7) an easy-to-understand description of the plant. The book provides guidelines to the use of plant descriptions, and the few technical terms used are carefully defined. Many plants are illustrated by original artwork, in the style of a woodcut print. The description along with an identification key, when used with the illustrations, allow easy identification of each plant, adding to the reader's understanding and appreciation of Tolkien's works. A glossary of descriptive terms is also included.…

Condition: New.

Condition: New.

Hardcover. Condition: Good. 1st Edition. Deaccessioned from a Harvard University libray, which overbound the original wrappers in brown buckram cloth with gilt lettering on the spine; the original owner, malacologist R[uth]. D. Turner, signed her name at top of the free front endpaper; bottom edges of boards have white soil, not affecting interior; tight, text clean. 438 p., with in-text illustrations and plates. [otob: 61r].…

Hardback. Condition: New. The book considers the importance of plants in Tolkien's conception of Middle-earth. It develops the theme that Middle-earth is our own world - and will awaken the reader to the connection between the plants of Tolkien's legendarium and those growing in our gardens and local natural areas of the Northern Hemisphere. It also demonstrates the connection between the various plant communities of Middle-earth and the elven and human cultures that occupy them, including those environments degraded by warfare, industrialization or pollution. The heart of the book is an alphabetical listing, arranged by common names, of all of the plants mentioned in Tolkien's legendarium; for each of these plants the treatment will include: 1) common and scientific name, along with an indication of the family to which the plant belongs, 2) a brief quote from one of Tolkien's works in which the plant is referenced, 3) a discussion of the significance of the plant in the context of Tolkien's legendarium, 4) the etymology relating to both English common name and the scientific name, and where relevant, the name in one or more of the languages of Middle-earth, 5) a brief statement of the plant's distribution and ecology (along with mention of major species), 6) economic uses, both traditional and current, and 7) an easy-to-understand description of the plant. The book provides guidelines to the use of plant descriptions, and the few technical terms used are carefully defined. Many plants are illustrated by original artwork, in the style of a woodcut print. The description along with an identification key, when used with the illustrations, allow easy identification of each plant, adding to the reader's understanding and appreciation of Tolkien's works. A glossary of descriptive terms is also included.…

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 406 pages. 9.50x6.50x1.25 inches. In Stock.

Hardcover. Condition: Very Good. Dust Jacket Condition: Fair. 1st Edition. First edition, first impression. Some edge wear, chipping, closed tears and loss to top and bottom of jacket and spine, corners rubbed and bruised with loss, blue cloth of covers faded where loss of jacket, not price clipped (30s), no inscriptions, internally clean tight and square, overall a reasonable copy for its age. 245pp, illustrated. In 1937, on the night of her engagement to the Marquess of Donegall, Sheilah Graham met F. Scott Fitzgerald (1896-1940), at a party in Hollywood. Graham (1904-88), a British born journalist, broke off her engagement, and until Fitzgerald had a fatal heart attack in her apartment in 1940, the two writers lived the fervid, sometimes violent affair that is memorialized here with unprecedented intimacy. When they met, Fitzgerald's fame had waned. He battled crippling alcoholism while writing screenplays to support his daughter and institutionalized wife Zelda. Graham's star, however, was rising, to the point where she became Hollywood's highest-paid, best read gossip columnist. But if Fitzgerald had lived out his 'crack-up' in public, Graham kept her demons secret, such as that she believed herself to be 'a fascinating fake who pulled the wool over Hollywood's eyes'. Most poignantly, she keenly felt her lack of education, and Fitzgerald rose to the occasion. He became her passionate tutor, guiding her through a curriculum of his own design, a college of one. Graham loved him the more for it, writing the book as a tribute. Quite a scarce book. Jacket by Dorothy Judd (illustrator).…

219pp.+ads, introduction by Douglas H. Gamlin, Ph.D., illustrated throughout with color and b/w graphic stills and cartoons. Also includes a chapter on Tijuana Bibles (8-pagers) on pp. 134-156 with reproductions of Barney Google "Well I'll be.", J. Wellington Wimpy in 'Beg Pardon' "H'lo Popeye - who's the simple looking sap with you?" Uncle Willie, "Ye had better scram lady." Joe Palooka, "Sweet shit - things are dead working this stem" Harold Teen in 'What a Wicked Drive' "Shut up Josie" and Katherine Heartburn in 'Perverted?' "Come on Daddy. Hurry up and get ready for bed." GP582. Original wrappers. Light shelfwear. Very good. …

Hardcover. Condition: Brand New. 406 pages. 9.50x6.50x1.25 inches. In Stock.

270 pp.; 28.5 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 29, 2000 - January 21, 2001. Texts by Enrico Lunghi and Jan Debbaut. Artists include Marcel Broodthaers, Nïele Toroni, Mario Merz, Jannis Kounellis, A.R. Penck, Richard Long, Gilbert & George, Giulio Paolini, Luciano Fabro, Giovanni Anselmo, Gerhard Richter, Daniel Buren, Jan Dibbets, André Cadere, Hanne Darboven, Art & Language, Stanley Brouwn, Robert Ryman, Ian Wilson, Joseph Kosuth, On Kawara, Douglas Huebler, Robert Barry, Dan Graham, Bruce Nauman, Sol LeWitt, Lawrence Weiner, Donald Judd, Edward Ruscha, Carl Andre, Michelangelo Pistoletto, Jan Vercruysse, René Daniëls, Jean-Marc Bustamante, Didier Vermeiren, Rodney Graham, Harald Klingelhöller, Reinhard Mucha, Thomas Schütte, Franz West, Martin Kippenberger, and Mike Kelley. includes exhibition checklist, artist texts, list of the artists. Covers by Lawrence Weiner. Texts in English and French. Very Good. Bumping of top right corner of recto and top left corner of verso. Rubbing and yellowing of covers. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders. …

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

Hardback. Condition: New. The book considers the importance of plants in Tolkien's conception of Middle-earth. It develops the theme that Middle-earth is our own world - and will awaken the reader to the connection between the plants of Tolkien's legendarium and those growing in our gardens and local natural areas of the Northern Hemisphere. It also demonstrates the connection between the various plant communities of Middle-earth and the elven and human cultures that occupy them, including those environments degraded by warfare, industrialization or pollution. The heart of the book is an alphabetical listing, arranged by common names, of all of the plants mentioned in Tolkien's legendarium; for each of these plants the treatment will include: 1) common and scientific name, along with an indication of the family to which the plant belongs, 2) a brief quote from one of Tolkien's works in which the plant is referenced, 3) a discussion of the significance of the plant in the context of Tolkien's legendarium, 4) the etymology relating to both English common name and the scientific name, and where relevant, the name in one or more of the languages of Middle-earth, 5) a brief statement of the plant's distribution and ecology (along with mention of major species), 6) economic uses, both traditional and current, and 7) an easy-to-understand description of the plant. The book provides guidelines to the use of plant descriptions, and the few technical terms used are carefully defined. Many plants are illustrated by original artwork, in the style of a woodcut print. The description along with an identification key, when used with the illustrations, allow easy identification of each plant, adding to the reader's understanding and appreciation of Tolkien's works. A glossary of descriptive terms is also included.…

Gebunden. Condition: New. In this book, Walter Judd and Grant Judd give detailed species accounts of every plant found in Tolkien s universe, complete with the etymology of the plant s name, a discussion of its significance within Tolkien s work, a description of the plant s distrib.

Buch. Condition: Neu. Neuware - The book considers the importance of plants in Tolkien's conception of Middle-earth. It develops the theme that Middle-earth is our own world - and will awaken the reader to the connection between the plants of Tolkien's legendarium and those growing in our gardens and local natural areas of the Northern Hemisphere. It also demonstrates the connection between the various plant communities of Middle-earth and the elven and human cultures that occupy them, including those environments degraded by warfare, industrialization or pollution. The heart of the book is an alphabetical listing, arranged by common names, of all of the plants mentioned in Tolkien's legendarium; for each of these plants the treatment will include: 1) common and scientific name, along with an indication of the family to which the plant belongs, 2) a brief quote from one of Tolkien's works in which the plant is referenced, 3) a discussion of the significance of the plant in the context of Tolkien's legendarium, 4) the etymology relating to both English common name and the scientific name, and where relevant, the name in one or more of the languages of Middle-earth, 5) a brief statement of the plant's distribution and ecology (along with mention of major species), 6) economic uses, both traditional and current, and 7) an easy-to-understand description of the plant. The book provides guidelines to the use of plant descriptions, and the few technical terms used are carefully defined. Many plants are illustrated by original artwork, in the style of a woodcut print. The description along with an identification key, when used with the illustrations, allow easy identification of each plant, adding to the reader's understanding and appreciation of Tolkien's works. A glossary of descriptive terms is also included.…

Hardback. Condition: New. The book considers the importance of plants in Tolkien's conception of Middle-earth. It develops the theme that Middle-earth is our own world - and will awaken the reader to the connection between the plants of Tolkien's legendarium and those growing in our gardens and local natural areas of the Northern Hemisphere. It also demonstrates the connection between the various plant communities of Middle-earth and the elven and human cultures that occupy them, including those environments degraded by warfare, industrialization or pollution. The heart of the book is an alphabetical listing, arranged by common names, of all of the plants mentioned in Tolkien's legendarium; for each of these plants the treatment will include: 1) common and scientific name, along with an indication of the family to which the plant belongs, 2) a brief quote from one of Tolkien's works in which the plant is referenced, 3) a discussion of the significance of the plant in the context of Tolkien's legendarium, 4) the etymology relating to both English common name and the scientific name, and where relevant, the name in one or more of the languages of Middle-earth, 5) a brief statement of the plant's distribution and ecology (along with mention of major species), 6) economic uses, both traditional and current, and 7) an easy-to-understand description of the plant. The book provides guidelines to the use of plant descriptions, and the few technical terms used are carefully defined. Many plants are illustrated by original artwork, in the style of a woodcut print. The description along with an identification key, when used with the illustrations, allow easy identification of each plant, adding to the reader's understanding and appreciation of Tolkien's works. A glossary of descriptive terms is also included.…

Soft cover. Condition: Near Fine. 1st Edition. Near Fine staple-bound paperback. Overall a bright and attractive copy. No signs of wear or aging. Illustrated throughout, with 3 fold-out plates.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Third printing. Tall octavo. Bound in white boards with printed title, in a complete d/jacket. Appears unread. Illustrations in text. xv,406pp.

Condition: Very Good. First Edition, 8vo softcover, $4.75 cover price, 219pp+ads, illustrated cover art, b/w photos t/o, a few color photos. Vintage adult digest paperback, explicit erotic nonfiction, focused on the "roarin' 20's" and referencing John Held Jr. art on the front. Photos include explicit photos, many are early but many contemporary photos are interspersed, including the color plates. Also sections on Tijuana bibles. Very Good overall, rubbing, toning, light foxing, spine crease. For mature, consenting audiences.…

Soft cover. Condition: Very Good. 1st Edition. Excellent overall condition of this rare issue of Design Quarterly. Lightly bumped at bottom corner of the back extending from the back cover in several pages but not disrupting the content, including the fold out pieces by Tony Shafrazi. Now in custom cut mylar. Includes work by Le Corbusier, Robert Grovrenor, Robert Rauschenberg, Frank Stella, Dan Flavin, Donald Judd, Marcel Duchamp, Claes Oldenburg, Robert Morris, Tony Shafrazi, Richard Hamilton, Joe Goode, Ed Ruscha, Lucas Samaras, Eduardo Paolazzo, Bob Graham and Walter De Maria.…

Encuadernación de tapa blanda. Condition: Bien. Dust Jacket Condition: Bien. INDEX4/5 Enrico R. Comi: Mare del Nord / North Sea6 Dmitrij Prigov:Works / Lavori8/9 Maurizio Cucchi:La vetrina del perito / The consultant's shop-window12/13 Gilberto Finzi:Periferia a Milano / Suburbs in Milan16/18 Franco Fortini:L'incontro/ The encounter24/25 Guido Oldani:Polonord / Northpole28/29 Luciano Erba:I guanti viola / The violet gloves33/65 Enrico R. ComiConversazione con Leo Castelli / Conversation with Leo Castelli100/101 Michelle Gershkovich:Friday / Venerdì102 Hamish Fulton:Works / Lavori104 Richard Long:Works / Lavori106 Jonathan Borofsky:Works / Lavori108 Isa Genzken:Works / Lavori110 Michael Jenkins:Works / Lavori112 Matthew McCaslin:Works / Lavori114 Maria Serebrjakova:Works / Lavori116 Anatolij Shuravlev:Works / Lavori118 Tom Otterness:Works / Lavori120 Jon Kessler:Works / Lavori122 Rodney Graham:Works / Lavori124/124/125 Emilio Martinez:Cambio de pagina / Change of paige / Cambio di pagina128/129/130 Serge Gavronsky:Brisure du cercle / Fragmented circle / Rottura del cerchio132 Guillaume Bijl:Works / Lavori134 Marcus Geiger:Works / Lavori136 Jorge Molder:Works / Lavori138 Robert Bordo:Works / Lavori140 Alighiero Boetti:Lavori / Works142 Edward Ruscha:Works / Lavori144/145 Nat Anderson:Aulophobia: Fear of Flutes / Aulophobia: Paura dei Flauti146 Rebecca Horn:Works / Lavori148 Royden Rabinowitch:Works / Lavori150 Susana Solano:Works / Lavori154/156/158 Karl Lubomirski:Zwei Gedichte / Two poems / Due poesie164/165 Ruth Danon: A plot / Una trama.…

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the descri.…

[16] pp.; 30.5 x 24 cm.; accordion; black-and-white; edition size unknown; signed and unnumbered; computer printed Exhibition catalogue published in conjunction with show held December 9, 1967 - January 14, 1968. Texts by Dan Flavin, Jan van der Marck, Donald Judd, and Dan Graham. Includes checklist, exhibition history, and selected bibliography. Printed on fan-fold, perforated, computer line-printer paper. Very Good. Light wrinkling of covers and 2.5 cm. separation along perforated edge and a 10 cm. dog-ear in lower left corner of verso. Contents clean and unmarked. This copy signed by Dan Graham. Lacks printed mailing envelope.…

Condition: Very Good. FORM FOLLOWS FICTION Design Quarterly 73 ed. Christopher Finch Walker Art Center, Minneapolis, 1969 Original edition. Slim quarto. Saddle stitched thick printed wrappers. 3 fold-outs Very good condition.