Gisli Sigurdsson (34 results)

Condition: As New. Unread book in perfect condition. Simpson, Adam (illustrator).

Condition: New. Simpson, Adam (illustrator).

Soft cover. Condition: Near Fine. 2nd Edition. A clean unmarked copy.

Hardcover. Condition: Good. Dust Jacket Condition: Good. Hardcover in good condition. Text is in Icelandic. A few light scores on dust jacket. Minor bumps on jacket upper edges. Several light marks on page block. Binding is intact, contents are clean and clear. AM. Used.

Taschenbuch. Condition: Neu. Neuware - The bestselling saga of Eirik the Red, Leif the Lucky, and the first American explorersThe all-time bestselling of the sagas in Penguin Classics, The Vinland Sagas are published here in a vibrant new translation. Consisting of The Saga of the Greenlanders and Eirik the Red's Saga, they chronicle the adventures of Eirik the Red and his son, Leif Eirikson, who explored North America 500 years before Columbus. Famous for being the first-ever descriptions of North America, and written down in the early thirteenth century, they recount the Icelandic settlement of Greenland by Eirik the Red, the chance discovery by seafaring adventurers of a mysterious new land, and Eirik's son Leif the Lucky's perilous voyages to explore it.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust theseries to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-datetranslations by award-winning translators.…

Paperback. Dec wrs. ÞORLEIFUR HAUKSSON.

Condition: New. Simpson, Adam (illustrator).

Condition: As New. Unread book in perfect condition. Simpson, Adam (illustrator).

Paperback. Illus card covers, sl scuffed. GRIPLA 14.

Condition: New.

Paperback. Condition: Good. Paperback in good condition. Cover edges and corners are bumped, with small tears to the spine foot, front fore-edge and lower edges. Page block is lightly blemished. Binding is sound and pages are clear. LW. Used.

paperback. Condition: As New. Second edition with a new introduction - Brossura editoriale di 172 pagine. Copia in condizioni pari al nuovo / As new -- Scholars of Old Icelandic generally agree that Icelandic literature was influenced by the Gaelic world where oral literature was highly developed and written prose sagas were produced in the vernacular. Ireland and Iceland are the only countries in NW Europe where sagas of this kind were written down. The problem arises however when the importance of the influence on Icelandic culture has to be assessed. In this book, the author looks at the possible channels by which Gaelic influence could have reached Iceland and looks at the nature of the numerous parallels in different genres of Old Icelandic literature with Gaelic literature, especially Old Irish. The intention is twofold: first, to provide a comprehensive bibliography of the subject, and second, to assess what these parallels can tell us about the importance of Gaelic influence for Icelandic literary tradition. This is the 2nd revised edition, with a new preface, and new general introduction.…

Taschenbuch. Condition: Neu. The Vinland Sagas | Gisli Sigurdsson | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2008 | Penguin Books Ltd | EAN 9780140447767 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Buch. Condition: Neu. Neuware -The Eddas and Sagas of medieval Iceland are remarkable literary achievements, reflecting both the imaginative power and the memory practices of the culture that produced them. Written in various genres and narrative styles, these texts combine learned ideas of their time with traditional storytelling methods. They provide a vivid, often realistic depiction of the previous two to three centuries, gradually moving into the legendary and mythological as stories reach further back in time or into more distant realms. Understanding these texts as rooted in traditional oral memory-alongside the influences of medieval book culture-is essential to fully appreciating their form, purpose, and significance.This book explores how Icelandic society remembered its past and environment, and how those memory practices shaped the literary culture. It examines what is unique about this literature, how the introduction of book culture transformed storytelling, and how written texts both preserved tradition and created new avenues for creativity and social prestige. The origins of Icelandic literary culture are traced to Norway, Ireland, and the British Isles, showing how intercultural exchange enriched narrative forms and themes.Key texts, including V_luspá and Njáls saga, are analyzed to reveal how authors drew on both oral tradition and learned knowledge. The corpus of the Sagas of Icelanders demonstrates how oral memory shaped storytelling, mediating ideas about the natural world, history, and social norms. Snorri Sturluson's Edda is highlighted as a sophisticated example of how writing was used to teach traditional mythology, using the sky as a mnemonic device for young poets learning the foundations of professional court poetry.The book also examines the individuals who actively transformed oral tradition into literary culture. Snorri Sturluson and his nephew Sturla Þórðarson used the art of writing to elevate their social status while reshaping how their contemporaries-and later generations-understood the past. Their work laid the foundation for a new literary genre: the Sagas of Icelanders. Through their innovations, oral tradition was preserved, transformed, and made accessible to an increasingly literate audience, blending memory, history, and myth in unprecedented ways.By combining literary analysis, historical context, and theories of memory, this book offers a fresh understanding of Icelandic medieval literature. It presents the Eddas and Sagas not merely as texts to be studied for their stories or history, but as dynamic cultural artifacts that illuminate the transition from oral to written culture, the negotiation of social power, and the creativity of individual authors working within and beyond their tradition. For scholars and general readers alike, it provides new insights into how medieval Icelanders remembered, narrated, and imagined their world. 300 pp. Englisch.…

Buch. Condition: Neu. Neuware -The Eddas and Sagas of medieval Iceland are remarkable literary achievements, reflecting both the imaginative power and the memory practices of the culture that produced them. Written in various genres and narrative styles, these texts combine learned ideas of their time with traditional storytelling methods. They provide a vivid, often realistic depiction of the previous two to three centuries, gradually moving into the legendary and mythological as stories reach further back in time or into more distant realms. Understanding these texts as rooted in traditional oral memory-alongside the influences of medieval book culture-is essential to fully appreciating their form, purpose, and significance.This book explores how Icelandic society remembered its past and environment, and how those memory practices shaped the literary culture. It examines what is unique about this literature, how the introduction of book culture transformed storytelling, and how written texts both preserved tradition and created new avenues for creativity and social prestige. The origins of Icelandic literary culture are traced to Norway, Ireland, and the British Isles, showing how intercultural exchange enriched narrative forms and themes.Key texts, including V_luspá and Njáls saga, are analyzed to reveal how authors drew on both oral tradition and learned knowledge. The corpus of the Sagas of Icelanders demonstrates how oral memory shaped storytelling, mediating ideas about the natural world, history, and social norms. Snorri Sturluson's Edda is highlighted as a sophisticated example of how writing was used to teach traditional mythology, using the sky as a mnemonic device for young poets learning the foundations of professional court poetry.The book also examines the individuals who actively transformed oral tradition into literary culture. Snorri Sturluson and his nephew Sturla Þórðarson used the art of writing to elevate their social status while reshaping how their contemporaries-and later generations-understood the past. Their work laid the foundation for a new literary genre: the Sagas of Icelanders. Through their innovations, oral tradition was preserved, transformed, and made accessible to an increasingly literate audience, blending memory, history, and myth in unprecedented ways.By combining literary analysis, historical context, and theories of memory, this book offers a fresh understanding of Icelandic medieval literature. It presents the Eddas and Sagas not merely as texts to be studied for their stories or history, but as dynamic cultural artifacts that illuminate the transition from oral to written culture, the negotiation of social power, and the creativity of individual authors working within and beyond their tradition. For scholars and general readers alike, it provides new insights into how medieval Icelanders remembered, narrated, and imagined their world. 300 pp. Englisch.…

Buch. Condition: Neu. Neuware -The Eddas and Sagas of medieval Iceland are remarkable literary achievements, reflecting both the imaginative power and the memory practices of the culture that produced them. Written in various genres and narrative styles, these texts combine learned ideas of their time with traditional storytelling methods. They provide a vivid, often realistic depiction of the previous two to three centuries, gradually moving into the legendary and mythological as stories reach further back in time or into more distant realms. Understanding these texts as rooted in traditional oral memory-alongside the influences of medieval book culture-is essential to fully appreciating their form, purpose, and significance.This book explores how Icelandic society remembered its past and environment, and how those memory practices shaped the literary culture. It examines what is unique about this literature, how the introduction of book culture transformed storytelling, and how written texts both preserved tradition and created new avenues for creativity and social prestige. The origins of Icelandic literary culture are traced to Norway, Ireland, and the British Isles, showing how intercultural exchange enriched narrative forms and themes.Key texts, including V¿luspá and Njáls saga, are analyzed to reveal how authors drew on both oral tradition and learned knowledge. The corpus of the Sagas of Icelanders demonstrates how oral memory shaped storytelling, mediating ideas about the natural world, history, and social norms. Snorri Sturluson's Edda is highlighted as a sophisticated example of how writing was used to teach traditional mythology, using the sky as a mnemonic device for young poets learning the foundations of professional court poetry.The book also examines the individuals who actively transformed oral tradition into literary culture. Snorri Sturluson and his nephew Sturla Þórðarson used the art of writing to elevate their social status while reshaping how their contemporaries-and later generations-understood the past. Their work laid the foundation for a new literary genre: the Sagas of Icelanders. Through their innovations, oral tradition was preserved, transformed, and made accessible to an increasingly literate audience, blending memory, history, and myth in unprecedented ways.By combining literary analysis, historical context, and theories of memory, this book offers a fresh understanding of Icelandic medieval literature. It presents the Eddas and Sagas not merely as texts to be studied for their stories or history, but as dynamic cultural artifacts that illuminate the transition from oral to written culture, the negotiation of social power, and the creativity of individual authors working within and beyond their tradition. For scholars and general readers alike, it provides new insights into how medieval Icelanders remembered, narrated, and imagined their world.…

Condition: Very Good.

Paperback. Condition: Good. 1993 University of Turku paperback edition. Some reading wear else good condition. Contents: Chapter 1: Hannu-Pekka Huttunen: Introduction: 'Celt & Finn'; Chapter 2: Paivikki Suojanen: Cultures, Languages, Understanding; Chapter 3: Gisli Sigurdsson: Gaelic Influence in Iceland: When, How and Where?; Chapter 4: Gearoid O Crualaoich: The Production and Consumption of Sacred Substances in Irish Funerary Tradition; Chapter 5: Micheal Briody: Irlannin kansanperinteen keruun epavirallinen historia (Summary: The Collection of Irish Folk Tradition - An Unofficial History); Chapter 6: Jukka Saarinen: 'Irlannista hiiteen' - Irlannin si- ja suomen hiisiperinteen vertailua (Summary: Comparing the Irish 'si' and the Finnish 'hiisi' traditions); Chapter 7: Harri Nyberg: Celtic Ideas of Plants; Chapter 8: Glyn Banks: The Anglicization of Welsh; Chapter 9: Anders Ahlqvist: Finnois et irlandais modernes: Rencontre typologique; Chapter 10: Christoffer von Bonsdorff, Tom Sjoblom & Monica Sonck: Students' Experiences in Learning Celtic Languages; Chapter 11: Riitta Latvio: Summary of the General Discussion.…

Hardcover. Condition: Brand New. 300 pages. 6.10x2.00x9.06 inches. In Stock.

Condition: New.

Paperback. Condition: Very Good. First Edition. Scholarly study of Viking and pre-Viking contacts between Iceland, Ireland, the Orkney Islands, and British islands; Gaels living in Iceland; and the influence of Gaelic culture on Icelandic culture, myth & saga, which, the author asserts, is considerably different from the Scandinavian literature of the period. Publisher's Studia Islandica 46, written as the author's Master's thesis in medieval studies at the National University of Ireland. Text in English. Paperback, as pictured. Light wear, minor creasing, corners chipped; top edge still mostly unopened - that is, the folds from the printing & binding process are uncut, so the book cannot be read until these folds are cut with a letter-opener or similar tool. Text clean, no names or marks; 172 pages. Size: 5¾" by 8¾".…

Buch. Condition: Neu. Reflections of Traditional Oral Memory in the Eddas and Sagas | Gísli Sigurðsson | Buch | 274 S. | Englisch | 2026 | Walter de Gruyter | EAN 9783112248485 | Verantwortliche Person für die EU: Walter de Gruyter GmbH, De Gruyter GmbH, Genthiner Str. 13, 10785 Berlin, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu. …

Buch. Condition: Neu. Neuware - The Eddas and Sagas of medieval Iceland are remarkable literary achievements, reflecting both the imaginative power and the memory practices of the culture that produced them. Written in various genres and narrative styles, these texts combine learned ideas of their time with traditional storytelling methods. They provide a vivid, often realistic depiction of the previous two to three centuries, gradually moving into the legendary and mythological as stories reach further back in time or into more distant realms. Understanding these texts as rooted in traditional oral memory-alongside the influences of medieval book culture-is essential to fully appreciating their form, purpose, and significance.This book explores how Icelandic society remembered its past and environment, and how those memory practices shaped the literary culture. It examines what is unique about this literature, how the introduction of book culture transformed storytelling, and how written texts both preserved tradition and created new avenues for creativity and social prestige. The origins of Icelandic literary culture are traced to Norway, Ireland, and the British Isles, showing how intercultural exchange enriched narrative forms and themes.Key texts, including V_luspá and Njáls saga, are analyzed to reveal how authors drew on both oral tradition and learned knowledge. The corpus of the Sagas of Icelanders demonstrates how oral memory shaped storytelling, mediating ideas about the natural world, history, and social norms. Snorri Sturluson's Edda is highlighted as a sophisticated example of how writing was used to teach traditional mythology, using the sky as a mnemonic device for young poets learning the foundations of professional court poetry.The book also examines the individuals who actively transformed oral tradition into literary culture. Snorri Sturluson and his nephew Sturla Þórðarson used the art of writing to elevate their social status while reshaping how their contemporaries-and later generations-understood the past. Their work laid the foundation for a new literary genre: the Sagas of Icelanders. Through their innovations, oral tradition was preserved, transformed, and made accessible to an increasingly literate audience, blending memory, history, and myth in unprecedented ways.By combining literary analysis, historical context, and theories of memory, this book offers a fresh understanding of Icelandic medieval literature. It presents the Eddas and Sagas not merely as texts to be studied for their stories or history, but as dynamic cultural artifacts that illuminate the transition from oral to written culture, the negotiation of social power, and the creativity of individual authors working within and beyond their tradition. For scholars and general readers alike, it provides new insights into how medieval Icelanders remembered, narrated, and imagined their world.…

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Buch. Condition: Neu. Neuware -The Eddas and Sagas of medieval Iceland are remarkable literary achievements, reflecting both the imaginative power and the memory practices of the culture that produced them. Written in various genres and narrative styles, these texts combine learned ideas of their time with traditional storytelling methods. They provide a vivid, often realistic depiction of the previous two to three centuries, gradually moving into the legendary and mythological as stories reach further back in time or into more distant realms. Understanding these texts as rooted in traditional oral memory-alongside the influences of medieval book culture-is essential to fully appreciating their form, purpose, and significance.This book explores how Icelandic society remembered its past and environment, and how those memory practices shaped the literary culture. It examines what is unique about this literature, how the introduction of book culture transformed storytelling, and how written texts both preserved tradition and created new avenues for creativity and social prestige. The origins of Icelandic literary culture are traced to Norway, Ireland, and the British Isles, showing how intercultural exchange enriched narrative forms and themes.Key texts, including V¿luspá and Njáls saga, are analyzed to reveal how authors drew on both oral tradition and learned knowledge. The corpus of the Sagas of Icelanders demonstrates how oral memory shaped storytelling, mediating ideas about the natural world, history, and social norms. Snorri Sturluson's Edda is highlighted as a sophisticated example of how writing was used to teach traditional mythology, using the sky as a mnemonic device for young poets learning the foundations of professional court poetry.The book also examines the individuals who actively transformed oral tradition into literary culture. Snorri Sturluson and his nephew Sturla Þórðarson used the art of writing to elevate their social status while reshaping how their contemporaries-and later generations-understood the past. Their work laid the foundation for a new literary genre: the Sagas of Icelanders. Through their innovations, oral tradition was preserved, transformed, and made accessible to an increasingly literate audience, blending memory, history, and myth in unprecedented ways.By combining literary analysis, historical context, and theories of memory, this book offers a fresh understanding of Icelandic medieval literature. It presents the Eddas and Sagas not merely as texts to be studied for their stories or history, but as dynamic cultural artifacts that illuminate the transition from oral to written culture, the negotiation of social power, and the creativity of individual authors working within and beyond their tradition. For scholars and general readers alike, it provides new insights into how medieval Icelanders remembered, narrated, and imagined their world. 300 pp. Englisch.…

paperback. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Bokautgafa Menningarsjods, Reykavik 1988. 172 pages. Orig. soft cover. Title on spine written in pen. Bookplate. Very good.

Condition: New.

XXXII, 414; (4), 415-853 pp. 2 vol. Publisher's blue cloth with gilt tilting to front board and spine. Condition very fine.

Condition: - keine Angabe -. Gr.8° 400 pp.; Orig.-Broschur; 860g; [Dänisch / Englisch / Isländisch]; kaum Gebrauchsspuren [lgr=L] _ xXx_.